Help Spectacle’s documentary BOOKCHIN ON BOOKCHIN happen!

BOOKCHIN ON BOOKCHIN

The compelling story of an American political thinker, philosopher, writer, social ecologist and anarchist.

Bookchin’s story can and should be told to the world. And you can be a part of this project. Support BOOKCHIN ON BOOKCHIN during our Indiegogo campaign and help us reach our goal and beyond!

BOOKCHIN ON BOOKCHIN is an independent feature-length documentary about the life and times of American political thinker Murray Bookchin, who made history as the founder of the social ecology movement. Our aim is to make a film that deeply explores the influences and experiences that have helped shape one of the most unique and distinctive voices in modern political thinking. The documentary will explore the development of Murray’s politics through his personal experiences, drawing off hours and hours of filming. We have been granted unparalleled access to Bookchin, including exclusive interview footage at his home in Vermont and his final public appearance in Montreal. Murray was reticent to engage in anything that smacked of the personality cult but his biography covers key points in the development of radical politics and sets in context the “Social Ecology” of his later life. We are in the process of making the film, but need your help in order to complete it. Thanks for visiting our page and we hope you enjoy what you find!

”Perhaps the most compelling real fact that radicals in our era have not adequately faced is the fact that capitalism today has become a society, not only an economy” Bookchin 1991.


Murray Bookchin (1921-2006) was a pioneer of the ecology movement, and was a significant social theorist on the Left throughout his life. He was an anti-capitalist and an advocate for the decentralization of society along ecological and democratic lines. He called for alternative energies and wrote prophetically about pesticides, cancer and obesity. His writing on anarchism, specially his 1971 book Post-Scarcity Anarchism, lifted and sustained the movement from the 19th century into the 21st century. His life paralleled major American and international events, such as the Great Depression, World War II, the Vietnam War and the counterculture movement. We’ll ask how a large part of the 20th century, with all that’s come and gone, has helped shape his thoughts and theories. In 2006 Bookchin died after a long and active life as a revolutionary, being deeply involved in the labor movement, in the civil rights movement, in urban activism, and in Green politics. In 1974 he co-founded the Institute for Social Ecology. In 1992 the british newspaper The Independent, referred to him as ”the foremost Green philosopher of the age.” It called his 1982 book The Ecology of Freedom one of the ”classic statements of contemporary anarchism.”

His books include Our Synthetic Environment, The Spanish Anarchists, Towards an  Ecological Society, The Ecology of Freedom and The Limits of the City.




The director of BOOKCHIN ON BOOKCHIN is Mark Saunders, an award-winning independent film-maker, media activist and writer. His expertise in the field spans over two decades. He is currently running Spectacle Productions, an independent London-based production company which he founded in 1990. Clients include Amnesty International, Channel 4, the Rowntree Foundation, the Howard League for Penal Reform and many others. Previous film credits include: The Truth Lies in Rostock, The Battle of Trafalgar, Exodus from Babylon and Despite the City. His films have been broadcast internationally and exhibited at galleries, including Tate Britain, the National Film Theatre, the Institute of Contemporary Art, Musee des Beaux-Arts,  the National Media Museum and the Photographers Gallery. 




Why should you help us make this movie?
We think it’s important that Murray Bookchin is preserved on film; sharing his thoughts, telling us his stories and showing us a side of himself very few people have had the opportunity to see. You are supporting a truly independent documentary about a remarkable man who believed political movement at a local level was necessary, anticipating the global protests that have since swept our screens. This past year alone, the Arab Spring, the Occupy Movement, environmental and student protests worldwide have demanded change. In a climate of pervading political and social dissatisfaction, Murray’s thoughts and theories have as much resonance today as they did back then.

