Olympic Mascot Toys Allegedly Made In Sweatshops

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New allegations have been made that cuddly toy versions of the Olympic mascots are being produced in factories that abuse worker’s rights. The allegations have led to an internal investigation by LOCOG. The British toy company Golden Bear, who sell the mascot toys have been accused that  workers in their Chinese factory are alleged to work more than 11 hours a day, for 26p per hour. Golden Bear, along with the BTHA (British Toy and Hobby Association) have launched an inquiry and LOCOG claims to have contacted licensees to ‘reiterate the importance we place on the sustainable sourcing code they have each signed up to.’ A LOCOG spokesperson has said that they ‘place a high priority on environmental, social and ethical issues when securing goods and services and take these allegations extremely seriously’.

The LOCOG Sustainability Source Code (http://www.london2012.com/publications/locog-sustainable-sourcing-code.php) outlines LOCOG’s approach to the sustainable sourcing of materials, from timber for furniture and fitting to the product specific industry standards in merchandising. The principal audiences of the Code are internal buyers and specifiers and prospective suppliers and licensees i.e. both the LOCOG merchandising team and the toy’s manufacturers, Golden Bear. The code specifies that:

“Put simply, our approach to sourcing sustainable products can be based
on the following five key questions:
1. Where does it come from?
2. Who made it?
3. What is it made of?
4. What is it wrapped in?
5. What will happen to it after the Games? ”

It’s aim is that interested parties “can better understand our views on sustainability and how they are being implemented.” Prospective suppliers and licensees are advised to review the requirements of the Code and ensure that relevant areas of their business and supply chain are in compliance with its provisions. On occasions when we are sourcing services which involve labour, LOCOG uses the Ethical Trading Initiative (ETI) Base Code (http://www.ethicaltrade.org/resources/key-eti-resources/eti-base-code) as the required standard that suppliers should be achieving. in the case of Golden Bear’s factory, LOCOG’s processes for the tendering of contracts, both the Sustainability Source Code and the ETI Base code, seem to have been neglected. The question therefore is, how has this happened?

The LOCOG Code states that “following our due diligence process and award of a contract, we will monitor a supplier or licensee’s practices to ensure they are being carried out as agreed in the tender process”, and they utilize a spend priority categorization system to determine the likelihood of assessment and monitoring during the tender process. This means that the higher the priority according to the spend categorization the more likely it is that the prospective suppliers and licensees will be evaluated for their ethical sustainability. According to LOCOG sustainable sourcing code, the product specific industry standards for merchandising (the category into which the toy mascots fall) are rated as “moderate” priority and are SEDEX (Supplier Ethical Data Exchange – http://www.sedexglobal.com) mandated, though no guidelines or strategies exist for supporting sustainability. The upshot of this is that the potential for merchandise suppliers to be assessed during the tender process “will be determined by LOCOG on a case-by-case basis”, with “moderate” priority for sustainability support.

Perhaps in the case of Golden Bear the assessments were not deemed necessary. Perhaps the difference between “moderate” and “high” priority is purely a result of interest in the abuses of factory workers. Perhaps it is even the case that the LOCOG Sustainability Source Code is an elaborate exercise in demonstrating how important such ethical issues are in relation to the spending of money. It does seem more likely, though, that their prerogative is, as stipulated on page three of the Code, that “LOCOG will do business with suppliers and licensees who are best placed to deliver outstanding value for money”. In the case of the Golden Bear factory, this seems to be at odds with their commitment to sustainability as “one of several core elements which make up how we (LOCOG) define value for money.”

 

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A screening of “Outside the Law: Stories from Guantanamo” at the European Parliament in Brussels- January 24

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On Tuesday January 24, at 7 pm, there will be a special screening of the acclaimed documentary film “Outside the Law: Stories from Guantánamo” at the European Parliament in Brussels. The screening will take place in the main European Parliament building, the Altiero Spinelli Building, Rue Wiertz, in Room ASP – 3G2, on the 3rd floor, and Moazzam Begg, former Guantánamo prisoner, and the director of the NGO Cageprisoners, will be joining Andy Worthington and Polly Nash for the screening, and for the Q&A session afterwards.

