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Everything seems to be on the right track: we’ve found a studio and we’ve decided to get the perspex structure. The studio also offers some extra services that will save us time researching camera and lighting equipment. Perspex has also some advantages compared to the glass: it’s easier to get it and we just need to order it a couple of days in advance (whereas we would need to order the glass with at least 15 days in advance). Summing up: we are all really pleased and “relaxed”. It’s a good time to start working hard on the shoot schedule.
We get hold of the breakdown, we group the shots depending on the actors and on the technical requirements in each of them. It would be perfect if we could work just one day with all the extras and another day with the main characters. Then we could save some money as we wouldn’t need eight extras working during two days when their role of strolling in front of the camera, even if it’s crucial, can be done in one morning. By “technical requirements” I meant the shots will need the perspex structure. Fortunately, both of the factors are compatible: the shots where we need the extras don’t need the perspex structure.
So we get to the next “ideal” shooting plan (when I say “ideal” I mean “very optimistic”):
- First day. Morning:
8 extras + main character + 3 background characters (let’s say B, C, D)
Green screen shooting.
- First day. Afternoon:
Main character + 3 background characters (let’s say B, C, D)
Green screen shooting.
- Second day:
Main actor + 2 background characters (let’s say E, F)
Green screen shooting and perspex structure.
We are already so familiar with the project that everything seems obvious, but it’s hard to explain with words each shot, so there’s no point in trying to do it. It’s much easier and intuitive to download the shooting plan so you can get a literal view, with color, design, and all that stuff that makes things more user friendly. A picture speaks a thousand words. So if you want to see the first draft of our shooting plan you just have to click here.
If these plans go ahead it will also mean that we would be saving circa £1000 in our casting. But this doesn’t mean that the company would profit; it just means that the money is moving from one point of the budget to another. In short, it’s not bad news, but it’s not excellent either.
Good, good, it looks like the project is up and running. Now we “only” need to book the studio, get the actors there on time, order the perspex and start hiring technical staff. That’s nothing!
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