The Truth Lies in Rostock and Despite the Sun at ASA14 Decennial: Anthropology and Enlightenment conference

asa14_longScreening of the documentaries The Truth Lies in Rostock and Despite the Sun are schedule for the ASA14 Decennial: Anthropology and Enlightenment conference running on Saturday 21 June and Sunday 22 June in the city of Edinburgh.

Both films, Despite the Sun (1986), an investigation into the year-long dispute, which shook the print industry, and The Truth Lies in Rostock (1993), one of the rare documents about the riots in Rostock-Lichtenhagen in August 1992, will be shown on Saturday 21 as part of the film programme ‘The truth of memory and the fiction of history: the politics of representation at the interface of anthropology, art and film making’. Furthermore, there will be a third screening of Spectres (2011), a film essay by Sven Augustijnen that explains one of the darkest pages in the colonial history of the Belgian Congo, around 1960.

This film session focuses on recent anthropological works that have argued that standard anthropological accounts can be inadequate to engage with contemporary socio-economic and political transformations. In questioning standard ethnographic practices, anthropologists have started to explore the relationship between facts and fictions, between truth and representation, and between individual and collaborative or collective projects. These new strands at the convergence between art, anthropology, history, film making and literature raise important issues concerning the limits of the production and representation of anthropological knowledge. This session aims to engage with these debates by presenting three films that in different ways respond to many of the wider conference themes.

The screenings will be followed by a talk and discussion with Mark Saunders, film maker and director of Despite the Sun and co-director of The Truth Lies in Rostcok. All film sessions will take place in the Lecture Theatre of the Symposium Hall.

 

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What a way to run a Railway Inquiry

From day one TfL (Transport for London) made it clear the proposed Northern Line Extension (NLE) was not about addressing transport infrastructure but about enhancing property values in the so called Vauxhall Nine Elms Battersea Opportunity Area.

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The only question the NLE seems to address is how, in the middle of a freezing winter, can a City Fat Cat wake up in his £30m glass and steel penthouse, that desecrates the Art Deco architectural integrity of the Power Station and, North American style, get to his City penthouse office “desk” without going outside. Going to “work”  attired in just summer casuals- slacks and short sleeve shirt?

Answer have public money spent on running an underground tube to your door step so you can take a private lift down to the platform ( via the shopping mall ) and get on a city branch train direct to the City.

Aside from the ludicrous cost of this white elephant toy train for the rich there is the fact that all those commuters living south of Kennington will have to change trains there to get on the City Branch.

Since 1983 the Battersea Power Station Community Group have drawn attention to the neglect of the Battersea Power Station by a succession of owners. They have criticised inappropriate and harmful development proposals and proposed their own alternatives, such as the People’s Plan of 1986. Recently they released their ‘Proof of Evidence’ on the Northern Line Extension in Battersea. A summary of what came out of it:

“We support the principle of connecting the tube to Battersea Power Station, provided it was publicly funded and serves the whole of north Battersea, including Battersea Park, Latchmere and Clapham Junction, reducing unit costs. We also feel that transportation improvements could be achieved more quickly and at lower cost if other transort modes had also been considered. The current proposal represents poor value of money.

We do not consider that having a tube station in east Battersea to be a condition precedent for the succesful redevelopment of the Battersea Power Station site or other sites in the VNEB ”Opportunity Area” would certainly not be considered. The development of these sites has gone ahead on the basis of existing transport infrastructure. The justification that the NLE would support development at higher densities necessary to pay for it is circular and illogical.

We fear that, despite the arguments advanced at this inquiry, the decision to build NLE has already been made. The NLE appears in government budgets and announcements where is it talked about by politicians as if already agreed. Implementation of planning permission 2009/3575 is impossible without the NLE being built. Nevertheless we hope that – in the light of the evidence presented- the outcome of this inquiry will confound the expectations of TfL and Wandsworth Council, and will cause transport provision in east Battersea to be reconsidered.”

Connecting Battersea to the tube network (NLE or some other line) is a wider public good. The developer of the Battersea Power Station site should not be asked to pay for this.

To conclude with, transportation improvements could be made more quickly and at lower costs if other transport modes had been considered. The current proposal represents very poor value for money. Connecting the tube to Battersea Power Station would however be supported, provided it was publicly funded and serves the whole of north Battersea, including Battersea Park, Latchmere and Clapham Junction, reducing unit costs.

For a full critique of the NLE see Proof of Evidence 13-12-13

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Images of the 1986 Wapping dispute

Nic Oatridge has posted a set of images and artifacts relating to the Wapping dispute in 1986 on his Flickr page. The image above is part of this collection.

The exhibition “News International Wapping – 25 Years On” starts on 1 October at Goldsmiths College. A public launch on Tuesday 4 October at 6pm feature speakers who were directly involved in the dispute.

When: From 1 to 14 October
Where: New Academic Building, Goldsmiths College, New Cross, London, SE14 6NW
Entry: Free

Further details can be found on Goldsmith’s website or for the Guardian’s Jon Henley’s article on the exhibition, click here.

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