Tag Archives: spectacle

Spectacle’s training course encourages you to take the next step

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Spectacle offers several training courses in which participants can experience all the aspects of filmmaking.

Recently I  participated  in Spectacle’s  four day Digital Filmmaking training course which I did as a part of my one month work placement for Spectacle. These intense four days gave me what I was looking for – a practical skill set in filmmaking and post production. As an undergraduate Politics & Media students at Bournemouth University, the training course provided me with practical tips how to produce a short film and what I need to know beforehand which will without a doubt benefit my studies.

During the training course the other participants and I had a chance to practice all aspects of filmmaking: everyone had a go with camera, sound, interviewing and directing. A practical exercise was an interview with a local Mural artist Brian Barnes who talked about his art inspired by the Battersea Power Station. Dominique Lyons, one of the participants describes the training as ‘a good all round course on the basics’. Dominique who works in communications thinks she picked the right course for herself however our participants also came from different fields.

Pelagia Makrelli, an anthropology student from Greece, did her Erasmus workplacement for Spectacle this summer. She says the training helps ‘anthropologists to go from theory to action’. Another anthropologist participating the course was Zsuzsa Millei who says she appreciates how the course showed ‘respect for beginners enthusiasm, patience when something went wrong and understanding of clumsiness’.

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How to film an interview? Spectacle’s training course participants tested interview techniques with a mural artist Brian Barnes.

With my previous experience in editing covering the basics of how to use iMovie, the training course shed light on more advanced editing software and broadened my knowledge of different possibilities for editing. We learned how to use Final Cut Pro and we were advised which software might suit our own purposes. Now after the training course I feel a lot more confident with working with cameras and I’m looking forward to use these new skills in practice.

A freelance journalist Jessica Holland also found the training course very beneficial and she hopes to use her skills to make short documentaries. After all everyone of us who took part in the training course will use these learned skills in different ways. However I believe the course encouraged us to take the next step and get involved in film projects that we might have missed otherwise.

If you are interested in booking the course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.




 


7 (More) Reasons Why Video is Important for Business

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Using video on your website can help to boost business, here are 7 reasons why.

1. A study by Aim clear shows that search results with video have a ‘41% higher click through rate than plain text’.

2. Video marketing is 53 more times likely than plain text to rank on the first page of googles search results.

3. Video can transform your website by being visually appealing. When visitors to your site are given the choice of whether to watch a video or read a piece of text, the majority will choose to watch a video.

5. Marketing Sherpa discovered individuals spent 100% more time on pages with videos on them.

6. “A video is worth 1.8 million words” – (James Mcquivey – Forrester)
The average web attention span is 5 minutes, meaning video is an effective way of getting information across to the audience quickly.

7. Visuals are transmitted to the brain 60, 000 times faster than text.

There is a growing demand for websites to include video . Our courses are short and affordable compared to others around, and it is cheaper to train employees to use video than hiring a film crew. Recently, Spectacle have provided training courses in video production for Cambridge University Press and several Borough Councils.

If you are interested in booking the course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.




 


 

World monuments fund watch day 2014: Nine Elms architectural walk.

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Spectacle took part in the Nine Elms architectural walk – part of the World Monuments Fund Watch day 2014. Here is a short edit of the event.

The watch day was launched by World Monuments Fund in 2012 to provide an opportunity for people to engage with their local communities and deepen their knowledge of local historic sites. The walk itinerary included Vauxhall and Nine Elms areas looking at sites such as the listed Brunswick House, Convent Garden Flower Market, Tideway Village riverboat community, Battersea Power Station, Battersea Dogs Home, the gas holder site and Battersea Park railway station.   The walk was lead by Colin Thom of the Survey of London and had contributions from David Waterhouse (Tideway Village riverboat community), Stuart Tappin (Structural engineer), Brian Barnes (artist and founder member of Battersea Power Station Community group)  and Keith Garner (architect).

Group photo in front of the Battersea Power Station during the World Monuments Fund Watch Day 2014

Group photo in front of the Battersea Power Station during the World Monuments Fund Watch Day 2014

 

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World Monuments Fund “Watch Day” Walk Battersea Power Station

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Picture 2-4

NINE ELMS: ARCHITECTURAL WALK
COVENT GARDEN FLOWER MARKET – RIVERLIGHT SHOW FLAT – TIDEWAY VILLAGE HOUSEBOATS – BATTERSEA POWER STATION

Lead by Colin Thom of the Survey of London. With contributions from David Waterhouse, Stuart Tappin, Brian Barnes MBE and Keith Garner.
Saturday 27th September 2014. Meet 10.20 am Vauxhall bus garage (by No.87 bus stop) for 10.30 am departure.

To book or for further information contact Sarah Meaker at World Monuments Fund Britain: sarah@wmf.org.uk 020 7251 8142.
Suggested donation of £10 per attendee

Bring packed lunch and sensible shoes. Please advise World Monuments Fund Britain on 020 7251 8142 if you have particular access or mobility requirements.

Itinerary

10.20 Meet Vauxhall bus station. (No.87 bus stop.)

10.30 Depart and introductory talk by Colin Thom about the Vauxhall and Nine Elms area including the listed Brunswick House.

10.40 Covent Garden Flower Market (GMW 1974). Space frame structure using British Steel “Nodus” system.  The building was recently given certificate of immunity from listing by English Heritage. Shortly to be demolished, so the last chance to visit.

11.10 River walk to see the “Thames Hippo” and changing skyline of London.

11.50 Riverlight housing development (Rogers Stirk Harbour + Partners) to see show flat with views of river Thames and London skyline.

12.45 Tideway Village riverboat community to meet David Waterhouse owner of The Newark.
Tea & coffee will be served on the Newark and we will eat our packed lunches.

14.00 Battersea Power Station. (Gate 2 in Kirtling Street.)  Colin Thom will talk about the history of the building.  Stuart Tappin will discuss the demolition of the chimneys which has recently begun.
NB: we will not be entering Battersea Power Station but the building is visible from the road.

14.45 Battersea Dogs Home to see cattery designed by Clough Williams-Ellis. We can see the cattery from Battersea Park Road.

15.00 Gas holder site to see the collection of gas holders. These were also recently given certificate of immunity from listing and are being demolished. The “MAN” gas holder is a German design and is contemporary with Battersea Power Station. The MAN gas holder at Oberhausen in the Ruhr has been reused as an arts space.

15.30 Walk ends at Battersea Park railway station. Grade II listed Italianate station.

NB: times are approximate and may be subject to change. We do not have access to Battersea Power Station or the gas holders site.

Contributors

Colin Thom is an architectural historian working with the Survey of London, formerly at English Heritage and now with University College London. He was co-author of the recently published Battersea volumes of the Survey of London.

Stuart Tappin is an independent consulting engineer specialising in the conservation of historic buildings He is a founder of Stand Consulting Engineers. He is a member of the architectural advisory panel of World Monuments Fund Britain.

David Waterhouse has lived at Tideway Dock for 14 years and created the community now known as Tideway Village. He runs a houseboat business in London and has a small mountain hotel high in the Alps. His love of boats started when he worked for three years on Square Rig sailing ships. He spends his time between London and Switzerland.

Brian Barnes MBE is an artist and mural painted based in Battersea. He was a founder member of Battersea Power Station Community Group in 1983.

Keith Garner is an architect based in Battersea, working on the conservation of historic buildings and landscapes. He is also interested in making buildings more accessible.

 

Click Battersea Power Station for more blogs
See our Battersea Power Station project pages for more information and videos.
Or visit PlanA our general blog on urbanism, planning and architecture.

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Interview: Spectacle training ‘demystified’ the filmmaking process

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Spectacle has been offering flexible, efficient and affordable training based at our Lavender Hill office in South London for several years. In that time, we’ve had all kinds of people come through our doors, and the feedback we’ve received at the end of the courses has been overwhelmingly positive. Recently, however, we wondered exactly what our trainees have taken away from our particular approach to teaching in the long run. We sought out Michaela Benson, Senior Lecturer in Sociology at Goldsmiths, University of London, a few months after she finished our Digital Video Production for Anthropologists & Social Researchers training weekend to discuss this.

Why did you choose digital video production skills? 

I do a lot of research in people’s houses looking at their relations with the wider residential environment… video can offer a way of introducing participatory elements into an academic research project, and can capture the visual experience of a research setting. I also think that it introduces a different way of communicating findings to our audiences. I wanted to develop these skills so I could apply them myself and start experimenting.

What did you like most about our course?

The way it demystified the process of video-recording and taught me some fail safe basics that are transferable not only into future video work, but also into my everyday use of cameras. I feel that my understanding of video production and the skills involved in this have undoubtedly benefited.

What has stayed with you the most?

The simple understanding of how to frame a shot has been invaluable, and I feel as though it is becoming second-nature.

Now you’ve learned these skills, what’s next?

I’m looking forward to applying my new skills to my current project on self-build in the coming months.

Why do you think researchers should be engaging more with digital video?

I think that video offers additional ways of capturing research data, to be analysed later, and also opens up possibilities for different modes of engagement and communication.

Would you recommend the course to someone else?

I would definitely recommend the course. It broke the process of production into small steps that were easy to remember. Also, having a chance to put these into practice made me realise the benefits of this approach. This is a course that is perfect for anyone who wants to make a start at looking at including video production in their work.

