Tag Archives: Culture and Society in 1980’s Britain

The Truth Lies in Rostock and Despite the Sun at ASA14 Decennial: Anthropology and Enlightenment conference

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asa14_longScreening of the documentaries The Truth Lies in Rostock and Despite the Sun are schedule for the ASA14 Decennial: Anthropology and Enlightenment conference running on Saturday 21 June and Sunday 22 June in the city of Edinburgh.

Both films, Despite the Sun (1986), an investigation into the year-long dispute, which shook the print industry, and The Truth Lies in Rostock (1993), one of the rare documents about the riots in Rostock-Lichtenhagen in August 1992, will be shown on Saturday 21 as part of the film programme ‘The truth of memory and the fiction of history: the politics of representation at the interface of anthropology, art and film making’. Furthermore, there will be a third screening of Spectres (2011), a film essay by Sven Augustijnen that explains one of the darkest pages in the colonial history of the Belgian Congo, around 1960.

This film session focuses on recent anthropological works that have argued that standard anthropological accounts can be inadequate to engage with contemporary socio-economic and political transformations. In questioning standard ethnographic practices, anthropologists have started to explore the relationship between facts and fictions, between truth and representation, and between individual and collaborative or collective projects. These new strands at the convergence between art, anthropology, history, film making and literature raise important issues concerning the limits of the production and representation of anthropological knowledge. This session aims to engage with these debates by presenting three films that in different ways respond to many of the wider conference themes.

The screenings will be followed by a talk and discussion with Mark Saunders, film maker and director of Despite the Sun and co-director of The Truth Lies in Rostcok. All film sessions will take place in the Lecture Theatre of the Symposium Hall.

 

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Despite the Sun showing at Tate Liverpool

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Despite the Sun will be showing at Tate Liverpool’s exhibition ‘Keywords: Art, Culture and Society in 1980’s Britain’, which is running from 28th February until 11th May 2014. The film investigates the state of the media and the context in which over 5,000 print workers, clerical staff, cleaners and secretaries lost their jobs. It was produced in 1986 by Despite TV, predecessor to Spectacle, both founded by Mark Saunders, documenting the dispute over Rupert Murdoch’s decision to relocate his printing operations from Fleet St to Wapping. There is also a new website dedicated to the strike where there is a lot of information.

“…Despite TV’s ‘Despite the Sun’… was shot on VHS at night, so it’s full of comma tails and smears and it was shot colour, but actually there was insufficient light, so it comes out as a greyscale, that’s I think one of the most gripping pieces of political documentary to be made in this country in the last 50 years, it’s a phenomenal piece of work. It was using the aesthetic of both the recording equipment and the playback, the immediate circulation for ‘Despite the Sun‘ were people in the immediate area of the dispute over moving the Murdoch group newspapers down to the Isle of Dogs and the famous picket lines. The BBC crews, which they interviewed, weren’t allowed through the police lines, but these guys were all locals, so they all went scooting round through people’s houses and so on to get stories that the national media weren’t getting, and it’s a fabulous piece of work, but it was designed to be shown locally and distributed through the library service in Tower Hamlets, so they were expecting domestic TV and VHS playback, so it was pretty raw, and also released very swiftly, I think they cut it in less than a week from about three weeks of shoots. So it was very important aesthetically as well as in terms of its politics.”

You can buy the DVD or read more here: Despite the Sun

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