International Brigade 80th Anniversary

Scottish veterans at the unveiling of the international brigade memorial statue in 1985:

Spectacle was present in 1985 when the International Brigade memorial statue was erected and Scottish veterans gave their views about the war is the video shown above.  Thirty one years later, the 2nd of July marked the 80th anniversary of the start of the Spanish civil war. People gathered at the memorial at South Bank to pay their respects to the international brigade, 2100 of which were British, who fought against the nationalists during the civil war from 1936-39. The Nationalists were controlled by Franco’s government, who were fascists, and they had the support of Germany and Italy. The International Brigade was on the side of the second spanish republic and they were made up of volunteers from over 50 nations, there was an estimated 35, 000 of them. The International Brigade was made up of many different people such as communists, socialists, anarchists, jews, but they all had one thing in common and that is that they were anti-fascist. Their goal was to stop a fascist dictatorship from happening in Spain as it could have easily spread to other european countries that weren’t already controlled by fascists, such as France. Although the nationalists ultimately won and Franco continued to rule for a further 36 years it is clear that the work of the International Brigade is still valued to this day.

During the memorial held at Jubilee Gardens wreaths were laid for the 526 british volunteers who lost their lives to the cause and there was a minutes silence. Those present at the memorial included representatives from the spanish embassy, trade union veterans and the president of the madrid Association of Friends of the International Brigade. There was also performances from various artists and actors including songs from the upcoming play about the international brigade.

In the turbulent times we live in now is it possible we will need another International Brigade in the future and what form would it take?

Photos from the 80th anniversary:

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Watch our interview with John ‘Bosco’ Jones about being a member of the International Brigade.

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Battersea Power Station – what is the future?

Our film Battersea Power Station: Selling an Icon, has recently been screened at Goldsmiths University, in Leiden as part of the LISFE Architecture Week, and at the 3rd International Congress on Industrial Heritage in Lisbon. These screenings have generated further interest in the tragic plight of this building and the detrimental effects of developer led conservation on listed buildings. Combined with the recent unveiling of the new Tate Modern extension, it raises questions over how the unlisted Bankside Power Station is protected by public use and interest, while the listed Battersea Power Station, still standing with just one chimney, is for private profit only.

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Battersea Power Station with one fake chimney.

Keith Garner, an architect who works on the conservation of historic buildings and landscapes, is a member of the Battersea Power Station Community Group, and is featured in the film. At the Lisbon conference, Garner and Kett Murphy delivered a presentation, ‘Power Stations for the People’, which highlighted the comparison between the redevelopment of Battersea Power Station against that of Bankside Power Station, which has since become the Tate Modern. While Bankside was regenerated for recreational purposes very successfully, Battersea Power Station continues to lie at the mercy of aggressive speculative development. The contrasting redevelopment of these two buildings is crucial in understanding the issues of building preservation in an age of redevelopment.

Both Bankside and Battersea Power Station were designed by Sir Giles Gilbert Scott, described as ‘cathedrals of power’, and considered of major architectural importance. And yet, when it came to development plans for both buildings, only Bankside’s value as a potential public asset was considered. When the Tate Modern acquired the building in 1994 to house a collection of modern art, it ultimately revitalised the area, while still maintaining the original character of the building. The transition from power station to art museum is today considered a huge success. Following the gallery’s £260m revamp, which was launched on June 17, the Chairman of the Tate stated that: ‘A building that was once London’s beating heart is now its cultural cathedral.’

