Central YMCA – Body Confidence Campaign

Central YMCA with the support of MP’s from major parties have launched their Campaign for Body Confidence, as well as the All Party Parliamentary Group on Body Image (APPG) to which Central YMCA will be proving the secretariat. The campaign has the weighty task of addressing and resolving some of the problems concerning negative body image in British society, particularly amongst the younger generations. They are striving to curb the manner in which people view themselves and others by reaching out and engaging with individuals and communities a like, as well as with working with the leading media based industries that promote unrealistic expectations of body image. Jo Swinson, (LibDem MP,) explains that:

These problems urgently need addressing and the APPG on Body Image will bring together some of the key players in this debate in a cross-party forum – youth organisations, the advertising industry, health sector and media. We will challenge some of the root causes of negative body image, highlight best practice and work towards building a society in which people feel more body confident.

Spectacle contributed a short animated film to the campaign, that provides the viewer with a brief overview of the extensive research carried out by Central YMCA and Centre for Appearance Research in the University of the West of England, which premiered recently in the House of Commons. The film also draws attention to the financial, physically and psychological harm that appearance issues can invoke, ranging from the billions of pounds spent annually on dieting pills and food supplements, to the often devastating attitudes towards, and consequences of steroid use and cosmetic surgery. The video can also be found on the YMCA Body Confidence homepage.

As society in the UK becomes ever more sexualised and appearance oriented, the issues and pressures surrounding body image and appearance are becoming dramatically more significant and problematic. In Central YMCA’s research, statistically one in four people openly admitted to being depressed about the way they look, and as many as half of young females were open to the idea of using cosmetic surgery to enhance their looks in their future. The suggested ideals of beauty that is all too often plastered upon billboards, magazines, television, and the internet, shape the way that people, (in particular the younger generations,) perceive beauty and intrinsically sexuality. However it is thought that as little as five percent of the population look like, or could ever realistically achieve, the image of beauty and sexuality promoted by the models and celebrities.

This issue is of course further complicated by the introduction of image manipulation and airbrushing, which is now routinely used to perfect and enhance the outlandish ideals of beauty that the images promote. This means that not only are people being pressured into pursuing an image of beauty possessed by a tiny percentage of the population, the images often do not naturally exist in reality and are essentially unobtainable.

Results are leading to a steep rise in the number of young people affected by sever eating disorders, with girls recorded as starting their first diets at as young as eight years of age.

To help combat these issues amongst young people, Y Touring, which is part of Central YMCA, recently worked with a group of young teenagers from London to create a project that explores true body image through photography. Beautiful Photography Project 2010 empowers the teenagers involved to represent themselves and beauty as they perceive it, rather than the images fed to them by the aforementioned industries. Please show your support.

Click our Catalogue for more Spectacle productions.
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Silwood Video Group: Workshop Update

Class X Silwood 05-09-05

The Silwood Video Group continued this week as workshops were held on Tuesday in the Silverlock Centre and around the estate. We were able to conduct our usual sound and video workshops, taking new location shots around Silwood and engaging with residents curious about our work. This was followed by a screening in the Silverlock centre from 6 to 8, and preparations were discussed for a joint celebration of the culmination of the Silwood project and Spectacle’s eleventh anniversary of filming on the estate. Watch this space!

This week’s workshops will take place as per usual on Tuesday 22nd March, with location filming around the estate from 4.00 to 6.00 and screenings from 6.30 to 8.00 PM at the Silverlock Centre. Newcomers are welcome, and we look forward to seeing you there

An Urban media Practice: documentation, agitation, participation

Mark Saunders lecturing on the Urban Practices course at UCL:

An Urban media Practice: documentation, agitation, participation

8th February 3pm in Room 114, 26 Bedford Way, Department of Geography, UCL

Drawing on 30 years experience of independent and community based media practice in London, Brussels and Rostock Mark Saunders will describe the political and technological development of Spectacle’s practice and use of media in urban struggles for social justice in the built environment.

This will include, Despite TV, an innovative video co-operative in East London (1981-94), Jako Co-operative and the making of The Truth Lies in Rostock (90-98) establishing resident video groups in gentrifying Brussels (2000-2009) and long term video workshops on “regenerated” estates Silwood in Rotherhithe (10 years) and Marsh Farm Luton (15 years) and recent work on the London Olympics and Battersea Power Station.

Key Readings:

Olympics

Olympic project pages

Olympic blog

Battersea Power Station

Battersea Power Station project

Battersea Power Station blog

Suggested further readings:

Surviving Participation Fatigue< Erased Social Geography

Video in the City: Possibilities for Transformation in the Urban Space

Advocacy, Participation and Non Governmental Organisations in planning : A report and video on Spectacle’s APaNGO work

Silwood Video Group Workshops: Update

We had our first workshop with the Silwood Video Group on Tuesday, which allowed us to get a lot of new footage and more location shots to add to our ever-expanding archive. We are looking forward to getting the project up and running, with lots of positive contributions by residents. We are lining up interviews with pensioners and schoolkids alike, trying to get to the root of the changing nature of life on the estate.

Get involved!

Click Silwood Video Group for more blogs
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See our Silwood Video Group project pages for more information and videos.

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Commissioning Poverty and Creative Authorship

Poverty in the Media – Commissioning Priorities

Poverty is a problem faced by both individuals and society.