Murray Bookchin was a  theorist of the anti-globalisation movement before its time, an ecological visionary, an advocate for direct action and a polemicist. He believed in the unconventional, the non-traditional, hence us looking for a funding platform that allows us the independence and freedom to make a documentary faithful to ours and Murray’s vision. Indiegogo provided just this; it made it possible to reach out to Murray Bookchin followers all over the world. On the right you’ll see the pledge levels with corresponding rewards. You can donate to our documentary and in return receive some fantastic rewards. We have a project we believe in and now need your help to make it a reality! 



How your contribution will help


We are an independent non-profit group and all funding and support will be used to cover production costs for our film. We’ve had no commissioning money and no access to conventional funding. Every dollar we raise will go towards:


* Post-production Editing and Mastering.

* We have hours and hours of exclusive footage and the only way to finish this film (and give it that award-winning touch) is to hire an editor to work on it full time. This will include Color Correction and Sound Mixing.

* Music rights.

* Archive material – we need to cover the huge costs of acquiring licensing rights to what we consider key historical moments, significant elements to his story.

* 
Marketing, promotion and awareness.

* To organize and host local screenings and to submit the work to world-class festivals.


* 
Our fundraising goal has been set at the minimum level at which we can make this documentary. We would like to raise a lot more than that because all the money will go to making the film that much better. Should we exceed our goal, rest assured that the money will go straight into the film. Please lend you support. Every extra penny helps!



Other ways you can help
Spread the word, tell your friends and colleagues, share our video on Facebook, blog about the project and Tweet. Anything you can do to help spread the word will be of tremendous service and is enourmously appreciated.  If you can’t spare any money, then share your thoughts. All feedback and comments are more than welcome.
You can reach us at BookchinBiog@spectacle.co.uk. Feel free to email us with any questions or comments you have. We know how important it is to have all your questions answered, so just get in touch and ask away! We’ll answer all emails promptly.

Visit our Indiegogopage and support!

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Battersea Power Station

Architect Keith Garner, has written a letter to Architect Journal according to the Battersea Power Station developments.

” You say in your editorial (10th May 2012) that the suggested move by Chelsea FC is a “the most thrilling and plausible vision” put forward for the building to date.  You also criticise deputy mayor Eddie Lister for opposing the move.  It is true that, in his time as Leader of Wandsworth Council, Eddie Lister presided over three failed schemes for Battersea Power Station.  But in opposing the move by Chelsea, Eddie Lister is right.

Lack of infrastructure cited by Lister is one of many reasons why this scheme won’t work.  Sketches by KPF that you also publish show that he stadium will take up space currently occupied by the Cringle Street refuse transfer station.  Where will the transfer station go?  Nor do you mention the new US Embassy would be overshadowed by the Russian oligarch’s stadium.   Surely the State Department will have something to say about that?

Far from maintaining the integrity of the II* listed building as you suggest, KPF’s sketches show that the ‘B’ Station turbine hall would be demolished, so the essential symmetry of the building would be lost.  Still worse is the idea of grafting a 60,000 seat stadium onto the side of a building which is (currently) famous as a solitary urban monument.

This is an unviable and unattractive scheme that would condemn Battersea Power Station to years of further neglect while Ambramovich & his team try to make it work.  It does the AJ no credit to support it.

Fortunately the question of Battersea Power Station was given a more sober assessment at the recent Twentieth Century Society seminar, which was timed to coincide with the sale of the building following the collapse of the scheme by the previous owner Treasury Holdings.  One of the key points to emerge from the meeting was that the building should be passed to a public interest trust, with an endowment to fund repairs.

In pursuit of this objective, the Battersea Power Station Company (a development trust set up by Battersea Power Station Community Group) has offered £1.00 for the freehold of the building by sale deadline.    The remainder of the site (the former South Lambeth Goods Yard site to the south, not historically a part of the Power Station) would be sold to raise the money owed to the creditor banks and give an endowment to the trust.

By this route, Battersea Power Station could be opened in the short term as a “controlled ruin” in a public park with a riverside walk to Battersea Park.  The building could then be repaired and brought back into used in a sensible phased refurbishment as funds permit.  Meanwhile commercial development could proceed on the flat land to the south unencumbered by the task of making a profit from the listed building itself.

