Tag Archives: Brian Barnes

Interview with Muralist Brian Barnes

Posted on by
Reply
Stockwell Memorial, Brian Barnes, 2001

Brian Barnes MBE made his mark on London, and his native Battersea in particular, as both an artist and community activist. Whilst some of his most iconic murals have been lost, many remain and continue to brighten the urban streetscapes they occupy. These include Nuclear Dawn (1981) in Brixton and the Stockwell Memorial (2001). Sadly, Brian passed away in November of last year (2021). To celebrate his work we will be releasing a series of short films featuring Brian talking about his process and the political impulse that shapes his work.

Spectacle filmed many interviews with Brian Barnes over the years covering both his art and activism. The first of our films on Brian Barnes was filmed by students on one of Spectacles training courses. It features Brian discussing the his Stockwell Memorial mural and can be seen in full here:

Chesterton School Mural Repair

Posted on by
Reply

In the playground of Chesterton School, Battersea SW11 is a much-loved mural painted by the talented Brian Barnes.

Due to construction work on the school ground, the top part of the mural was damaged and needed repair. Watch our video below of Brian explaining the different panels.

Below is a log written in his own words about the process of repairing the mural. 

“The mural needed repairs because the wall was replaced taking away about 200 sq ft. of the painting equivalent to a quarter of the mural. All above the climbing studs which tended to be the most detailed.

Morgan Paton helped me in the weeks of the summer holidays. The weather was very warm with a very hot day of 38 degrees in the shade but little shade, Morgan made a tarpaulin shelter. We had a few volunteers Omero painted the blue arc on 27th August. Then we also had help from Fraya and Liam. Morgan painting Downe House home of Charles Darwin near Bromley. I painted a new version of the portrait of Darwin from a photo.

We went on Saturday 21st September to complete the repairs having painted for 10 days for 120 hours (not including an extra drawing for the Darwin portrait on paper)”

Brian Barnes is the founder of the Battersea Power Station community group. You can follow the links below for more updated information on the campaign to save the power station.

Click Battersea Power Station for more blogs, information and videos.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter

Spectacle’s 4 day training course

Posted on by
Reply

Recently Spectacle provided a four day training course in video production at our workshop in Battersea, London. In four days we went through the entire filmmaking/ digital video production process, from brief to production to post production (digital editing using Final Cut Pro) to delivery of the final edit online. This is our most complete course, for those who want to quickly and effectively acquire a comprehensive set of digital media skills.

4 day course with Brian

Spectacle’s training course participants interviewing a mural artist Brian Barnes.

“Great hands on experience”
“Very quick at getting outside and handling equipment “- Ben Martin (HR at Scottish courts)

The first two days the participants put to practice both shooting and interview techniques taught by Spectacle, on a real location with a real client, mural artist Brian Barnes. The participants enjoyed interviewing Brian against the backdrop of one of his murals.

“Being able to use a genuine client allowed us to put into practice what we were learning”-Tim Platt (Autotrader)

“Great opportunity to work on editing software”- Ben Martin

The second half of the course was post production in which we delivered training in editing techniques on Final Cut Pro and other up to date software such as Final Cut X, Adobe Premier and iMovie. Participants also had the chance to watch each others videos.

The group was very diverse, including participants who worked for The National Soldiers Trust, marketing and communications at Autotrader and a journalist looking to redirect their career.

“Informal setting was enjoyable, nice learning environment”
“Course was Enjoyable, motivating and well delivered”- Georgia Rise (Youth Worker)

“The course does exactly what it needs to”
“A big ‘thank you’ for the week, informative, educational, interesting and fun” -Michael Standen (The Soldiers Charity)

“Excellent – got a chance to do everything and covered all areas”
“Would absolutely recommend the course”
-Jo Murray (Journalist)

If you are interested in booking the course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.




 

 

 

 

Love me! Help me! – can art save Battersea Power Station?

Posted on by
Reply

Brian's poster

As Chairman of Battersea Power Station Community Group Brian Barnes has fought for the power station for 32 years.

The Battersea Power Station has without a doubt a special place in many Londoners hearts. It has this word presence – not many buildings have been featured in popular culture as much as the iconic building based on a river side site next to Thames.