However, as Garner and Murphy highlighted at the Lisbon conference, the development plans for Battersea Power Station don’t seem to be focused around the preservation of a listed Art Deco building, or the drive to create another cultural space like the Tate. Under the financing of Malaysian real estate investment consortium, led by Sime Darby, the power station will be swamped by high rise, luxury apartments, enclosed in a gated community and only accessible to the public during the day. As we have previously reported, the power station itself is in danger of becoming virtually unrecognisable, with growing concern over whether the iconic chimneys will ever be rebuilt. Unlike the regeneration of the Tate Modern, whose success is ultimately based on its inclusivity and openness, Battersea, as we have tried to highlight in our film, is becoming defined by its elitism and exclusivity. Despite Boris Johnson’s pledges that property developed at the power station would be sold to Londoners first, our investigations suggest otherwise, with findings exposing that 55% of the homes sold so far actually went to foreign money.

Battersea’s ‘regeneration’ threatens to be solely for the purpose of private economic gain. As Garner asserts, the developers have taken ‘no account of its (Battersea Power Station) dignity, reverence and serenity.’ The Battersea Power Station Community Group’s plans have ultimately been realised in the Tate Modern. However, the recent Switch House extension, a 200ft pyramid-like tower featuring three new galleries and a panoramic roof terrace, just reinforces how, if re-development and preservation had started with Battersea rather than Bankside, which is a third of the size, no such extensions would have been needed. Instead, funds are raised in order for the Tate to house 60% more artworks, whilst Battersea Power Station falls into further dereliction.

Through the re-circulating of our film, these issues of developer led conservation are once again being brought to attention. The way the Tate extension is being praised for transforming the building into ‘one of the world’s cutting edge art spaces’, only emphasises the stark contrast between the two power stations. Our film remains essential in raising an awareness that heritage led regeneration cannot, ultimately, be short-circuited, and that respect for the historic environment is paramount.

Click Battersea Power Station for more blogs
See our Battersea Power Station project pages for more information and videos.
Or visit PlanA our general blog on urbanism, planning and architecture.

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Interested in learning to produce video with Spectacle?… You’re in great company

Do you want to learn how to produce and edit high quality video to promote your business, organisation, or institution?

If so, you’re in good company: we’ve trained numerous individuals and groups from large and small institutions, organisations and companies in the past six months. All of them have left happy, and many have come back for more training.

Spectacle clients so far in 2016 alone include:

The Science and Technology Facilities Council (a UK government body)

The International Baccalaureate

Save the Children

Sentura Group

The European Parliament

Autotrader

Department for Culture Media and Sport (a UK government department)

King’s College London

The Open University

Capcom

 

Some notable clients from a little longer ago include Cambridge University PressWatford Borough Council, and Redbridge Council

To find out more about what we offered these clients, and what we could offer you, send us a quick email to training@spectacle.co.uk

 

Screening of Poverty and The Media: The Tower

Trailer for Poverty and The Media: The Tower

On the 16th of July our film will be screened at the Pepy’s estate 50th anniversary festival in Deptford (SE8), which is running from 2-10pm.

We worked on this film with the residents of the Pepy’s estate as part of our poverty and the media project. Our film shows the effects the BBC’s documentary series ‘The Tower: A Tale Of Two Cities’ had on the residents of the Pepy’s estate and their views on how their community was portrayed. At the time of release The Tower received mixed reviews, it won awards but also sparked controversy as some people claim it was based on stereotypes of people who live on council estates.

Our full film will be available shortly on vimeo on demand and we encourage you to come and watch it at the Pepy’s festival on Saturday at 9pm where it will be screened. For more information on the festival and up to date information of the screening times you can find out on our social media.

Click Poverty and the Media for more blogs

Click here to get the DVD

Or visit our Poverty and the Media project pages for more information and videos.

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Take out our video production and video editing training courses

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Do you work in media communications and marketing? At a university? In the third sector, at an NGO or charity? For an established business or a rapidly growing start-up? A local council? Or a publishers?

If you have a group of people who would like to learn to produce beautiful in house video, we can travel to you and teach essential video production or video editing skills in two days. We bring all our own equipment, so all you need to supply is a suitable space.

Please see our website for more information or email training@spectacle.co.uk for a quote.

In the meantime, have a look at the excellent feedback we received from Angela Farrance, Senior Communications and Engagement Officer at Watford Borough Council:

“We work for a local authority, and want to promote our services, activities and places to visit in the most accessible and fun way, to a wide range of people.

I liked the flexibility that Spectacle offered; the training was completely bespoke and reactive to our needs, but still covered everything we wanted to learn.

The team had varying levels of experience, and all felt it was a really well spent few days. Everyone is very keen to get started!

I would recommend the training, and already have to fellow comms officers in Hertfordshire. Mark made the sessions fun, accessible and everyone is really excited to get filming.”

Learn Video Editing with Spectacle

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Our two day video editing training courses offer an opportunity to quickly and cheaply acquire comprehensive post-production skills in a small group setting. We teach primarily on Final Cut Pro, but offer participants the chance to trial and compare Adobe Premiere and iMovie too.

We always receive excellent feedback:

“It was a small group so things were easily explained if not understood, and the direction could be catered towards our needs” – Sarah

“I had no previous knowledge of the software, so I would have been completely scared of trying things on it — the course felt just right to begin this exploration and the information on codec and export was particularly helpful” – Sophia

“It provides a lot of information quickly and in an understandable format. More helpful and human than the internet.” – Camilla

“[Learning a] structure for editing was extremely useful as this had been a barrier to progressing my own project — I’d only received technical training on the software previously” – Jo

We can also arrange one-to-one training – suitable for individuals, pairs or threes – and schedule bespoke coursesfor groups of four or more. One-to-one and bespoke group training can be tailored to meet your requirements – that means we will teach on editing software of your choice, and we can work on your actual video project.

We cover both how to use the editing software – from importing, marking, logging and editing, to adding soundtracks and effects – and workflow techniques: essentially, showing you an easy and stress-free way to turn your many hours of unorganised footage into a well-structured final documentary film, short video, or promotional clip.

Like our Video Production Weekend course, our editing training is popular with aspiring documentary filmmakers, ‘self-shooter’ journalists who want to expand their skill set, marketers who want to make and edit their own promotional videos, and hobbyists who want to produce better results. We particularly recommend the course to individuals who have completed one of our video production courses and want to add editing skills to their repertoire.

Professional filmmaker and teacher Mark Saunders leads all editing sessions himself.

Each participant will have sole or pair use of a computer, giving everyone extensive hands-on experience.

Calling all students – take advantage of our huge student discounts, learn filmmaking before you graduate

Are you a student, interested in documentary filmmaking, video-journalism (becoming a ‘self-shooter’), media communications and marketing, or using video for your final project or fieldwork? We pride ourselves on our affordable and efficient intensive short courses in filmmaking, video production, and video editing, and for students they are even cheaper.

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We offer our Digital Video Production Weekend — a great introductory course for beginners — for just £180 to students (a £60 discount on the full price), and our intensive Four Day Filmmaking Course — also suitable for beginners, but ideal for consolidating and expanding on basic or self-taught skills — for £350 (£150 off).

We also have a course designed specifically for people who want to learn video skills for academic purposes — for use in fieldwork or on their final project and a course for people interested in media communications and marketing. We have courses running soon — before your final project is due! — and over the summer. If you are graduating this year and interested in pursuing a career in documentary filmmaking, self-shooter video-journalism, media communications and marketing, or academia then sign up now and we will honour the student discount even if you graduate before the course start date.

For more information see our website, or email Charlotte at training@spectacle.co.uk to discuss which course would be best for you.

Video Training for Charity Communications

Many charities, NGOs and community groups find online video an indispensible way to promote their work, to raise awareness, to fundraise or to campaign. But outsourcing video projects to production crews is extremely expensive, and may not produce the best results. We can train Communications Officers and Marketing Teams to produce high-quality video in-house, instead.

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We offer an affordable three day course or bespoke one-to-one training to help existing staff learn to produce video in-house, on a small budget.

The course aims to introduce participants to every stage of the documentary filmmaking process, so that afterwards they’re in a position to build on their skills on their own. Once you or your staff have learned to make your own video content you will be able to do this again and again, saving on the cost of hiring a film crew

Not only is training existing staff or volunteers in the techniques of high quality digital film making far more cost effective than hiring a film crew, but the results can be better. When people working on the ground record their own activities and events, capture client testimonials and document their work you can often get better results than with a hired film crew of strangers. Where your staff have built relationships and trust with your clients they can film more relaxed and interpersonal moments – moments that might elude an external film crew, making for a more direct and powerful film.

If you work in remote locations or developing countries, training your own staff to record their work could be particularly beneficial, potentially saving you a lot of money and ensuring your organisation achieves an end result which accurately reflects the nature of the project.

Our Video Marketing Course always receives oustanding feedback.

 

 

Spectacle Trains Local Councils in Filmmaking

Recently Spectacle has been asked to provide training in digital video production and editing to the communications teams at a number of local and borough councils. After a highly successful session in Watford, we caught up with Angela Farrance, senior communications and engagement officer, to see why she had decided to organise the training, and if it was something she would recommend to other local authorities.

SPECTACLE: Why did you decide to arrange video training for your team? 

ANGELA: We work for a local authority, and want to promote our services, activities and places to visit in the most accessible and fun way, to a wide range of people.

Why did you choose Spectacle? 

I liked the flexbility that Spectacle offered; the training was completely bespoke and reactive to our needs, but still covered everything we wanted to learn.

Did the training meet your expectations? 

Yes, the team had varying levels of experience, and all felt it was a really well spent few days. Everyone is very keen to get started!

What part of the training did you enjoy most? 

The post-production was really good fun; seeing how everything comes together. Everyone really enjoyed the session on interview techniques too – really useful!

What part did you find most useful? 

All the hints and tips for capturing good footage – and then the post-production day. 

How do you plan to use the training now you have completed the course? 

We are going to start building a library of footage from around the town; and will capture each of our events this season. 

Do you think other local councils could benefit from the training? 

Yes absolutely. Local media are increasingly looking to increase their video content online – we have found that the videos we send in are invariably used by local media outlets, and they achieve a fantastic reach on social media.  

Would you recommend the training?  
I would recommend the training, and already have to fellow comms officers in Hertfordshire. Mark made the sessions fun, accessible and everyone is really excited to get filming.  

 

Rectory Gardens Eviction

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Hi, I’m an intern placed by Erasmus at Spectacle. My name is Silke and I’m from Belgium and will be staying here for 3 and a half months.
On my third day of the internship we went filming in Rectory Gardens.
Tony Healy an 81 year old resident of Rectory Gardens housing cooperative of over 30 years was to be evicted out of his home by Lambeth Council.
It was a street with really old houses that had been abondened for a while.
It was not really the choice of the people to leave their houses, the Council threw them out to sell them again.
A really cruel thing to do but there was no other way I guess.

So when we arrived there were a lot of neigbours and a councillor of the green party.
We found out that Tony was not there, everybody was calling hospitals
to find where Tony was.
They informed us that he had been sectioned the night before.
To be sectioned means committing (someone) compulsorily to a psychiatric hospital in accordance with a section of a mental health act.
So they came into his home at night and took him to the mental hospital.
In the process the old man broke his hip.
Not a very nice thing to do..
The man’s house was very beautiful. He was a musician and painted a lot. All the walls in and out his house are covered in art works made by him.
Luckily there were a lot of people blocking the door. We also helped by just being there with the camera’s.
So the bailiffs were afraid to show up with so much attention pointed at them.
The council was also present but they were ignoring us and the cameras.
Spectacle has already filmed in Rectory Gardens a few years ago but we are still editing the imagery.

Spectacle is currently working on a project about Rectory Gardens.
If you want to follow our progress, click on the links below:

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