“Investment and vision”, as you say.  Well, state-controlled Lloyds Bank is one of the two main creditors and could retain a stake in the project.  Now it is time for the GLA, Wandsworth Council and English Heritage – who have all sat on their hands while the building has deteriorated – to get around the table with administrators Ernst & Young to make this desirable outcome a reality.

Very well done Chelsea FC for winning the Champions League.  But please stay at The Bridge! ” (Keith Garner, 2012)

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Chel-batter-sea’s temple of power

Football-orientated-eyes from all over the world were focused on Chelsea during the weekend of  May 19th 2012. The London football club  became world champions after the Champions League final against Bayern München. After a breath taking penalty session, Chelsea won and became officially the best football club worldwide. This has put London and their famous club owned by one of the richests men on earth in a global spotlight. Just in times when the club is exploring new possibilities for a powerful new stadium.

Two weeks ago the football club was already in the news about the submitted bid to buy Battersea Power Station to transform it into a new stadium for the blue team. The Battersea Power Station. Once the scenery of Pink Floyd’s ‘Animals‘ album including the event of  a disturbing and trouble making pig flying around London. Now this might going to be the scenery of football supporters running and cheering around Battersea? Well, eventuality the people who own billion’s can own any power, including a power station.

On the evening of the FA Cup final against Liverpool (4th of May 2012), Chelsea confirmed the existence of a bid on Battersea. Roman Abramovich’s showed his interest in the decommissioned power station with plans to build his own 60.000 seats stadium. For the symbolic price of £1 and the promise to renovate all the chimneys he might turns this icon of London into his icon of power.

It looks a bit like an attempt of Abramovich to become Britian’s next biggest property owner. Just when the world thought he was already creating the biggest venue (read: his home) ever. An 150 million place, which combines 9 different apartments into one incredibly huge house for the Abromovich family. Abramovich is currently the 68th  richest person in the world, according to the 2012 Forbes list, with an estimated fortune of $12.1 B.

Will Abramovich become the owner of the Battersea Power Station? Besides the fact that there is an helicopter landing strip very close to Battersea, which is very useful for Abramovich (unfortunately his own private Boeing can not land there, which is a bit inconvenient, but his yacht with paparazzi reflecting lasers can be parked outside in the Themes).

There need to be plans made for transporting all the football supporters during the sports events. Is Abramovich really turning The Power Station into a stadium? And if he turns it into a stadium, how are all the supporters  arriving there? There is a lack of infrastructure at the moment, which is common knowledge.

Updates will follow as soon.

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Digital Video Production Weekend Training courses

Digital Video Production Weekend Workshop Dates and details

This is a practical hands-on weekend course aimed at people who want a fast way to acquire detailed and concise digital video production skills. It is particularly useful for aspiring documentary makers, journalists who want to expand their skill set and voluntary sector workers who want to shoot their own films.

The short, condensed and effective course will give all participants a solid foundation of practical knowledge and a working understanding of digital cameras, sound recording, interview techniques, filming on location and industry language.

You will also get the confidence to use a wide range of equipment and learn the “future proof” principles of film making that remain constant despite the changes in technology and formats.

We allow a maximum of three people per camera set up (camera, sound, interviewer), giving everyone extensive hands-on experience.

Completing this course will guarantee you a work placement opportunity with Spectacle.

What you will learn

– Preparing a shoot
– How to use a digital camera (focus, white balance, aperture, formats etc.)
– How to use microphones
– Framing, types of shots, camera movements, cutaways and other techniques and tips
– How to conduct and shoot an interview
– Shooting on location
– The principles of lighting, both natural and artificial
– Filming to edit
– Legal issues, permissions and copyrights

To find out more and booking

 

For more details please contact:training@spectacle.co.uk

Liquid Bombs and Price Explosions

The fear for agitation during the London Olympics 2012 is tangible. The number of security staff is doubled compared with last year’s plans and this includes a doubling of  the costs for security. This makes the overall cost of the Olympics 2012 so far around £11bn. This summer, London will experience the biggest UK military mobilisation since the Second World War. Despite these high security policies, an attempt to smuggle in a fake bomb was successful according to The Sun.