Now the power station is facing a massive re-generation scheme led by the Battersea Power Station Development Company, a Malaysian consortium in charge of the ambitious building project. The scheme has stormed critique especially among local residents.

One of them is Brian Barnes, a mural artist who have been the fighting for the Battersea Power Station over three decades. Brian is Chairman of Battersea Power Station Community Group which has been campaigning to save the power station and to inform people about what the local community thinks about the redevelopment plans.

The Battersea Power Station has inspired Brian’s artwork and the posters made by Brian have been part of the Battersea Power Station Community Group’s campaign. One of Brian’s posters represent what Pink Floyd did in 1976. A helium filled 45 long pig was anchored to the chimney for the cover of Pink Floyd’s Animal album. “Battersea Power Station and the pig go together like peaches and cream” Brian says.

Algie

The iconic rock image Pink Floyd’s inflatable pig Algie has inspired Brian Barnes’ posters. Algie famously flew over Battersea Power Station for Pink Floyd’s “Animals” album cover in 1976.

However the pig isn’t the only animal Brian has used in his artwork. Orangutangs have also been a common feature in Brian’s art inspired by the power station. This is because one of the companies that owns the power station, Sime Darby – one of the biggest palm oil producers in the world – is cutting down a rainforest in equatorial zones and destroying the natural habitats of orangutangs.

“If they can do that in Borneo and threaten the rainforest and the orangutangs, I don’t think they are going to be much bothered about a building of brick”, Brian adds.

“On Valentine’s day we put up a big ‘Love’ banner up on the chimneys with a heart on it. That got everyone interested in loving Battersea Power Station”, Brian says. The 45 foot long banners which the Community Group members strung up between the chimneys have also said ‘Love me’ and ‘Help me’.

Brian believes that art helps to galvanise people’s attention to the power station and what’s going on: “Whether the chimneys are coming down or whether there is too much luxury housing around it or whether the tube station is really going to be useful for the local people”.

Brian and mural

A mural ‘Battersea in perspective’ was made in 1988. The mural including Battersea Power Station ‘is all about the Battersea area and people who are famous of being Battersea residents’ Brian says.

“Battersea Power Station missed out being an art gallery because it didn’t have a roof” Brian says referring to the Bankside power station which now serves as the Tate Modern.

The chimneys of the Battersea Power Station have been a significant part of Brian’s art. “If all the chimneys are down and the present Battersea Power Station Development Company leaves then you would have a box of brick with no chimneys”, Brian worries. At the moment the chimneys are indeed going down in order to be rebuild.

Perhaps art cannot save the Battersea Power Station. However it has spread the message of what is happening and helped social change by being a part of a wider campaign. “I used it (Battersea Power Station) as an image to represent Battersea”, Brian says and what is sure is that his campaign to save the power station isn’t over yet.

Spectacle’s training course encourages you to take the next step

Posted on by
Reply

training

Spectacle offers several training courses in which participants can experience all the aspects of filmmaking.

Recently I  participated  in Spectacle’s  four day Digital Filmmaking training course which I did as a part of my one month work placement for Spectacle. These intense four days gave me what I was looking for – a practical skill set in filmmaking and post production. As an undergraduate Politics & Media students at Bournemouth University, the training course provided me with practical tips how to produce a short film and what I need to know beforehand which will without a doubt benefit my studies.

During the training course the other participants and I had a chance to practice all aspects of filmmaking: everyone had a go with camera, sound, interviewing and directing. A practical exercise was an interview with a local Mural artist Brian Barnes who talked about his art inspired by the Battersea Power Station. Dominique Lyons, one of the participants describes the training as ‘a good all round course on the basics’. Dominique who works in communications thinks she picked the right course for herself however our participants also came from different fields.

Pelagia Makrelli, an anthropology student from Greece, did her Erasmus workplacement for Spectacle this summer. She says the training helps ‘anthropologists to go from theory to action’. Another anthropologist participating the course was Zsuzsa Millei who says she appreciates how the course showed ‘respect for beginners enthusiasm, patience when something went wrong and understanding of clumsiness’.

brian

How to film an interview? Spectacle’s training course participants tested interview techniques with a mural artist Brian Barnes.

With my previous experience in editing covering the basics of how to use iMovie, the training course shed light on more advanced editing software and broadened my knowledge of different possibilities for editing. We learned how to use Final Cut Pro and we were advised which software might suit our own purposes. Now after the training course I feel a lot more confident with working with cameras and I’m looking forward to use these new skills in practice.

