Video Production Enhances Research Impact

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Are you an academic researcher, PhD student, PostDoc fellow seeking to boost the impact of your research? Do you wish to improve the originality of your research proposals in humanities, science, arts, social sciences? Why not include a video outcome in your funding application?

Video workshop at Sheffield University

Other academics are already using media production to enhance the impact of their research in many ways. Video can be used either to monitor the research process and report research results, or it can be integrated in the research methods as a strategy to collect original data that can be easily analysed and disseminated. Spectacle has long experience in training academic staff in how to achieve quality video outcomes for their investigations.

We have already organised bespoke courses for anthropologists and social researchers of Edinburgh University, Cambridge University, Open University, Social Research Association, Amsterdam University, academic staff at Birkbeck, Comms departments at Oxford University, Cambridge University Press, King’s College as well as the Macular Society. All gave us excellent feedback.

Together with practical skills and confidence, they went away inspired and excited by the potential of incorporating video in their academic work in order to improve the impact of their scientific communications.

We offer a range of options to train you in video making, from weekend courses to three-day participatory video workshop, to bespoke training programmes addressed to staff or research groups.

Please visit our Training page or write to us for quotes and info at training@spectacle.co.uk

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Memories of Battersea – Screening Event

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We are pleased to announce that after a few months of filming and collecting stories from Battersea residents, we are ready to screen our project to the public!

Memories of Battersea is a video oral history project run by Spectacle and part funded by the Wandsworth Grant Fund. The project gave young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

The screening will take place on Monday, 15th October at
Senior Citizen Club
234 Carey Gardens
London SW8 4HW.

  • 4.30pm – 5.30pm – walking tour of the Carey Gardens Estate with Mark Saunders – filmmaker, Brian Barnes – mural artist and Nick Wood – architect
  • 5.30pm – 7.30pm – screening and discussion with contributors and filmmakers

You can find trailers to “Memories of Battersea” in our previous posts or on Spectacle’s Youtube channel: bit.ly/MBATTtrailers

More info about the event can be also found here

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Lost video “Aug 13” on “Battle of Lewisham 1977” found in Spectacle Archive

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Late July 2017, just a few weeks before the 40th anniversary of the Battle of Lewisham Spectacle found the “lost” video of the anti-fascist film “Aug 13: What Happened” in its extensive and unique video archive. The Spectacle video archive contains over 3000 hours of video on social justice, urbanism, human rights, housing, anti-racism, alternative and radical media from 1977 to the present day. Much of the late 1970s and 1980s content was shot in and around East London which was a very different place then.

The film “Aug 13” was found, high on a shelf, among a group of U-Matic tapes Despite TV had gathered for a film, never finished, for the 50th Anniversary of the 1936 Battle of Cable Street when the Jewish community of East London and its anti-fascist allies blocked the streets in order to prevent Oswald Mosley and his British Union of Fascists marching through.

August 13 1977 the Battle of Lewisham from Spectacle Media on Vimeo.

The film depicts the infamous events of 13 August 1977, the so called Battle of Lewisham, when the far-right National Front (NF)  attempted to march through South East London which led to clashes with anti-fascist groups, and later between demonstrators and the police. The footage shows the first time police deployed riot gear on the UK mainland and provides vital evidence about the demonstration and its aftermath in which over 100 people were injured.

With testimony from eyewitnesses varying, and often contradicting official reports, the battle has become a contested historical event. The film was shot by volunteers connected to the Albany Video project in Deptford. This version was restored just in time for the anniversary and is now included in the London Community Video Archive

Nearly forty years later to the day, 12 August 2017, there was the “Charlottesville incident” a counter demonstration against a White Supremacist and Neo-Nazi march in Charlottesville , Virginia, USA. Lessons from the past might help in the fight against a new virulent form of Fascism taking a grip particularly in the USA, UK and Europe.

You might also be interested in our  documentary  film

22nd August will also be the 26th anniversary of the Rostock-Lichtenhagen riots. Check out our participatory investigative feature length documentary “The Truth Lies in Rostock”

The Truth Lies in Rostock from Spectacle Media on Vimeo.

August 1992 Lichtenhagen estate, Rostock, former East Germany. Police withdraw as fascists petrol bomb a refugee centre and the home of Vietnamese guest workers while 3000 spectators stood by and clapped.

Using material filmed from inside the attacked houses and interviews with anti-fascists, the Vietnamese guest workers, police, bureaucrats, neo-nazis and residents, a story of political collusion and fear unfolds.

