Exodus Library Launch

Exodus: The Definitive Collection

Spectacle is excited to launch a new video library on Vimeo on Demand containing material produced on and with the Exodus collective. This includes both Spectacle produced TV documentaries: Exodus: Movement of Jah People and Exodus From Babylon along with extras and bonus material including an anti crack song and music video made by members of the collective with Spectacle and an appearance on Swiss youth culture TV show ZEBRA.

Trailer for the Exodus Library

We will continue to add matierial from the archive and organise online screening events.

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What was Exodus?

The Luton based Exodus Collective came into existence in 1992 as part of the growing DIY culture which arose in response to unemployment, poverty and frustration amongst young people. They organised free ‘rave’ parties, renovated derelict homes, set up a community farm and a community centre. Their philosophy had a strong spiritual strand, appealing to notions of community and natural justice in its struggle for survival and renewal. Their utopian project, whilst always peaceful, presented a challenge to the status quo and was met with powerful opposition.

Exodus offered working, viable solutions to many of society’s stated ills, poverty, crime, drugs, unemployment and the break down of community.

Exodus was a unique urban phenomenon which did not simply confront but intelligently challenged societal assumptions and values. Exodus blended a volatile mixture of rastafarianism, new-age punk and street smart politics. “We are not drop outs but force outs.”


EXODUS: MOVEMENT OF JAH PEOPLE

Exodus, Movement of Jah People investigates the group’s quest to regenerate their disaffected community by squatting and renovating decayed buildings. Their regular raves brought ex-army, ex-estate agents, ex-shop assistants, and ex-criminals together as Exodus, a dance collective with a new direction, an attempt to offer viable solutions to many of society’s stated ills such as poverty, crime, drugs, unemployment and the break down of community.


Broadcast on Channel 4 as part of the Renegade TV series.

Reviews:

“This remarkable film is an antidote to the dereliction and paranoia on Britain’s streets. Squatting and renovating decayed buildings, Exodus pursue a mutually agreed quest to regenerate their disaffected community… For anyone interested in a street relevant discussion on drugs, criminality, spirituality and community, this film is a must see.” – Squall Magazine 1995

EXODUS FROM BABYLON:

Exodus from Babylon investigates the intricate web of opposition to the Exodus group, from aggressive policing to local government obstruction. It reveals the shift in policing from reactive peace keeping to proactive intervention, involving a series of special operations by Bedfordshire Police.

The programme looks in detail at a number of police actions against Exodus, including the prosecution and acquittal of collective member, Paul Taylor, for possession of Ecstasy and for murder. It asks why the strategy of getting tough with Exodus emerged and identifies a number of interlocking interests at play.

Exodus from Babylon contains original music by the Exodus Collective and some great reggae tunes.

Broadcast on Channel 4 as part of the Renegade TV series.

Please contact Spectacle directly if you are interested in screening any of the films in this collection publicly: distribution@spectacle.co.uk

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New Anti-squat interview material online

What is Anti-squat?

Anti-squat is a relatively new phenomenon, it is intended as a way to offer affordable housing in inner city areas, whilst also offering a solution to the problem of vacant properties. Like most traditional squatters, the residents maintain the property.  Unlike traditional squatters, the residents, or live-in guardians as they are sometimes known, are living in the vacant property with the owners’ permission. Residence via anti-squatting is arranged via a third party who the property owner pays to arrange the service. The residents often pay a comparatively low level of rent but are bound by strict rules, contravention of which can see them homeless within days. Plus their complicated tenancy status means they are not ‘residents’ in the traditional sense of the word that the law would understand, meaning that their rights can be compromised.

Inspired by the Broedplaatsen  (“broedplaats” is a hatchery or breeding ground) in Amsterdam which are designed to offer affordable work/living spaces for artists and what they refer to as “cultural entrepreneurs”. It is a model which has been used to challenge the concept of squatting and even the laws that allow it to occur. It has also been suggested that it may have a sanitising effect on the cultural and artistic scene of a locality. An idea explored by Tino Buchholz in his documentary Creativity and the Capitalist City. Tino also questions the idea that culture can be used for the economic regeneration of a city as per the ideas of Richard Florida.


Anti-squat in the U.K.

A company by the name of Camelot is one of the biggest proponents of anti-squat in the U.K. Their work is also being used to challenge the squatting laws here too. The model used by Camelot in the U.K is vastly similar to that in Amsterdam, however Amsterdam has a much wider ranging welfare state than the U.K meaning that they have less homelessness; herein lies a problem. Squatting is sometimes used as a solution by homeless or vulnerably housed people and therefore it should perhaps be questioned whether or not a scheme like anti-squat should be used as a basis for challenging squatting laws. Especially given the strict rules that are imposed by companies like Camelot, such as having a provable income,  are probably unlikely to be met if a person is homeless. Moreover, a person will not be accepted if they have a criminal record, so if squatting is made illegal, partly on the basis that anti-squat schemes like Camelot exist, a whole group of people that need the service might instantly become criminalised. These are amongst the many concerns that arise from anti-squat and its use a vehicle for outlawing squatting altogether.

On 22nd Sept 2010 Spectacle attended the 3rd annual Camelot Guardian Art competition at The Hatton, Faringdon. There we conducted interviews with Bob De Vilder, Marketing & Sales Director Camelot Europe and some current live in guardians. We discussed the scheme and some of the criticism surrounding its application. Please see our archive section to view these interviews. Please also bear in mind that the guardians were in the presence of, although not directly being observed by, Camelot employees at the time of the interview.

 

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