A freelance journalist Jessica Holland also found the training course very beneficial and she hopes to use her skills to make short documentaries. After all everyone of us who took part in the training course will use these learned skills in different ways. However I believe the course encouraged us to take the next step and get involved in film projects that we might have missed otherwise.

If you are interested in booking the course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.




 


World monuments fund watch day 2014: Nine Elms architectural walk.

Posted on by
Reply

Spectacle took part in the Nine Elms architectural walk – part of the World Monuments Fund Watch day 2014. Here is a short edit of the event.

The watch day was launched by World Monuments Fund in 2012 to provide an opportunity for people to engage with their local communities and deepen their knowledge of local historic sites. The walk itinerary included Vauxhall and Nine Elms areas looking at sites such as the listed Brunswick House, Convent Garden Flower Market, Tideway Village riverboat community, Battersea Power Station, Battersea Dogs Home, the gas holder site and Battersea Park railway station.   The walk was lead by Colin Thom of the Survey of London and had contributions from David Waterhouse (Tideway Village riverboat community), Stuart Tappin (Structural engineer), Brian Barnes (artist and founder member of Battersea Power Station Community group)  and Keith Garner (architect).

Group photo in front of the Battersea Power Station during the World Monuments Fund Watch Day 2014

Group photo in front of the Battersea Power Station during the World Monuments Fund Watch Day 2014

 

Click Battersea Power Station for more blogs
See our Battersea Power Station project pages for more information and videos.
Or visit PlanA our general blog on urbanism, planning and architecture.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter

World Monuments Fund “Watch Day” Walk Battersea Power Station

Posted on by
Reply

Picture 2-4

NINE ELMS: ARCHITECTURAL WALK
COVENT GARDEN FLOWER MARKET – RIVERLIGHT SHOW FLAT – TIDEWAY VILLAGE HOUSEBOATS – BATTERSEA POWER STATION

Lead by Colin Thom of the Survey of London. With contributions from David Waterhouse, Stuart Tappin, Brian Barnes MBE and Keith Garner.
Saturday 27th September 2014. Meet 10.20 am Vauxhall bus garage (by No.87 bus stop) for 10.30 am departure.

To book or for further information contact Sarah Meaker at World Monuments Fund Britain: sarah@wmf.org.uk 020 7251 8142.
Suggested donation of £10 per attendee

Bring packed lunch and sensible shoes. Please advise World Monuments Fund Britain on 020 7251 8142 if you have particular access or mobility requirements.

Itinerary

10.20 Meet Vauxhall bus station. (No.87 bus stop.)

10.30 Depart and introductory talk by Colin Thom about the Vauxhall and Nine Elms area including the listed Brunswick House.

10.40 Covent Garden Flower Market (GMW 1974). Space frame structure using British Steel “Nodus” system.  The building was recently given certificate of immunity from listing by English Heritage. Shortly to be demolished, so the last chance to visit.

11.10 River walk to see the “Thames Hippo” and changing skyline of London.

11.50 Riverlight housing development (Rogers Stirk Harbour + Partners) to see show flat with views of river Thames and London skyline.

12.45 Tideway Village riverboat community to meet David Waterhouse owner of The Newark.
Tea & coffee will be served on the Newark and we will eat our packed lunches.

14.00 Battersea Power Station. (Gate 2 in Kirtling Street.)  Colin Thom will talk about the history of the building.  Stuart Tappin will discuss the demolition of the chimneys which has recently begun.
NB: we will not be entering Battersea Power Station but the building is visible from the road.

14.45 Battersea Dogs Home to see cattery designed by Clough Williams-Ellis. We can see the cattery from Battersea Park Road.

15.00 Gas holder site to see the collection of gas holders. These were also recently given certificate of immunity from listing and are being demolished. The “MAN” gas holder is a German design and is contemporary with Battersea Power Station. The MAN gas holder at Oberhausen in the Ruhr has been reused as an arts space.

15.30 Walk ends at Battersea Park railway station. Grade II listed Italianate station.

NB: times are approximate and may be subject to change. We do not have access to Battersea Power Station or the gas holders site.