“Aug 13” is just one of the many lost and forgotten gems to be found in the Spectacle Archive. We are always interested to explore collaborative projects based on our archives.

To find out more about our archive, which also includes 100s of original paper documents regarding independent media 1977-2000 please ontact archive@spectacle.co.uk to find out more or visit Spectacle Archive

 

 

Spectacle trains the Macular Society in video production and editing

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Spectacle provides video marketing training to clients in a wide range of sectors, including charities.

The Macular Society approached Spectacle wanting to learn how to use video to further their campaigns, to fundraise and to increase awareness of the charity as a whole, with the ultimate aim of being able to do more to help individuals effected by Macular Degeneration disease. 

Andrew Gray, of the Macular Society, arranged and attended the video training session and found it “perfectly suit[ed]” their needs.

He said: “If you’re thinking about incorporating video content into your work, whether you’re starting up from scratch or looking to fine tune your existing skills, we’d have no hesitation in recommending Spectacle to help you.” Andrew also felt Mark, the tutor, was excellent and helped the participants to really understand the best equipment, and how to use it to improve the content they had already created. 

Macular Degeneration is a disease affecting the central part of the retina, which can over time cause partial or full lose of vision. Researchers predict that by 2020, there will be 679,000 people with AMD (Age-related Macular Degeneration) in the UK, therefore it is crucial to raise awareness of the sight-affecting disease. Macular Degeneration can have devastating effects, causing some people with the disease to eventually become legally blind.

Video is a powerful and effective way to raise awareness of important causes like Macular Degeneration. It can help raise awareness and market charities, visually, which can often be more effective than words. But out sourcing video can be expensive.

Training staff to record and edit videos themselves is hugely time and cost effective. Also, results can be better without a film crew of a strangers, making the project’s outcome more powerful.

Spectacle ran a bespoke training course on location for The Macular Society, but also offer the course in our south London workshop. We can teach participants all the stages of video production and editing process in an informative and clear manner.

To find out more visit Spectacle Training  or contact us on: training@spectacle.co.uk

Battersea Power Station under investigation for “dubious” investments

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Former Malaysian PM Najib Razak (pictured below sharing a joke with David Cameron and Boris Johnson)  has been charged with corruption over a ‘£3.4bn fraud.’

Caption Competition: Former Malaysian PM Najib Razak, Boris Johnson and David Cameron

The purchase of Battersea Power Station, the biggest property deal in the UK, is under threat after Anwar Ibrahim, the new leader of Malaysia’s governing coalition said it would be investigated as part of “dubious” investments made by the previous administration.

The Guardian reported:

“Anwar Ibrahim’s comments will raise questions about the British government’s commitment to fighting corruption. He said the money trail of the 1MDB fraud ran through London, with $1.83bn of Malaysia’s cash funnelled into a Saudi-British company.

“There was no attempt by British authorities to investigate. But this was a crime using sovereign wealth funds for reckless spending sprees.” he said.

“I say to Britain: you talk about transparency and anti-corruption drives, now is the time for action. I am saying now allow the institutions to conduct investigations fairly and give the necessary cooperation.”

Anwar Ibrahim, the opposition leader spent nine years in prison on charges which have been confirmed as trumped up and politically driven.

We ask how does this impact on the future of the building? The signs are not good. Despite being festooned with cranes there does not seem to be much going on at the site, just the continuation of the demolition by stealth. The east and west walls of iconic art deco brick work have gone. The London luxury property market has effectively collapsed. Many key individuals, including long time CEO Robert Tincknell, have left the Battersea Power Station Development Company (did they jump or were they pushed?).

Are we going to be left, as predicted, with a useless and worthless ruin surrounded by hideous and empty flats that no one wants to buy? Will the poor workers of Malaysia ever see their money back?

You can read more about Battersea Power Station on our blog and watch our film Selling an Icon here:

 

Battersea Power Station: Selling an Icon from Spectacle Media on Vimeo.

‘Battersea Power Station: Selling an Icon’ tells the story of Battersea Power Station from its prominence as a site of industrial power through the years of dereliction, speculation and planning blight to the replacement of the chimneys under the current scheme – a key example of developer-led preservation. In an age of aggressive ‘big business’ redevelopment, the film gives voice to the local communities who are rarely consulted and often overlooked.

Filmed over 15 years, Spectacle’s new documentary follows the grassroots campaigns of Battersea Power Station Community Group to preserve the building for the public good. It takes us straight to the heart of the current conservation debate about whether – and how – historic buildings should be preserved, governed, modified or replaced, and ‘who’ they belong to.