 

The screening has been arranged by Jean Lambert (UK Green MEP), with the support of Sarah Ludford (UK Liberal Democrat MEP) and Ana Gomes (Portuguese Socialist MEP), and the purpose of the screening is to raise awareness of the continued existence of Guantánamo, and its mockery of universal notions of fairness and justice, ten years after the prison opened, on January 11, 2002. Given President Obama’s very public failure to close the prison as promised, it is essential that other countries step forward to take cleared prisoners who cannot be safely repatriated, and one of the main purposes of the screening is to encourage EU countries to re-engage with the process of resettling prisoners that was so successful in 2009 and 2010.

The screening is free, but anyone who wishes to attend needs to contact Rachel Sheppard, the Parliamentary Assistant to Jean Lambert MEP:  jean.lambert@europarl.europa.eu

This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

If those wishing to attend do not already have an access badge for the European Parliament, they need to provide their full name, date of birth, nationality, passport number or ID card and number and also specify the type of document (passport, ID card) so that access badges can be arranged. Without an access badge, those wishing to attend the screening will not be allowed.

Moazzam Begg and Andy Worthington will be available to talk to the press along with Jean Lambert MP, Sarah Ludford MEP and Ana Gomes MEP they are hoping to have the opportunity to discuss the need for European countries to revisit the generosity shown in 2009 and 2010, when many offered new homes to cleared Guantánamo prisoners who could not be safely repatriated.

171 prisoners are still held in Guantánamo, and 89 of these have been cleared for release by President Obama’s interagency Guantánamo Review Task Force. 58 of these men are Yemenis, whose release is being prevented by President Obama, and by Congress, but others remain in need of new homes, and it is only the absence of offers from, for example, countries in Europe, that is preventing them from finally being freed.

As Guantánamo recently marked the 10th anniversary of its opening, with no sign of when, if ever it will close, given Congressional opposition, and the President’s refusal, or inability to assert his authority, it would be a powerful humanitarian gesture if European countries once more agreed to take cleared prisoners, to help to close this shameful icon of the Bush administration’s misguided “war on terror.”

 

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EU to ban film on victims of rape in Afghanistan

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London based film-maker, Clementine Malpas, has been threatened with legal action by the European Union after making a documentary that exposed the abuse of women in Afghanistan.

The EU hired  Ms Malpas, 30, to highlight the life of battered wives and rape victims convicted of moral crimes by anti-female Afghan courts. But only 24 hours before the film was due to be delivered, EU officials stated that they did not want to “upset relations with the justice institutions” in Afghanistan.

Ms Malpas is now accused of breaching her contract after breaching her contract after claims the film was screened for outside viewers.


She obtained written consent to film Gulnaz, 19, who was jailed for 12 years for adultery after being raped, and Farida, 26, also jailed for adultery after fleeing her abusive husband. Both women risked their personal safety to speak up and the EU insists that it is protecting them by hiding their identities.

An EU spokesman said: “The woman and their families must be protected, which means their identities can under no circumstances be revealed. The film in its current state does not conceal the persons in question.”

Ms Malpas, who has produced a number of human rights films in Africa, told the London Evening Standard: “It is the women’s choice to tell their stories and I admire their clever-eyed courage. It is not for us to veto their votes.”

These women are well aware of the fact that they’re putting their own and their families’ lives at risk in order to tell their horror stories. They have made up their mind, so who are the EU to dictate what they’re allowed to say? These women’s bravery should be applauded – not shut down.

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Commuters warned of 30-minute wait for a train during Olympics

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Tube and rail travellers will have to wait at least half an hour to board trains at “hotspot” stations during peak hours at the Olympic, transport chiefs admitted earlier this week.