Water bottles that can be used as liquid bombs, are a fear of terror and the reason the Olympic organisation has sharpen the safety policies, which are now turning  into airport safety policies equivalents. Visitors are not allowed to bring their own refreshments anymore, which leads into food prices that are the real criminal activity. A price explosions that is getting out of hand.

Is the organisation taking advantage of the banning of foods and drinks from the area? A sandwich is approximately going to cost £4.90  and a hot dog could fetch £5.90. Apparently you can expect some high standard food quality, but do cheering people  really fancy a haute cuisine hot-dog while watching sports? You can bring their own baby food snack (without bottle?) though.

Weapons and whistles are also prohibited. And any expression of political or religious opinion in the shape of cheering material are also a no go. Weapons, obviously. But whistles? Well the athletics must be thankful for the ban of whistles, meaning also no Vuvuzela’s which are weapons for the ears and distracting both athletic and supporter. It would have been amazing watching a game of table tennis while listening to a Vuvuzela concert though.

No but really, 6 quid for a hot-dog?

 

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John ‘Black Power Salute’ Carlos speaks in London 21st May 2012

John Carlos, who marked his medal at the 1968 games with a raised fist ‘black power’ salute, will speak about inequality, resistance and struggle in London on Monday 21st  May 2012 at a meeting organised by members of the RMT trade union on the London Underground and sponsored by the Fire Brigades Union. The famous gesture by John Carlos and fellow medal winner Tommie Smith epitomised resistance to racism.
The world is under the spell of the Olympics 2012. In these times of global gathering around an sports event, resistance is the best Olympic spirit according to Olympic athlete Carlos. Resistance against inequality and being pro human rights.

At the Olympic Games in Mexico City John Carlos created one of the most powerful images of all times. When the American anthem started, he and Tommie Smith bowed their heads and raised their fists to represent the Black Power movement of that time. Their way of dressing and posing represented symbols for working people, black poverty, peace, and lynch mob victims. In defies of the important Olympic rule: no politics. This controversial gesture created huge debates about politics. Carlos’ athletic career was over, but his human rights spirit did not die. He represents personal sacrifice for humanity and equality and this is your chance to hear him speak in real life.

John Carlos will be joined by activist and campaigner  Doreen Lawrence, whose son Stephen was murdered by racists and whose long battle for justice brought the conviction of two of his killers earlier this year. Also on the platform will be Janet Alder, whose brother Christopher died in police custody, and Unite Against Fascism joint secretary Weyman Bennett.
Other speakers include Samantha Rigg-David from the Sean Rigg Campaign for Justice and Change and United Friends and Families Campaign, Sharhabeel Lone of the We are Babar Ahmad Campaign, FBU general secretary Matt Wrack and Mac McKenna, an RMT activist on London Underground.

Register here for FREE! and join the FaceBook page.

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Battersea Power Station for £1

The Battersea Power Station Community Group (BPSC) has put in a bid of £1 to buy the Battersea Power Station. If their bid is successful they plan to redevelop the unused site for the local community. Plans include museums, restaurants and music venues.

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Screening of Battle of Trafalgar on May 7, 4:30pm – Free event

There is a new screening date for the Despite TV documentary Batttle of Trafalgar about the poll tax demonstration this Monday May 7th 4.30 pm. The screening is part of the Bread & Roses Festival organised by studiostrike.

Date: May 7 2012 (Monday, Bank Holiday)
Time: 4:30 pm
Venue: 68 Clapham Manor Street, London SW4 6DX
Or you can refer to this eventbrite page.