Societies commentators are an exclusive group, selected via a hierarchy and instated within a system, how representative can their voice be of the individuals who, because of the restrictions of their experience, do not rise through this?

The stories that find there way into the mass media produce a profound impact on the public subconscious; all mediated by the editorial chain, with whom the conditions are set and must be met to be accepted. The commissioning editors of both BBC and Channel 4 documentaries present similar priorities in their commissioning guidelines: Their requests come in loaded language – requesting proposals to match.

Hamish Mykura, Head of Documentaries for More 4 lists ‘harrowing’ ‘obsessed’ ‘extreme’ and ‘compelling’ in the descriptions for previous successes, the titles of which are equally charged (Eight Minutes to Disaster, Killer in a Small Town).
Alternatively, there is a focus on the ‘cheeky’ (BBC3) or the BBC4 equivalent ‘witty’, with both seeking ‘onscreen talent’ just as Channel 4 emphasises ‘presenter-led’ documentaries; encouraging programmes that are less focused on informative or critical worth and more (as requested by BBC3) the ‘entertainment values in their DNA’.

None of these criteria are detrimental in themselves but with this blanket approach to issue based programming, there is an obvious conflict of interests, the end point of which is arrived upon by Mark Raphael.

“I want to make ‘Risk Taking’ films that shed light on subjects we thought we already knew. ‘Provocative’ films that stir controversy, and ‘Popular’ films that thrill and excite large audiences.”

Mass appeal and commercial viability, are not criteria that encourage varied and responsible reporting. Industry checks may happen but if the material never leaves this sphere, pre-public release, there can be no dialogue. Fact checking, largely to avoid any potential legal repercussion, only happens to concrete information, not implication and is far more perceptible in specific rather than abstract cases. Where backlash does happen, it tends to pass more quietly than the impact of the broadcast programme.

When RDF went head to head with the Queen (A Year with the Queen, BBC, 2007) the BBC placed all blame with RDF, whose misleading editing meant producer, Stephen Lambert’s, head rolled. Now he’s back (as Studio Lambert) with Benefit Busters and RDF are free to continue with programmes, Wife Swap and The Secret Millionaire. It is not the representation, but the victim and resource with which they can respond, that affects the reaction – but the personal harm and perceptual effect is no less dramatic for those without recourse.

The power the media wields in propagating and reinforcing hegemonic ideals has long been recognised: The veil of entertainment and pretext that responding to audience choice, removes the onus from the media, only highlights the need for institutional change.

This is just one of the issues that Spectacle’s ‘Poverty and Participation in the Media’ project seeks to address; finding alternatives, opening up discussion and challenging what is seen to be the authoritative voice. The project was commissioned as part of the Joseph Rowntree Foundation’s ‘Public Interest in Poverty Issues’ campaign, and project content can be viewed online at:
www.spectacle.co.uk/poverty-and-the-media

London-Delhi work to be showcased

Mediabox is showcasing the work created for the London-Delhi project, more of which can be seen at the Spectacle website. The training and networking day incorporating Spectacle work is taking place on the 24th March at Oxford House in Bethnal Green.

‘Play Boy’ Owner Spending Spree Scandal

An article in the Evening Standard today reveals the huge spending sprees of one of the ‘play boy’ owners of the Power Station, while the building itself is lacking funding to keep it standing.  Article features interview with Battersea Power Station Community Group member Brian Barnes.

Reality TV shoot – caption competition #5

The Public Relations Guru

Being in a Reality TV programme can be psychologically damaging. To make sure you can financially benefit from your exploitation it is a good idea to have a public relations agent. He will look over product endorsement contracts for you and make sure when your private life is exposed in the press it is on the front page.

The PR consultant will oversee your career

The PR consultant will oversee your career

What do  you think he is advising the contestant??

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Follow the link if you would like to know more about our Poverty and Participation in the Media project

Reality TV shoot – caption competition #1

Reality TV shoot – caption competition #2

Reality TV shoot – caption competition #3

Reality TV shoot – caption competition #4

Reality TV shoot – caption competition #5

Reality TV shoot – caption competition #4

The Victim Contestant

In this picture the contestant is trying hard to win and keep his dignity. He is thinking about the fame and fortune that will follow. How the woman at the check out is going to say something like “‘Ere weren’t you on telly last night?”

How am I doing?

How am I doing?

What else is he thinking? Any ideas?

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Follow the link if you would like to know more about our Poverty and Participation in the Media project

Reality TV shoot – caption competition #1

Reality TV shoot – caption competition #2

Reality TV shoot – caption competition #3

Reality TV shoot – caption competition #4

Reality TV shoot – caption competition #5

Reality TV shoot – caption competition #3

Studio Audience

The nice people at the Television company invite their  friends and family to be in the studio audience. Being in a TV audience is very easy but these days you need to know how to Whoop! like an American, which some English people find hard to do. You can practice this at home before you go “on set”.

Two reality TV fans are in the audience

Two reality TV fans in the audience

Can you think what they are saying?

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Follow the link if you would like to know more about our Poverty and Participation in the Media project

Reality TV shoot – caption competition #1

Reality TV shoot – caption competition #2

Reality TV shoot – caption competition #3

Reality TV shoot – caption competition #4

Reality TV shoot – caption competition #5