Also available to purchase on DVD. For institutional buyers and public screenings, please contact us at distribution@spectacle.co.uk.

Memories of Battersea: Nick

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Memories of Battersea is an oral history video project run by Spectacle and part funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this video, Spectacle met Nick Wood, the eclectic architect who designed and built the Carey Gardens estate in the early 70s in SW8 Battersea in Wandsworth.

Nick Wood, the GLC architect of Carey Gardens estate

Throughout his successful career at the London County Council and the Greater London Council, Nick aimed to create “council estates that didn’t look like council estates”, designing buildings that could provide an enjoyable living environment for its residents. Nick applied Sir Leslie Martin’s theories on land use to design Carey Gardens estate and his model proved that it was possible to achieve high density with low-rise buildings. During this time period, this was seen as revolutionary seeing as high-rise blocks were seen as more fashionable but cost more to build.

The Carey Gardens estate model, designed by Nick Wood

This Memories of Battersea episode gives an insight into the history of social housing, focusing on the effort of building new homes for the Battersea community after the devastation of World War II. Nick also walks through his theory use and intentions on building Carey Gardens as he sits down with an aerial map of the estate. He also mentions the Carey Gardens Co-operative, the tenant management organisation that plans events and coastal trips for the residents, proving how good urban housing design creates vibrant and happy resident communities.

Watch the full film here.

Visit Spectacle’s Memories of Battersea channel on Vimeo to watch other episodes featuring Battersea residents’ stories.

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Memories of Battersea: Mohamed

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Memories of Battersea is a video oral history project run by Spectacle and funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this video, we meet Mohamed Ali, a local community organisation founder and Battersea resident who immigrated from Somalia with his family in the late 90s to seek a better life away from the on-going Somali civil war.

Mohamed Ali, local Battersea resident and founder of Elays Network.

Mohamed spends his time working in the R & E Centre on St Rule Street in the SW8 area. He started Elays Network to work primarily in youth development and education but as the organisation expanded, they began to involve men and women of all ages in various activities, focusing on building bridges between the migrant communities and the host communities.

Most recently some of the organisation’s women came together to curate an event called Somali Women in the Arts which saw them exhibit their artwork, from paintings to poetry, in the Battersea Power Station.

Somali Women in the Arts exhibition, held at the Battersea Power Station.

He talks about his early experiences adjusting to life in London, the urban development and gentrification in Battersea and its impact on the lower and working class, the establishment of the Somali community within the borough of Wandsworth and how he founded Elays Network. He also relives some key events of how Elays has helped to strengthen and and bring together the Battersea community, as well as suggesting how the migrant and host communities should move forward in becoming a better integrated, accepting and united society.

Watch the full film here on Vimeo.

Visit Spectacle’s Memories of Battersea channel on Vimeo to watch other episodes featuring Battersea residents’ unique stories.

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Training on your video production: promotion for voluntary sector

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Are you a small, socially engaged organisation? Do you want to promote the great work you do using video? You have no money to commission a promotional video nor enough confidence or equipment to produce in-house engaging video content? Do you have your promotional video idea in mind and need help to make it real?

Spectacle wants to support you by skilling you up while helping you produce your amazing first promotional video!

Why Spectacle?

We are a small, socially-minded company whose profits go back in to funding our community based work. We therefore want to support other organisations with a bespoke programme that will help you produce your first video while being trained in video making. We have applied a generous discount to our standard prices in order to help you reach your aims and to contribute to your success.

Spectacle is an award winning independent television production company specialising in documentary, community-led, investigative journalism and participatory media. Spectacle’s documentary work has been broadcast and exhibited internationally. We have produced work on commission for clients including Amnesty International, the Joseph Rowntree Foundation, the Howard League for Penal Reform, Council of Europe, Groundwork, the London Health Commission, the NHS, Big Local and the Wellcome Trust.

As well as undertaking productions, Spectacle runs short, sharp, affordable training courses and community based media workshops. We are based in London but can travel within Europe to deliver bespoke group sessions. We believe our courses are the best around, largely based on the exceptional feedback we have received from the hundreds of people we have trained over the years.

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What will you get?

You will have your first video professionally produced by an award winning production company. You will also learn how to make your second video, building up confidence and practical knowledge that will scale up your outreach and marketing strategies.

What services are provided?

We are offering a bundle of services that will guide your staff (up to 8 people) through a specifically designed programme of training and production based on your video project.