Contributors

Colin Thom is an architectural historian working with the Survey of London, formerly at English Heritage and now with University College London. He was co-author of the recently published Battersea volumes of the Survey of London.

Stuart Tappin is an independent consulting engineer specialising in the conservation of historic buildings He is a founder of Stand Consulting Engineers. He is a member of the architectural advisory panel of World Monuments Fund Britain.

David Waterhouse has lived at Tideway Dock for 14 years and created the community now known as Tideway Village. He runs a houseboat business in London and has a small mountain hotel high in the Alps. His love of boats started when he worked for three years on Square Rig sailing ships. He spends his time between London and Switzerland.

Brian Barnes MBE is an artist and mural painted based in Battersea. He was a founder member of Battersea Power Station Community Group in 1983.

Keith Garner is an architect based in Battersea, working on the conservation of historic buildings and landscapes. He is also interested in making buildings more accessible.

 

Click Battersea Power Station for more blogs
See our Battersea Power Station project pages for more information and videos.
Or visit PlanA our general blog on urbanism, planning and architecture.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter

Save Kimber Road and Battersea adventure playgrounds

Posted on by
Reply

Wandsworth Against the Cuts has opened an online petititon to the Government to avoid the closure of Kimber Road and Battersea Park playgrounds. As York Gardens Playground has been recently flattened by builders they believe Kimber Road could be torn down as early as this Friday and Battersea soon after.

Campaigners claim that the closure of the adventure playgrounds will deprive children and young teenagers of things to do on these areas.

Visit Wandsworth Against the Cuts website for ways to try and prevent this happening.

It seems that Malaysian owners Sime Darby´s plans for the regeneration of the Battersea Power Station does not include any playground areas among these 3.400 homes, 2 hotels and dozens of shops and restaurants.

It would be a very good idea if part of (a publicly owned) Battersea Power Station were to be designated a huge public adventure playground for the joy of all the children of the area. But it is clear Wandsworth Council does not see providing for children as important as helping to enrich property developers by sanctioning the building of DINKy (Double Income No Kids- yet) Ghettos.

Check this video out for more information about this story.

Click Battersea Power Station for more blogs
See our Battersea Power Station project pages for more information and videos.
Or visit PlanA our general blog on urbanism, planning and architecture.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter

“Profit, profit, profit! Where do they mention heritage, heritage, heritage?”

Posted on by
Reply

Disgruntled Twitter groups such as SAVEThe4Chimneys!, in support of preserving Battersea’s iconic Power Station, are campaigning online against plans to knock down and ‘replace’ the Power Station chimneys.

A Malaysian firm, Sime Darby – responsible for the deforestation of the Orangutan habitat for palm oil – was one of the organisations that bought the 39-acre south-west London site in July for £400m; they are now putting forward plans to destroy these British historical icons. Read more

In November 2008, Red Apes Org, a respected group that campaigns to protect  the orangutans of Malaysia described Ahmad Zubir Murshid as ‘evil’. The group says that oil palm cultivation is a grave threat to the survival of orangutans and that Sime Darby is a part of the problem. Read more

Pink Floyd’s next album cover perhaps?

Click Battersea Power Station for more blogs
See our Battersea Power Station project pages for more information and videos.
Or visit PlanA our general blog on urbanism, planning and architecture.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter

Kevin Murphy on Battersea Power Station

Posted on by
Reply

Battersea Power Station is the focus of other people’s work as well as ours; one notable example of this is Kevin Murphy, director of the 2004 film ‘Battersea: Its Past, Its Future’.

Kevin has been featured on IPINglobal discussing the history and potential future of Battersea Power Station. His personal connection to the building is something that resonates with many locals, as are his thoughts on the disrepair it has callously fallen into in the years since its decommission.

As a youngster traveling in and out of Victoria Station I was always amazed at the sight of the Battersea Power Station every time I passed by. Famous for not only its unique architecture it has also become a popular landmark with the help of movies and popular music, most notably on the cover art of Pink Floyds concept album ‘Animals’. I never thought that one day I would be creating film documentaries regarding its present condition and future…

To read the full article, click here.

Click Battersea Power Station for more blogs
See our Battersea Power Station project pages for more information and videos.
Or visit PlanA our general blog on urbanism, planning and architecture.

Spectacle homepage
Add Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter