30 Years of INURA

June 2021 marks the 30 years since the founding of INURA, the International Network for Urban Research and Action. In that time, INURA has developed into a resilient network for people involved in action and research in localities and cities. The Network consists of activists and researchers from community and environmental groups, universities, and local administrations, who wish to share experiences and to participate in common research.


INURA advocates for social justice. Most recently INURA spoke out against the arrest and imprisonment of Eugene Kalinouski, 22, urban geographer, who was arrested in Belarus for during a political protest. Belarus has a history of arresting those who dissent with the government, and are facing international sanctions after the recent extraordinary lengths they went to in order to arrest a blogger. Other examples of the issues that Network members are involved in include actions such as standing in solidarity with workers, criticising environmentally unsound development processes and research on major urban renewal projects, the urban periphery, community-led environmental schemes, urban traffic and transport, inner city labour markets, do-it-yourself culture, and social housing provision. In each case, the research is closely tied to, and is a product of, local action and initiative.

This year, INURA member Tomislav Tomasevic, activist, researcher, and organiser of the 2019 INURA conference in Zagreb, was elected as the new mayor of the city of Zagreb (population 805,000) winning more than 68% of the vote.

INURA was founded in 1991 in Salecina, Switzerland as a network with a self-organising, non-hierarchical, decentralised structure. INURA is also a member of the Habitat International Coalition, a global network for the right to housing and social justice.

Since 1991, INURA has held yearly conferences in cities around the world, although the 30th conference, which will take place in Luxembourg, has been postponed until 2022 due to the global pandemic. 

Spectacle’s founder Mark Saunders is a founding member of INURA and Spectacle’s archive contains valuable video footage or urban environments throughout the 80s, 90s, and 00s from Montreal to Brussels to Berlin which is available for the researchers in the INURA network. 

Spectacle has long focused on inequality in urban environments and precarious housing arrangements including squats, cooperatives, evictions, and estates. All this material and more can be explored through our archive

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Remote Participatory Video in Medellin, Colombia

Spectacle has been at the forefront of Participatory Video (PV) practice and community engagement for more than thirty years. We continue to innovate and during the last 9 months we have developed a model for delivering Participatory Video workshops remotely.

Reinventada, a participatory video project for LSE

The Project

Spectacle is currently a partner in a research project developing a groundbreaking remote PV method. The research project Reinventada is funded by the London School of Economics (LSE) Knowledge Exchange and Impact Fund (KEI). It investigates the condition of displaced and migrant women, especially mothers and heads of household, living in disadvantaged neighbourhoods of Medellin (Colombia).

The Garcia sisters, Celmira and Elicenia

The research was initially planned to produce a participatory documentary on women’s ‘right to the city’ in Medellin. However, as soon as the pandemic crisis exploded, being well aware that women are amongst the most affected groups of people during emergencies and disasters, we were able to create a remote participatory project that investigates the impact of COVID-19 on participants’ everyday lives in poorer areas of the city. 

The Beginning

Started in May 2020, the project was originally planned to be conducted face-to-face, but was forced online due to the pandemic. It is led by dr. Sonja Marzi, the Principal Investigator from the Department of Methodology at LSE, as well as supported on the ground by two Colombian partners: Maria Fernanda Carrillo, a sociologist and filmmaker, and Lina Maria Zuluaga, anthropologist.

Dr. Sonja Marzi, Principal Investigator of the project

The aim of this research project is to create a documentary filmed and edited by the women themselves to depict their daily lives during the pandemic. 

Online Participatory Video

We began initially by training the participants on how to best use web platforms and available technology. We set up weekly ‘Zoom’ meetings that served as an online space for workshops on filming techniques and how to use their smartphones to capture high quality video. Zoom meetings became the workshop space where all production and editorial decisions were discussed and made in consensus. The production meetings are chaired by participants on a rotating basis. We discussed film content, planned shoots, reviewed and critiqued the footage together, and collaborated on editing the final documentary.

Demetria, chairing a meeting

The groundbreaking project has successfully adapted Spectacle’s Participatory Video methods and techniques to an online environment. The short documentary Reinventadas was released at the end of 2020 and premiered in film festivals in 2021. 

Collaborative editing process

Watch the Final Film

Visit our vimeo channel to see examples of Spectacle’s past PV work.

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Battersea Power Station – “London Only” sales claim is Bogus

OLYMPUS DIGITAL CAMERALondon, in recent years, has seen a boom in foreign property investment. With various far Eastern economies generating a new class of super-rich, London’s property market bubble is seen as a safe cash haven for this elite. According to Savills, international premium property retailer, 50% of the capital’s prime central homeowners is now dominated by overseas investors, which is furiously contributing to property price inflation.

Naturally, with Battersea Power Station being such an historically renowned architectural and industrial, Grade II listed, British icon, many are wishing to get a slice of the 400ft riverside views. Malasyian developers, Sime Darby, aim to create 3,500 new homes in 15 years, and have already sold nearly all of the 866 luxury apartments of the initial Circus West (or Phase 1) project, generating $1 billion prior to even being built.

However, much contention surrounded the project when Sime Darby refused to release what percentage of their buyers were domestic or international. With property shows for the Battersea homes, which range from £365,000 per studio flat to £6million per penthouse, advertising in China, Russia and Malaysia it is now clear that around 55% of the homes, went to foreign money before even appearing in the pages of Property Week in Blighty.

BPS3

This flew in the face of London Mayor, Boris Johnson, who had previously pledged that all property developed within the Power Station would be offered to Londoners first. Slightly perversely, the lack of priortisation for local buyers has been marketed as an apparent strain on London’s unaffordable housing problems, despite some penthouse suites retailing for up to £30million. As a result, developers have recently made a big song and dance about the London Launch of the Phase 2 development. These properties are intended to be exclusively on offer to UK residents before they are made globally available. The Battersea Power Station website encourages visitors to “Register an Interest” and Rob Tincknell, CEO of Battersea Power Station Development Company (BPSDC), recently claimed that:

“There has been a lot of comment recently about London’s housing problems and we believe the only way to try and solve this is to build great homes and create a community that people actually want to live in”

However, this PR stunt has recently been unearthed with a simple phone call to Battersea Power Station Development Company sales team. Upon being deciphered as an authentic potential buyer, the mole was told categorically that while there is a strict London-only launch of the Phase 2 properties on 1st May 2014, overseas investors are more than welcome to purchase the prospective homes if they are in the country or through their UK based agents. Therefore demonstrating that the press have once again been romanced into believing that developments of one of the greatest icons in British industrial history will be more than a juicy, international investment for oligarchs and millionaires. They have let this charade by developers go unchallenged and have reported it verbatim, letting our beloved Battersea Power Station slip further and further into flipping international hands.

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A Victory for Vito – The Chelsea Bridge Kiosk is Saved!

After a campaign by Keith Garner, Brian Barnes, and lease-holder Renato Di Paola to keep the Chelsea Bridge Coffee Stall on Queenstown Road from closure, their efforts have proven fruitful.

An online petition for the retention of the stall gathered nearly 1000 signatures from locals and “Ex-Bats” (people who were from Battersea, but have since emigrated as far away as Australia), all in support of the kiosk.

Original complaints and a request for the license (which still has a year left to run) to be revoked came from 27 members of the Chelsea Bridge Wharf Residents Association, whose apartments overlook the kiosk. The complaints described noise-pollution, litter and anti-social behaviour, such as urinating on stairs by the river and kicking balls. However, although residents submitted ‘photographic evidence’ of the litter in November and December, it was pointed out that the same photographs were repeated for each month. A trend that was also repeated in another 11 pages of images that were duplicated.

It was found that alleged complaints about noise were never made to the council. Therefore, the council proposed a litter cleaning every 1.5 hours, but otherwise supported general consensus that Roberto’s nighttime license should remain intact.

See our interview with Roberto in 2009 here.

 

Licence to Chelsea Bridge Coffee Stall to be revoked?

Wandsworth Council are considering revoking the licence to the 70 year old Chelsea Bridge Tea Stall. Poor owner Vito is on the edge of losing his beloved shop. Watch our 2009 interview with Vito about his stall here. Another attempt to please the rich?

Chelsea Bridge Coffee Stall adjacent Chelsea Bridge, Queenstown Road, London

Chelsea Bridge Coffee Stall adjacent Chelsea Bridge, Queenstown Road, London

The ‘high class’ salesmen seem to look down on the simple and tasty snacks and warming drinks Vito is selling. Before we know it, we will find this stand being replaced by a Michelin star finger food stall.

Susan Ekins, a regular visitor who is fond of the Tea Stand, says:

As you may know, this stand has been there for at least 70 years, and is much appreciated. The residents of the new blocks did not like the biker gatherings, and as I understand it, these have, in general, being closed down and parking kept away from close proximity to the stand. I use that bridge at all hours, but have never noticed any litter or noise – which is not to say that it has not happened.

The application for review has been handed in on the 9th of January 2014. It has been made on the following grounds, according to Wandsworth Council:

”The current conditions on the licence have failed to uphold the licensing objectives of the prevention of public nuisance and the prevention of crime and disorder in the premises is giving rise to unacceptable levels of noise, litter and general anti-social behaviour.”

 

Chelsea Bridge Coffee Stall adjacent Chelsea Bridge, Queenstown Road, London

Chelsea Bridge Coffee Stall adjacent Chelsea Bridge, Queenstown Road, London

Surely the council is not just cooking up excuses to continue to socially cleanse the area around the so called Vauxhall Nine Elms Battersea “Opportunity” Area. Seems one person’s opportunity is another’s loss of livelihood.

Find here another objection, from Keith Garner, architect and member of the Battersea Power Station Community Group.

Dear Sirs,

Chelsea Bridge Coffee Stall adjacent Chelsea Bridge, Queenstown Road, London, SW8 2R

I am writing to support the retention and renewal of the licence for the the Chelsea Bridge coffee stall which is a useful local facility for residents and people working in the area, as well as a local landmark and institution in its own right.

I have lived close to Battersea Park for 28 years. As a local resident I know of no grounds for revoking or otherwise refusing to renew or extend the licence. In my experience, the customers of the stall have always been well behaved.  This is not to say that there might not be occasional lapses.  But is it important in an urban situation that everyone goes that little bit further to be tolerant and understanding.

The stall has been there for as long as I can remember.  I went there when the old “Chelsea Cruise” used to happen on Saturday evenings in the seventies and eighties. It certainly pre-dates the riverside flats by many decades.  The owners of the flats would have been aware of the stall before the moved in, and had the option to go elsewhere.  In any case the flats are some distance from the kiosk which is on the bridge itself.

The management of the riverside flats are being too sensitive. I know from my own recent experience that it is not even possible to stop and look at the view from the riverside walk at night time, without their security guards coming out.  The loss of the kiosk would further contribute to the loss of life and vitality on the riverside that these recent luxury flats represent.

The coffee stall makes Battersea more interesting.  It should be retained and valued.

Yours faithfully,

Keith Garner

Hopefully the objections will be taken seriously. All we can do now is wait for a final decision.

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An Urban media Practice: documentation, agitation, participation

Mark Saunders lecturing on the Urban Practices course at UCL:

An Urban media Practice: documentation, agitation, participation

8th February 3pm in Room 114, 26 Bedford Way, Department of Geography, UCL

Drawing on 30 years experience of independent and community based media practice in London, Brussels and Rostock Mark Saunders will describe the political and technological development of Spectacle’s practice and use of media in urban struggles for social justice in the built environment.

This will include, Despite TV, an innovative video co-operative in East London (1981-94), Jako Co-operative and the making of The Truth Lies in Rostock (90-98) establishing resident video groups in gentrifying Brussels (2000-2009) and long term video workshops on “regenerated” estates Silwood in Rotherhithe (10 years) and Marsh Farm Luton (15 years) and recent work on the London Olympics and Battersea Power Station.

Key Readings:

Olympics

Olympic project pages

Olympic blog

Battersea Power Station

Battersea Power Station project

Battersea Power Station blog

Suggested further readings:

Surviving Participation Fatigue< Erased Social Geography

Video in the City: Possibilities for Transformation in the Urban Space

Advocacy, Participation and Non Governmental Organisations in planning : A report and video on Spectacle’s APaNGO work