Passengers will be held in lengthy queues or will have to walk to alternative stations, according to the first detailed forecasts of public transport and road demand during the Games.

The busiest station will be London Bridge, with Transport for London (TfL) forecasting delays of at least half an hour during the two-hour evening peak every day during the Games. Other “hotspots” include Bank, Canary Wharf, Canada Water and Bond Street.

                                                        Photo by: Qsimple

Volunteers will be situated at hotspot stations issuing travel advice and walking maps. The second stage of TfL’s public information campaign will start early next year and target commuters rather than business. It will profile a further 30 Tube stations and provide travel advice for weekend journeys.

Transport bosses admit that disruption will be much worse if they cannot achieve a 20 per cent reduction in passenger journeys during the Games by persuading commuters to change their travel patterns.

Major challenges are also expected on Monday August 13th, the day after the closing ceremony, with an exodus of teams and their entourages to airports on what will be the busiest day in Heathrow’s history.

In addition to this, motorists have officially been urged not to drive to or through “hotspots”, such as sports venues or cultural festivals and not to take the car during rush hours. People have also been recommended to work from home during the Olympics.

What they don’t seem to take into consideration is the fact that most people are not in a situation where they can work from home for a few weeks. They’re also failing to recognise that many people live miles and miles away from their workplace and walking in every morning would take hours. Then again, it would probably be quicker than getting on the tube…

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Yvonne Ridley interviews now published

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A series of interviews with British journalist, broadcaster and human rights activist, Yvonne Ridley has now been published on the Spectacle website.

To watch them, please visit our Guantánamo archive pages.


Please note that these interviews were conducted during a screening, hence the occasional background noise.

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New Anti-squat interview material online

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What is Anti-squat?

Anti-squat is a relatively new phenomenon, it is intended as a way to offer affordable housing in inner city areas, whilst also offering a solution to the problem of vacant properties. Like most traditional squatters, the residents maintain the property.  Unlike traditional squatters, the residents, or live-in guardians as they are sometimes known, are living in the vacant property with the owners’ permission. Residence via anti-squatting is arranged via a third party who the property owner pays to arrange the service. The residents often pay a comparatively low level of rent but are bound by strict rules, contravention of which can see them homeless within days. Plus their complicated tenancy status means they are not ‘residents’ in the traditional sense of the word that the law would understand, meaning that their rights can be compromised.

Inspired by the Broedplaatsen  (“broedplaats” is a hatchery or breeding ground) in Amsterdam which are designed to offer affordable work/living spaces for artists and what they refer to as “cultural entrepreneurs”. It is a model which has been used to challenge the concept of squatting and even the laws that allow it to occur. It has also been suggested that it may have a sanitising effect on the cultural and artistic scene of a locality. An idea explored by Tino Buchholz in his documentary Creativity and the Capitalist City. Tino also questions the idea that culture can be used for the economic regeneration of a city as per the ideas of Richard Florida.


Anti-squat in the U.K.

A company by the name of Camelot is one of the biggest proponents of anti-squat in the U.K. Their work is also being used to challenge the squatting laws here too. The model used by Camelot in the U.K is vastly similar to that in Amsterdam, however Amsterdam has a much wider ranging welfare state than the U.K meaning that they have less homelessness; herein lies a problem. Squatting is sometimes used as a solution by homeless or vulnerably housed people and therefore it should perhaps be questioned whether or not a scheme like anti-squat should be used as a basis for challenging squatting laws. Especially given the strict rules that are imposed by companies like Camelot, such as having a provable income,  are probably unlikely to be met if a person is homeless. Moreover, a person will not be accepted if they have a criminal record, so if squatting is made illegal, partly on the basis that anti-squat schemes like Camelot exist, a whole group of people that need the service might instantly become criminalised. These are amongst the many concerns that arise from anti-squat and its use a vehicle for outlawing squatting altogether.

