Racism and Courage

Spectacle Archive Project: Youth explore Racism and Courage

In the early 1990s Spectacle’s founder was in East Germany working to document the changing Germany after the Berlin Wall came down and post collapse of the Soviet Union. The purpose of this filming shifted in August 1992 when racially motivated protests and attacks in Rostock-Lichtenhagen became a flashpoint for political action. 

During the attack, 100 Vietnamese asylum seekers were left to their own devices in a large housing complex called the Sunflower House. The Neo-Nazi attackers threw stones and Molotov cocktails. They smashed windows and set fire to the house in which the people were locked. 

The Truth Lies in Rostock poster

The footage collected about this event became a film called The Truth Lies in Rostock. Read more blogs about the film.  

In Germany, every school child learns about the legacy of the Berlin Wall. There is an ongoing effort to keep asking hard questions about what the divisions with German society meant at that time, and what they mean today. One such project is Aus Mut gemacht – 30 Jahre Mauerfall, “Made out of courage – thirty years after the fall of the Berlin wall”, an open call for films made by young people that gave their perspective on this history.

The project asked people to look at the questions: What does courage mean? Are we brave today differently than 30 years ago? Where are the walls still standing today? What courage does it take to brace yourself against walls and change something?

School classes and groups from Berlin dealt with these questions, discussed, researched and expressed their thoughts in short films.


Collage art: WAS GEHT?! Magazin youth media workshops (Berlin)

One of the films was created for this project by WAS GEHT?! Magazine,
a multimedia program for young refugee and immigrant media makers.
Filmmakers Hani Schehel, Noura Ben Belgacem and Hadi Ahmadi chose to
focus on the legacy of the Rostock-Lichtenhagen Pogrom, supported by
workshop facilitators Duc Vu Manh, Ganesha Küppers and Özgür Akgül, as
well as educational team Mohsen Hassani, Katja Heinemann and Jenifa
Simon.

They chose to focus on the legacy of the Rostock-Lichtenhagen Pogrom. 


Collage art: WAS GEHT?! Magazin youth media workshops (Berlin)

Their film deals artistically with the events in 1991 and refers to the current situation of refugees who are again exposed to racist attacks in accommodation by using images and voices from The Truth Lies in Rostock.  They wondered what happened to the migrants who, like the Germans, experienced the fall of the Wall. In the 80s, thousands of Vietnamese guest workers came to Germany. Instead of just looking for an answer, the young filmmakers dealt artistically with the topic. Their research led them to the attacks carried out on the Vietnamese asylum seekers dormitories in the early 1990s. A dark chapter of the Federal Republic, which has almost been forgotten.

As part of their preparation to delve into this history of violence, the group worked with images from the documentary as part of their film workshops, cutting, pasting and highlighting images they felt were speaking to them.

As they discussed this history, it became clear to them that this chapter has unfortunately not yet come to an end. In recent years there have been more attacks on dormitories of refugees. Their films point to the continuity of violence against immigrants and those seeking protection. 


Collage art: WAS GEHT?! Magazin youth media workshops (Berlin)

The films they created as a result of their workshop process were presented during the festival week for the Aus Mut gemacht project at Alexanderplatz. The films can be viewed here, or here with English subtitles. All the films made as part of the Aus Mut gemacht project can be watched here.

The wall is no longer made of stone, but it is in the soul. 

–Walid Alastah
The WWII Nazis aren't just gone - racism is passed on from generation
to generation.
–Kinda Muhsen

Collage art: WAS GEHT?! Magazin youth media workshops (Berlin)

The Truth Lies in Rostock, and the large archive of footage filmed at the same time has become increasingly important. Ongoing archive based activities are in the works for the 30th anniversary of the Rostock-Lichtenhagen pogrom in August 2021. 


Collage art: WAS GEHT?! Magazin youth media workshops (Berlin)

Collage art by WAS GEHT?! Magazin, using still images from “The Truth lies in Rostock” 

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Refugee Week at Spectacle

This week is Refugee Week, a UK-wide festival celebrating the contributions, creativity and resilience of refugees and people seeking sanctuary. Founded in 1998, Refugee week is held every year around World Refugee Day, which is on the 20th of June.

Across the country hundreds of organisations host programmes of arts, cultural, sports and educational events. At Spectacle we have been working with refugees in a variety of countries for many years, and this week we invite you to watch our films about refugees. 

