Spectacle to interview maker of Rich Kid Poor Kid

Tomorrow Spectacle will be holding a question and answer session with Zac Beattie of Close-up Films, maker of Rich Kid Poor Kid and local residents from the area where the film was made . This is to enable him to answer some the of the criticisms of the program that were raised in our poverty and the media workshops. We would like people to suggest any questions the would like us to ask him.

Please leave any questions in the comment section of the blog or email us at info@spectacle.co.ukFor more clips from our Poverty and The Media project please visit our Archive

To find out more information about our Poverty and The Media project please visit our Project Page



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From Shameless to Little Britain, does drama negatively stereotype the poor?

Below is an article describing a study of ‘Little Britain’ that was carried out by the London School of Economics. Do you agree or disagree with this report.

A study by a London School of Economics academic said many of the show’s characters – from teenage mum Vicky Pollard to proud gay Daffyd – are stereotypes based on people’s dislike of others of a different class, sexuality, race or gender.

Researcher Deborah Finding branded the show as “the comedy equivalent of junk food”.

“It is clear that when ‘we’, the audience, are invited to laugh at ‘them’, the characters – we are laughing not only at the figures on screen but at entire groups of people whom they come to represent,” she said.

Little Britain does far more to promote racism, sexism, homophobia, ageism and classism than it does to satirise them – though it does do that from time to time.

“To claim that it is ironic is to miss the point that comedy constructed about the other – that which is different from us – involves the mocking of minority groups in a way that winds the clock back to the pre-alternative days of (controversial British comedian) Bernard Manning.”

In her study, Ms Finding analysed the show’s characters and found that their physical traits were used to project fears about homosexuals, the working class and minority groups.

She said that in laughing at Vicky Pollard – a fat, chain-smoking, single mother – audiences were expressing their fears and hatred of the working class.

Viewers saw Vicky, with her “stereotypical body”, as having the features of all working-class single mums, “feckless, stupid and promiscuous”, Ms Finding said.

“Even Daffyd, the self-proclaimed only gay in the village, is a character who connects the idea of being homosexual with being ridiculous and therefore relies on mainstream fears about gayness, despite the fact that Daffyd is the creation of comedian Matt Lucas – who is himself gay,” she said.

For more clips from our Poverty and The Media project please visit our Archive

To find out more information about our Poverty and The Media project please visit our Project Page



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As journalists join the dole line will reporting of poverty improve?

As the number of media professionals facing unexpected redundancy rises will the gap of experience between those who report on poverty and those who experience poverty decrease?
For more clips from our Poverty and The Media project please visit our Archive

To find out more information about our Poverty and The Media project please visit our Project Page



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Spectacle to re-interview residents of The Tower

Spectacle are planning to return to the infamous Tower on the Pepys Estate, as featured in the BBC documentary The Tower, to find out from residents what they thought of the programs representation of where they lived. We will be visiting the community centre on Monday night (9/02/09) so please come along and share your opinion with us.

Have you ever lived on the Pepys Estate?

What would you like to ask the makers of The Tower?

Do you think the The Tower is a good representation of the Pepys Estate?

For more clips from our Poverty and The Media project please visit our Archive

To find out more information about our Poverty and The Media project please visit our Project Page



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Depictions of Poverty: what happens when the film makers leave?

Rich Kid, Poor Kid, The Secret Millionaire, The Tower and Repossession, Repossession, Repossession are all programs that centre around ‘poor’ areas and attempt to explore social inequality through individual stories.

What happens to the individuals or areas in these programs when the film makers leave?

What are the consequences of putting peoples personal circumstances on television?

For more clips from our Poverty and The Media project please visit our Archive

To find out more information about our Poverty and The Media project please visit our Project Page



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Poverty and the Media Films Feedback

Below is some feedback from two events in London and Glasgow where clips of Spectacle’s Poverty and the Media Project were shown

Faces of Poverty: How do Images tell the Stories?: London
Spectacle film was really positive- people’s own voices and own directing etc. The film showed people who are knowledgeable commenting on things that mattered to them.
Alison Whyte: Mark Easton said he’s interviewed 100s of people like those in spectacle film. These people are not empowered like those on spectacle. There can be really bad examples of editing and stigmatising.

Glasgow
Tuesday 4 November 2008

Anne Marie-Smith: ‘Spiritual Poverty’ – very dangerous, causes lows and depression; Heart warming to hear this phrase on the Spectacle DVD
Problem of stereotypes. Judging people, by their image (e.g. gold chain, lipstick, nice clothes etc.)

http://www.socialevils.org.uk/2008/04/09/poverty-and-inequality/

Glenn Jenkins response to Secret Millionaire

Below is a short extract from one of Spectacle’s Poverty and the Media workshops on the Marsh Farm Estate. In this clip Glenn Jenkins, long-term community activist and part of Marsh Farm Out Reach, talks about the way television programs, such as Secret Millionaire, Big Brother and Jeremy Kyle,  treat poorer people.