You will attend practical workshops on video making and you will be assisted in your real shoot by our director. You will have complementary equipment (second camera, audio recording, lights) and extra crew if needed. Then we will train you on how to effectively use video editing software, sitting together  in front of your project to get the editing process started. Our professional editors will finalise your video and guide you through uploading and promoting it on you social networks and media platforms.

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Discount applies to voluntary sector only and is not applicable after 31/05/2018 

We are offering two options, depending on how confident you are already in video making and on the nature of your projects.

Option1 (groups up to 8)

2 Day Bespoke Training in Videography

1 Day Shooting (assisted with extra equipment and crew if necessary)         

1 Day Editing Workshop (Introduction to Software and workflow. Preparation of Edit)

4 Days Professional Editing.             

TOTAL normal price      4000

TOTAL for voluntary sector 2000

Option2 (groups up to 8)

1 day Bespoke Training in Videography 

1 Day Shooting (assisted with extra equipment and crew if necessary)   

1 Day Editing Workshop (Introduction to Software and workflow. Preparation of Edit)

2 Days Professional Editing.            

TOTAL normal price    2800

TOTAL for voluntary sector 1600

Contact us for more info at production@spectacle.co.uk

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De-Risky Business – Battersea Power Station £1.6bn sale?

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What is really going on at Battersea Power Station? The developers hope to sell to two  Malaysian saving fund investors, Permodalan Nasional Berhad (PNB) and Employees Provident Fund Board (EPF) for £1.6 Billion. However PNB and EPF already indirectly own a large stake in the developers.

The press is focussing on the record £1.6bn price tag making it the most expensive property purchase ever in London. Given the state of the pound post Brexit, the declining property market, the seriously troubled UK construction industry and Apple’s history of fickle “commitments” it might be London’s worse ever property purchase.

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Battersea Power Station Sunset

Shareholdings in Battersea Project Holding Company Ltd will remain unchanged between Sime Darby Property Berhad (40%), SP Setia (40%) and EPF (20%). PNB owns a stake in Battersea Power Station through its 55% shareholding in SP Setia and stake in Sime Darby, following its acquisition last summer of Sime Darby’s entire interest in its property arm, Seriemas Development Sdn Bhd (SDSB).  However the project will still be managed by same old Battersea Power Station Development Company (BPSDC) who say despite spiralling costs the deal will “guarantee the restoration of the building was completed” something they have always insisted was never in doubt.

A cynic might argue that was is really behind this manoeuvring is the off-loading of an ailing white elephant, profit forecasts have gone from 20% to just 8% since 2012, building costs have doubled, onto the poor Malaysian pensioners who have savings in PNB and EPF. De-risking or handing over future losses to Malaysian public money.

Battersea Power Station: Selling an Icon from Spectacle Media on Vimeo.

Demolition by Stealth. Perhaps we are lucky the (fake) chimneys are up on what’s left of the grade 2* listed building but sadly the wonderful brown Blockley brick east and west walls are half demolished, to be replaced with “pre-fab brickwork” according to Brian Barnes of Battersea Power Station Community Group despite the assurances, made in Selling an Icon, by sleepy old Historic England.

 

Read more about Battersea Power Station on Spectacle’s blog

Watch Battersea Power Station: Selling an Icon on video on demand or DVD.

Other articles:

https://www.theguardian.com/…/battersea-power-station-to-be…

http://www.costar.co.uk/…/Malaysian-duo-to-buy-Apples-HQ-a…/

Memories of Battersea: Christine

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Memories of Battersea is a video oral history project run by Spectacle Productions and funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this episode we met theatre director Christine Eccles in the Battersea Art Centre. Christine tells her story about Mayday Theatre, a politically engaged theatre company based in Battersea during the seventies and early eighties.

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Christine moved to Battersea from Liverpool in the early seventies and, inspired by radical theatre and the political atmosphere at the time, started her own socialist community theatre group. Working with the local residents and the Labour council they put on shows around South London that were based on local issues and stories such as the lives of factory workers, the gentrification of Battersea and the growth of the National Front in the area.

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In this short film she recounts stories from some of their most memorable performances, shares her photos from the time, describes her experiences of working with the local community, and explains why her work was an important political force in the history of Battersea. She describes the neighbourhood’s radical history, what it was like when she moved there, and the changes that have taken place since then, including the sudden switch from a Labour to a Conservative council and the rapid change in housing landscape.

Christine is the second episode in the series. Watch Memories of Battersea: Jean, the first episode, here.  

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