Micronomics Refugee Youth Interviews

The Micronomics Project investigated an understanding of small scale self-organised (micro-)initiatives and whether the economy has room for them. The film considers their potential to challenge the dominant definition of ‘the economy’ and implication, when the value created and exchanged is of social nature

Interviews and footage from Spectacle’s Micronomics Project is now available through our Archive.

Quand le Papier Arrive 


Make yourself comfortable. Give yourself a few minutes to listen to what these people would like to tell us. This film is a succession of portraits of ‘Paperless’ people.

Filmed in Brussels and released in 2007.

The ‘Paperless’, the ex-‘Paperless’  and also their Belgian loved-ones answer the main question- “When the papers arrive, what would change in your lives? ” All of them reveal their hopes, wishes and plans. What would change in relation to the world or their relationships with others? What impact would that have on the image that these people have made for themselves and our society? Some of them original, some moving, their answers call out to us.

The Truth Lies In Rostock

In August 1992 Lichtenhagen estate, Rostock, in the former East Germany Police withdrew as fascists petrol bombed a refugee centre and the home of Vietnamese guest workers while 3000 spectators stood by and clapped. Using material filmed from inside the attacked houses and interviews with anti-fascists, the Vietnamese guest workers, police, bureaucrats, neo-nazis and residents, a story of political collusion and fear unfolds.

Refugee Week’s vision is for refugees and asylum seekers to be able to live safely within inclusive and resilient communities, where they can continue to make a valuable contribution.

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El documental “The truth lies in Rostock” también doblado al castellano.

Ubicado en la antigua República Democrática Alemana RDA, en el distrito de Lichtenhagen, “The truth lies in Rostock” narra los episodios acontecidos entre el 24 y el 25 de agosto de 1992, cuando un grupo de extrema derecha atacó la residencia de un grupo de trabajadores vietnamitas.

Este pogromo tan significativo en la historia del neofascismo de posguerra pasó a la posteridad, no tanto por la agresividad y la gratuidad de la violencia infligida por los manifestantes, si no por la pasividad y la complicidad de sus vecinos. La mayoría de éstos no sólo se hicieron partícipes de ello  no interviniendo sino que además alentaron y animaron a los neonazis a llevar a cabo tales actos vandálicos, proporcionándoles el valor necesario con el cual acabaron prendiéndole fuego al edificio.

El centro de acogida de Mecklemburgo-Pomerania Occidental (Número 18 de la calle Mecklenburg), conocido como ZAst, por sus siglas originales (Zentrale Aufnahmestelle fur Asylbewerber fur) o Sonnenblumenhaus (La casa de los girasoles) como era conocida por los dibujos de su fachada fue la diana de su ira. Fundado en 1991, era el mayor centro al noroeste de Alemania donde se registraban las peticiones de asilo, hasta que éstas pasaban a ser tramitadas por el Estado en un desesperadamente lento proceso burocrático.

El primer claro aviso de un ataque fascista en Lichtenhagen se produjo cuatro días antes, el 21 de agosto, a través de una llamada anónima al Ostsee Zeitung, un periódico local. Hubo advertencias anónimas de que si el fin de semana no se “limpiaba” el refugio ellos se encargarían de hacerlo. Sin embargo nadie dio la voz de alarma ni en la redacción ni en el ayuntamiento, alegando que el mensaje no era lo suficientemente concreto como para crear un dispositivo de alerta.

De todas maneras, una vez empezaron los altercados, y ante las innegables evidencias de que la tensión iba a estallar de la peor manera, El Sonnenblumenhaus fue desalojado. Lejos de reprimir sus quejas, los manifestantes volcaron su rabia sobre el edificio contiguo, hogar de 115 vietnamitas. Afortunadamente, y tal y como puede verse en el documental, no hubo que lamentar la muerte de ninguno de ellos, aunque esto no fuera precisamente por la eficiencia del cuerpo policial, cuyo papel se ha considerado a posteriori escaso y deficiente.