The Battle of Trafalgar gives an account of the anti-poll tax demonstration on 31st March 1990, one that is radically different from that presented by TV news. Eyewitnesses tell their stories against a backdrop of video footage showing the day’s events as they unfolded. This is one of the UK’s first camcorder activist films, made from amateur and freelance footage, unseen at the time and portraying a chillingly different vision of events from that shown in the media at the time.

Demonstrators’ testimonies raise some uncomfortable questions: Questions about public order policing, the independence and accountability of the media and the right to demonstrate.

Two decades later and these issues cannot be more prescient. With the rise of new social media and widespread recording technology, as well as increasingly repressive laws and policing powers and a pervasive 24-hour news culture – the relationship between the media and police in relation to the right to protest and the medium of film have only become more complex and problematic, as can be seen through the recent media representation and prosecution of student protesters and rioters.

Click here to order a DVD of Battle of Trafalgar.

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The Relationship Between Visual Anthropology and Documentary Film

Anthropology (the study of cross-cultural human sociality) has only been made possible with the expansion of transport and communication links that allowed the first Anthropologists to research and study other cultures. As a result of this, Anthropology is a relatively young subject, being first taught in the late eighteenth century. The subject developed during a time of industrial and technological expansion that some Anthropologists embraced. Some of the early ethnographers such as Evans-Pritchard used photography to illustrate and enrich their work. Since the cost and access to film has become more available an increasing number of Anthropologists have begun to utilise film in their research which has created an off shoot of Visual Anthropology.

The use of film in social research raises ethical and theoretical issues such as the power relations between the filmmaker and the participants, more specifically if the camera is an instrument of surveillance. Does the filmmaker have the right to videotape indigenous communities? Issues of misrepresentation of certain communities could unintentionally cause harm. There are problems of translating anthropological abstract concepts, such as kinship onto film. Many Anthropologists dismiss the use of film in their work as it raises too many epistemological problems for them. However, these concerns can be reduced if ethnographers follow certain guidelines when producing films. Anthropologists can use a framework that some documentary filmmakers follow.

Documentary filmmakers such as Spectacle Productions ascribe to ethical guidelines that aim to respect the subjects in the film. This means to be responsive and respectful of what people want and do not want filmed as well as working collaboratively from a grassroots stance point to give the participants a voice as well as representing the film’s subject’s in a way they want to be presented.

The issue of power relations with filmmaker and participants can be solved through participatory and collaborative film making. Filmmaker and participants make decisions together on what they shoot, the access allowed and the content filmed. Another approach is to give the participants being filmed the cameras which is a form of community video. Many indigenous communities, especially those in the Amazon have utilised film for land rights activism or to promote their cultures to a wider audience.

Misrepresentation as a potential problem can be solved again with participation from the communities by having a pre-screening of the film with a representative with the community being filmed. If this is not possible due to distances or other obstacles another way is to speak with the participants during the filming explaining and demonstrating transparently what your aim of the film is.

 On a theoretical note, while to film the abstract notion of ‘culture’ is beyond difficult one can film the material and visual world that can convey aspects of ‘culture’. Filming events such as religious rites, celebrations and every day life help to build a picture that conveys lived-in cultural experience.

The idea of creating a totally unbiased and objective ethnographic film is problematic as it will always be framed by the filmmakers prejudices, as with any ethnographic write-up. One cannot escape this fact, therefore the best way forward is to realise these limitations and to go forward to create the film.

The benefits of including ethnographic films can significantly add depth to social research. Anthropology can use film to showcase elements of culture hat are sometimes overlooked, for example nuances in speech and movements that are not always written about in ethnographic monographs. Film can be utilised in a variety of ways: as reference material for write-ups, examples or illustrations of particular concepts, as well as bringing ethnographic data together in a tangible and understandable format that can be understood by a wider audience.

Anthropologists and social researchers wishing to make ethnographic films can look to Documentary Film as a model to answer some ethical and aesthetic problems that the film format raises.