On 22nd Sept 2010 Spectacle attended the 3rd annual Camelot Guardian Art competition at The Hatton, Faringdon. There we conducted interviews with Bob De Vilder, Marketing & Sales Director Camelot Europe and some current live in guardians. We discussed the scheme and some of the criticism surrounding its application. Please see our archive section to view these interviews. Please also bear in mind that the guardians were in the presence of, although not directly being observed by, Camelot employees at the time of the interview.

 

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Guantanamo Remembered: 10 years, event tonight!

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Today marks the 10th anniversary of the first batch of prisoners entering the infamous US prison camp at Guantanamo Bay. Tonight an event will be held in London’s Conway Hall to mark the occasion, where speeches can be heard from a number of specialists on the subject, not least ex Guantanamo detainees themselves.

Spectacle will be present at the event filming as part of our Shaker Aamer project.

Visit the Cage Prisoners website for more details.


 

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Battersea Power Station: Out of the frying pan into the fire

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The horror story continues…

Nightmare on Nine Elm Street

The abysmal Vinoly plans for Battersea Power Station that we had all hoped were finally dead and buried with the collapse of previous owners REO has come back to haunt all who care about the beautiful building and the quality of life for all those living in its shadow and the surrounding area.

Just when you thought it was safe Architect Viñoly has been hired as “creative brain” behind developer Mike Hussey’s plan for a new stadium for Chelsea football club. AAAHHHHHHGGGGG……

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REO collapses into administration

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Real Estate Opportunities has been put into administration by a UK judge after its owners failed to repay debts of £501m owed to Lloyds Banking Group and Ireland’s National Management Asset Agency (NAMA).

Administrators Ernst & Young have taken control of the Grade II listed red-brick building and will now either sell the site or the debt to recover the amount owed. The creditors initially called in the loans on 29 November and REO was inviting offers for its controlling stake in the site soon after.

Lloyds told the Guardian: “From the outset we have been determined to secure a buyer who will kickstart the regeneration of Battersea Power Station and we have done everything possible to give the owners both the time and financial support to achieve this.”


“However, after several months of discussions and still no acceptable offers on the table, administration is the only means we have to ensure that a sales process is put back on track. Without a financially stable owner, the site’s future remains unclear and that’s a situation we want to avoid.”

Keith Garner of the Battersea Power Station Community Group, which opposed the Irish company’s plans, called for the power station to be returned to the public sector, with repairs to be funded by the Heritage Lottery Fund.

The group said on its blog: “For the Battersea Power Station Community Group it is just another ‘new beginning’ as the fourth developer limps off stage to boos and jeers.”

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Spectacle Training: Digital Video Production Weekend Workshop

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Digital Video Production Weekend Workshop

Saturday & Sunday January 21-22 2012 10.00 to 16.00

This is a practical hands-on weekend course aimed at people who want a fast way to acquire detailed and concise digital video production skills. It is particularly useful for aspiring documentary makers, journalists who want to expand their skill set and voluntary sector workers who want to shoot their own films.

The short, condensed and effective course will give all participants a solid foundation of practical knowledge and a working understanding of digital cameras, sound recording, interview techniques, filming on location and industry language.

You will also get the confidence to use a wide range of equipment and learn the “future proof” principles of film making that remain constant despite the changes in technology and formats.

We allow a maximum of three people per camera set up (camera, sound, interviewer), giving everyone extensive hands-on experience.

Completing this course will guarantee you a work placement opportunity with Spectacle.

What you will learn

– Preparing a shoot
– How to use a digital camera (focus, white balance, aperture, formats etc.)
– How to use microphones
– Framing, types of shots, camera movements, cutaways and other techniques and tips
– How to conduct and shoot an interview
– Shooting on location
– The principles of lighting, both natural and artificial
– Filming to edit
– Legal issues, permissions and copyrights

To find out more and booking