“The truth lies in Rostock” alterna el desarrollo de los hechos aquellos días con el testimonio de vecinos, manifestantes (fascistas y antifascistas) y otros tantos colectivos que vivieron en sus carnes la crispación acontecida. En un intento por investigar los hechos y elaborar un análisis de los mismos, Spectacle entrevista a diferentes cargos públicos cuyo papel fue crucial en la toma de decisiones aquellos días. Sin embargo, lejos de entonar el mea culpa, encontramos una serie de acusaciones cruzadas sobre si la gestión del centro recaía sobre unos u otros, así como si éste era competencia del ayuntamiento regional o no, en un lamentable ejercicio de depuración de responsabilidades.

El documental cuenta con la participación de Herr Magdanz, (concejal de asuntos internos del ayuntamiento de Rostock), Peter Magdanz, (Concejal de asuntos internos del Ayto. de Rostock), Siegfried Kordus, (jefe de policía de Rostock hasta el 25 de agosto de 1992), Klaus Kilimann, (alcalde de Rostock), Herr Zoellick, (Concejal de Juventud, Salud y Deportes y sustituto de Klaus Kilimann), Herr Kordus, Jefe de la Policía de Rostock, que estaba al cargo temporalmente, sólo hasta que el nuevo Jefe de la Policía tomara su puesto el día después de los disturbios, Herr Deckert, (asistente del Jefe de Policía. Rostock), y  Lothar Kupfer, (Ministro del Interior de Mecklenburg Vorpommer).

Puede obtener más información en castellano sobre el documental en el catálogo de la página web de Spectacle, donde podrá también encontrar el guión traducido para descargar. Así mismo puede encargar una copia física en castellano o ver el documental en nuestra cuenta de Vimeo en inglés.

Para más información relacionado con el caso de Rostock, puede consultar nuestro blog, donde encontrará diferentes artículos en inglés. 

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The Truth Lies in Rostock and Despite the Sun at ASA14 Decennial: Anthropology and Enlightenment conference

asa14_longScreening of the documentaries The Truth Lies in Rostock and Despite the Sun are schedule for the ASA14 Decennial: Anthropology and Enlightenment conference running on Saturday 21 June and Sunday 22 June in the city of Edinburgh.

Both films, Despite the Sun (1986), an investigation into the year-long dispute, which shook the print industry, and The Truth Lies in Rostock (1993), one of the rare documents about the riots in Rostock-Lichtenhagen in August 1992, will be shown on Saturday 21 as part of the film programme ‘The truth of memory and the fiction of history: the politics of representation at the interface of anthropology, art and film making’. Furthermore, there will be a third screening of Spectres (2011), a film essay by Sven Augustijnen that explains one of the darkest pages in the colonial history of the Belgian Congo, around 1960.

This film session focuses on recent anthropological works that have argued that standard anthropological accounts can be inadequate to engage with contemporary socio-economic and political transformations. In questioning standard ethnographic practices, anthropologists have started to explore the relationship between facts and fictions, between truth and representation, and between individual and collaborative or collective projects. These new strands at the convergence between art, anthropology, history, film making and literature raise important issues concerning the limits of the production and representation of anthropological knowledge. This session aims to engage with these debates by presenting three films that in different ways respond to many of the wider conference themes.

The screenings will be followed by a talk and discussion with Mark Saunders, film maker and director of Despite the Sun and co-director of The Truth Lies in Rostcok. All film sessions will take place in the Lecture Theatre of the Symposium Hall.

 

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Click The Truth Lies in Rostock for more blogs

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Why Germany Isn’t Rooting Out its Neo-Nazis

 

 

 

 

 

 

Far-right violence against immigrants has become endemic in parts of Germany and that won’t change anytime soon. The public and the police are too often indifferent to extremism, despite the risk it poses to the country’s reputation. Deep down, Germany still hasn’t grasped that it needs to embrace its minorities…

The rest of the article can be found here.

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Germany after 1945: A Society confronts Antisemitism, Racism, and Neo-Nazism

 

The Berlin-based Amadeu Antonio Foundation is organising an exhibition about Antisemitism in East Germany. “Germany  after 1945: A Society confronts Antisemitism, Racism, and Neo-Nazism” explores the relationship between the country and the widespread anti-Semitic attitudes in Eastern Germany.

The exposition focuses on the history of the Holocaust as well as on the current right-wing extremism in Germany. Furthermore it shows initiatives to protect minorities and promote democracy in every day life .