You can find out more about our Digital Video Production for Anthropologists & Social Researchers training weekend here, including upcoming dates and fees.
If you’re interested in documentary film making but you’re not a researcher, we have a range of other courses that may interest you. All our training courses apply the same ‘fail safe’, ‘small steps’ approach to give you the confidence to pick up a video camera and start shooting.

The Truth Lies in Rostock and Despite the Sun at ASA14 Decennial: Anthropology and Enlightenment conference

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asa14_longScreening of the documentaries The Truth Lies in Rostock and Despite the Sun are schedule for the ASA14 Decennial: Anthropology and Enlightenment conference running on Saturday 21 June and Sunday 22 June in the city of Edinburgh.

Both films, Despite the Sun (1986), an investigation into the year-long dispute, which shook the print industry, and The Truth Lies in Rostock (1993), one of the rare documents about the riots in Rostock-Lichtenhagen in August 1992, will be shown on Saturday 21 as part of the film programme ‘The truth of memory and the fiction of history: the politics of representation at the interface of anthropology, art and film making’. Furthermore, there will be a third screening of Spectres (2011), a film essay by Sven Augustijnen that explains one of the darkest pages in the colonial history of the Belgian Congo, around 1960.

This film session focuses on recent anthropological works that have argued that standard anthropological accounts can be inadequate to engage with contemporary socio-economic and political transformations. In questioning standard ethnographic practices, anthropologists have started to explore the relationship between facts and fictions, between truth and representation, and between individual and collaborative or collective projects. These new strands at the convergence between art, anthropology, history, film making and literature raise important issues concerning the limits of the production and representation of anthropological knowledge. This session aims to engage with these debates by presenting three films that in different ways respond to many of the wider conference themes.

The screenings will be followed by a talk and discussion with Mark Saunders, film maker and director of Despite the Sun and co-director of The Truth Lies in Rostcok. All film sessions will take place in the Lecture Theatre of the Symposium Hall.

 

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Hanwell Big Local, getting the community involved

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The Big Local Trust has awarded £1 million to Copley Close, Cuckoo estate and Gurnell Grove estate, in Hanwell, Ealing to help develop new community facilities over the next 10 years. The improvements will be decided by residents and implemented throughout the area.

This is a short participatory film made by Spectacle and shot by young people from the area about the changes the community would like to see on their estate. It is also a documentation of the estate as it is now. We hope to revisit in the future to document developments.

The Big Local is a Big Lottery funded project that is awarded each year to a Local Authority. Among the current projects based in London there is Clapham Junction/West Battersea, Peabody Avenue and Churchill Garden Estate, North Brixton, World’s End Estate and Lots Road Area, Wormholt and White City, South Bermondsey and Somers Town.

London Borough of Ealing was asked by the Lottery to put forward three areas within the borough that would benefit from the funding. The Big Local Trust eventually selected Hanwell because it felt it was in greatest need of new facilities, as stated by  Ealing Council. The area has approximately 9,611 residents. It covers Copley Close, the majority of Cuckoo estate and it goes along the Ruislip Road to include Gurnell Grove estate. Here ‘s a map shown by the Hanwell Big Local webpage.

Julian Bell, leader of Ealing Council, said: “I’m delighted that we’ve been able to secure this extra funding for Copley Close. There are some really excellent projects already established there and I’m sure this money will be well spent.“

Hanwell Big Local v09

Hanwell Community Centre at the heart of the Hanwell Big Local neighbourhood improvement scheme.

Among the upcoming changes, Copley Close Community Hall and The Base will be demolished and most activities relocated to an improved Hanwell Community Centre –now under Ealing Council control– with space and potential for new uses and facilities. Hanwell community group Empowering Action and Social Esteem (EASE), which works to improve the lives of people living on the Copley Close Estate, will also be moving temporarily to the centre with a hope of staying there. For the past few years, it has been located in The Base.

Jackie Sear, chief executive of EASE, said: “This is great news not just for Copley Close but for the surrounding areas too. The money will hopefully be used to enable existing services to be funded for years to come, but most of all to ensure the needs of the community are met. This has come at an important time in regards to regeneration for the area and will definitely engage the residents in decision making.”

EASE has been chosen to create the vision for the changing area and has been trying to get everyone involved in the process ever since. This film is part of their message to the people living in Copley Close, Cuckoo and Gurnell Grove estates. It offers a wide range of ideas which are hopefully just the beginning of the discussion.

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Oberhausen ‘Gasometer’ as an example for alternative use of Battersea gasholder

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Battersea’s ‘listed’ gasholders are being demolished to make way for new homes, shops and business space. Wandsworth council approved the demolition of this and three other adjacent gasholders in Battersea in January 2013, as part of the regeneration of Nine Elms.

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The Evening Standard reported the following on this:

”Objectors say that alternative uses for the site should be examined. Architect Keith Garner says: “In the German city of Oberhausen, there is a gasholder with the same features and it has been transformed into a museum and a centre for art.”

The Gasometer in Oberhausen, Germany, is a former gas holder which has been converted into an exhibition space. It has hosted several large scale exhibitions, including two by Christo and Jeanne-Claude. The Gasometer is an industrial landmark, and an anchor point of the European Route of Industrial Heritage and the Industrial Heritage Trail.

In 1992 the city council of Oberhausen, with a margin of 1 vote decided to acquire the gasholder, gasometer in German, and convert it to an exhibition space. At the time, plans were being developed for building CentrO on an adjacent plot, and IBA Emscher Park planned to use the Gasometer for its exhibition. Ownership transferred to the city of Oberhausen, with Ruhrkohle AG paying 1.8 million DM in saved demolition costs to the city.

gas

Hopefully the owners of the Battersea site will reconsider the usage of the gasholders for a similar purpose. Unfortunately, work (on the Prince of Wales Drive) has already began on tearing the disused holders down and they are planned to be gone by the end of 2014.  The owners have planning permission to demolish the listed Victorian Pump House at any time.

Click Battersea Power Station for more blogs
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Or visit PlanA our general blog on urbanism, planning and architecture.

For more on Christo and Jeanne-Claude. visit Artsy Christo page

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Spectacle’s work shown at Airspace Gallery Exhibition

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Material from the Silwood Project will be shown during the Small Change Exhibition at the Airspace Gallery, as well as some of Spectacle’s work with Brussels partner Plus-tôt Te laat.

small change flyer_web

Small Change focuses on change and place making in the city, seen both as a physical and imagined entity. The project comprises a group exhibition featuring existing and new work by four artists, a public intervention and a talk. Alongside artists, collectives from the UK and beyond contribute to the exhibition with audiovisual material that documents their engagement with the public realm. The exhibition is a response to the book Small Change by architect Nabeel Hamdi and its main idea that small-scale actions have the power to bring about positive change in urban communities. Acknowledging creative practice and collectivism as agents of change, the exhibition invites artists and collectives whose practice addresses issues of place and social change. The artists will realize new work, alongside showing existing sculptures, drawings and video’s. Audiovisual material from collectively-run projects that aim to making meaningful contributions to their environments, will open up the gallery space to various localities and concerns.

Small Change is curated by Sevie Tsampalla and the participating artists are: Jane Lawson, Noor Nuyten, Lauren O’Grady and Claire Weetman with contributions by collectives: Buddleia / public works, Network Nomadic Architecture, Plus-tôt Te laat, Quartier Midi and Spectacle.

Spectacle’s following Silwood video’s will be shown:

Work in progress. 13:49
Moving on 1:43
Time to move on 1:45
My walk home 3:36
Watercolours 2:34

The exhibition is running from the 8th of November till the 7th of December. Enough time to give it a visit. The opening hours are: Thu-Sat 11pm-5pm and Tue-Wed by appointment. Find out how to get there.

See our Spectacle Catalogue for buying video’s from the Silwood Project.
See our Blog Homepage for more information and videos.
Or visit PlanA our general blog on urbanism, planning and architecture.

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Shaker Aamer’s story to be screened October 13th

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While Shaker Aamer has still not been released, has not met his youngest son Faris, Guantanamo has not closed and the hunger strike is still going on, Shaker Aamer: A Decade of Injustice will be screened on Sunday 13 October at 11am.

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The screening will be followed by a discussion led by Dan Thea, Mau Mau Justice Network, Mark Saunders and Joy Hurcombe, Chair, Save Shaker Aamer Campaign

This is an initiative of the London Socialist Film Co- op. The organisation promotes socialist culture by arranging screenings where people can see films and take part in a panel discussion.

Spectacle made this short film about Shaker Aamer to mark the 10th anniversary of his incarceration.

Through conversations with activists and former detainees; the film paints a picture of who Shaker Aamer is, the injustices he has endured and what his life has involved for the last decade. From Bagram and Guanatanamo Bay prisons, to the unknown dark prisons throughout the world, Shaker Aamer’s story illustrates the lengths to which the U.S. and U.K. governments will go to justify their despicable War on Terror.

Shaker Aamer is a Saudi Arabian citizen with Permanent Resident status in Britain and was born and raised in Medina in Saudi Arabia. He left the country at the age of 17, living and travelling in America, Europe and the Middle East. He moved to the United Kingdom in 1996 where he met his British wife, Zin. They married in 1997 and have four British children, all of whom live with their mother in Battersea, South London.

Interested in visiting the screening? Click here for the address.

Or order Spectacle’s DVDs  Shaker Aamer: a decade of injustice ( New Version) and  Outside The Law: Stories from Guantánamo

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