The exhibition also features a picture of “The truth lies in Rostock“. The film was  produced in 1993 and is one of the rare documents about the riots in Rostock-Lichtenhagen 20 years ago.

“Germany after 1945”, which is designed as a touring exhibition, opens its doors on Tuesday, August 21 in Berlin. Next spring the exhibition can be seen in New York.

 

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20 Jahre Rostock-Lichtenhagen

Der 20. Jahrestag der Pogromnaechte von Rostock-Lichtenhagen ist Anlass fuer zahlreiche Veranstaltungen und Projekte in Deutschland. Unter anderem wird mit Filmvorfuehrungen der Dokumentation “Die Wahrheit liegt in Rostock“, an die Ereignisse erinnert.

Im August 1992 griffen Neonazis und Bewohner die Zentrale Aufnahmestelle fuer AsylbewerberInnen, sowie ein benachbartes Wohnheim fuer vietnamesische VertragsarbeiterInnen an. Ueber drei Tage dauerten die rassistischen Ausschreitungen. Schaulustige applaudierten als das Wohnheim schliesslich in Brand gesteckt wurde. Die Polizei sah weitgehend tatenlos zu. Nur Wochen nach den Übergriffen wurde im Bundestag das Grundrecht auf Asyl abgeschafft.

Die Filmproduktion “Die Wahrheit liegt in Rostock” entstand 1993 mit Hilfe von Menschen, die sich zum Zeitpunkt der Ereignisse im attackierten Wohnheim befanden. Der Film beinhaltet unter anderem Interviews mit vietnamesischen VertragsarbeiterInnen, der Polizei, AnwohnerInnen, Neonazis und AntifaschistInnen. Er zeichnet nach, wie die Stimmung auch durch behördliche Maßnahmen angeheizt wurde und untersucht, warum die Polizei während der Pogrome drei Tage lang komplett untätig blieb.

Bereits Anfang Mai diesen Jahres haben sich die Macher der Rostocker Zeitschrift “Stadtgespraeche” mit dem bevorstehenden Jahrestag im August beschaeftigt. Mit Hilfe einer Crowdfunding-Initiative wurde genug Geld aufgebracht, um 10.000 DVD-Exemplare von “Die Wahrheit liegt in Rostock” zu produzieren. Anfang August wurden die DVDs kostenlos an Haushalte in Rostock verteilt.

Filmvorfuehrungen:

Leipzig: Thu, 09.08.2012, 20.00 Uhr

Bremen: Sa, 11.08.2012, 18.00 Uhr

Hamburg: Su, 12.08.2012, 20.00 Uhr

Dresden: Wed, 15.08.2012, 21.00 Uhr

Kassel: Thu, 16.08.2012, 19.30 Uhr

Uelzen: Wed, 22.08.2012, 18.30 Uhr

Bruchsal: Wed, 05.09.2012, 18.30 Uhr

 

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20 years Rostock-Lichtenhagen

Screenings of the documentary “The Truth lies in Rostock” are scheduled for the next few weeks in Germany to remember the pogroms in Rostock-Lichtenhagen 20 years ago.

In August 1992 Neo-Nazis and local people attacked the Central Refugee Shelter, as well as an apartment complex, where Vietnamese contract workers lived . The riot lasted over three days and was the worst mob attack against foreigners in postwar Germany. Stones and  petrol bombs were thrown at the apartment block and neighbours applauded when it finally caught fire. The police took hardly any actions to prevent these events. Only a few weeks after the racist attacks the German government abolished the right of asylum.

The Rostocker newspaper “Stadtgespraeche” has already commemorate the upcoming anniversary earlier this year. Thanks to a crowdfunding initative they were able to collect enough money to produce 10,000 free copies of “The Truth lies in Rostock”. At the beginning of August volunteers distributed the DVD to households in Rostock.

Filmscreenings:

Leipzig: Thu, 09.08.2012, 20.00 Uhr

Bremen: Sa, 11.08.2012, 18.00 Uhr

Hamburg: Su, 12.08.2012, 20.00 Uhr

Dresden: Wed, 15.08.2012, 21.00 Uhr

Kassel: Thu, 16.08.2012, 19.30 Uhr

Uelzen: Wed, 22.08.2012, 18.30 Uhr

Bruchsal: Wed, 05.09.2012, 18.30 Uhr

 

Click The Truth Lies in Rostock for more blogs
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