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For more information on Spectacle’s training courses for Documentary Film Making

BP’s Unsustainable Olympic Sponsorship

The Counter Olympics Network (CON) held a conference on the 14th April at the Bishopsgate Institute where they discussed the problems that the 2012 Olympics has caused and planned points of action for the coming months to tackle such issues.

They were joined by international speakers Derrick Evans from the Gulf Coast Fund for Community Renewal and Ecological Health, Bryan Parras from the Texas Environmental Justice Advocacy Services (t.e.j.a.s) and Clayton Thomas Muller from the Indigenous Environmental Network. Together they spoke about how their projects have been affected by previous Olympics. More specifically on the issues of corporate sponsoring, pollution, gentrification and surveillance that the Olympic Games bring to cities.

Derrick Evans

 Derrick Evans Representing the Gulf Coast Fund for Community Renewal and Ecological Health

BP is one of the sponsors for the London 2012 Olympics, as the ‘Official Oil and Gas Partner’ as well as sponsoring the USA Olympics Team. The corporate sponsorship of the Games by BP has angered campaigners who want to publicise the adverse effects BP contributed to the natural environment. Derrick Evans is one such campaigner who argues that BP’s involvement with the Olympics is an attempt to divert attention from its “incomparable contributions to unsustainability globally”.

He gives the example of the Deepwater Horizon Spill when BP discharged two hundred million gallons of crude oil into the gulf of Mexico in 2010 and then “applied nearly two million gallons of chemicals dispersant of Correxics not clean up, but to hide because it has the effect of breaking the oil up.” This has resulted in oil particles being consumed by the smallest life forms in the gulf and therefore infiltrating the whole food chain. Two years on the oil is still present and washes ashore in the Northern Gulf.

This has resulted in economic damage and health problems for the local people. In particular, the local fishing communities have been badly affected as two of their fishing seasons have been completely destroyed and very few of them have “received anything near the level, if anything at all, the level of compensation to compensate them for the lost income and the lost investment in their one asset, which is their boat, and their nets; and the things that they pour all their money into, to get ready for the fishing season.”

The health of the local population has deteriorated considerably since the oil spills. “Thousands, tens of thousands children and adults are exhibiting in large scale, physical symptoms: respiratory issues, skin issues, loss of short-term memory, a lot of the same issues, they don’t know each other.” And these people have not received any compensation, “they haven’t received a dime.” What is more worrying is that not a single cent of BP’s twenty billion dollar Gulf Coast Trust Fund has “pay for a single medical bill for a single person”.

The aim of the Gulf Coast Fund is to “seeks to assist and renew and empower the most vulnerable of the communities and ecosystems on the gulf coast.” The very same ones that have been affected by the BP Oil Spills.

Therefore, the idea that BP being a major sustainability sponsor is ridiculous as the environmental and human damage that BP has caused through oil spills undermines its attempts to be a “sustainabilty sponsor” of the Olympics. “BP has essentially got away with murder in the country and in a part of the country where the state officials and the government agencies that defer to them are like useless law enforcement.” Derrick Evans concludes to say that: “I want to encourage to those of you who want to shed the truth and light on this apparently multi faceted fiasco.”

Bryan Parras

 Bryan Parras Representing the Texas Environmental Justice Advocacy Services (t.e.j.a.s)

Bryan Parras is a campaigner from Houston, Texas who is also campaigning against BP and their involvement with the Olympics. He described BP as a “repeat offender” as they repeatedly have accidents and problems. Five years before the Deepwater Horizon Accident BP had an explosion where 15 workers were killed. BP are “constantly cutting corners and cutting back on their safety measures.” But at the same time they are spending huge amounts of money by sponsoring the Olympics.

Bryan Parras sees the “Olympics as just another one of those opportunistic moments where capitalism sort of comes in and reigns its terror on folks.” It’s like watching little league baseball in the stadiums, where “everyone is watching their children and their friends play ball” while their cars get broken into all the time. This seems to happen wherever the Olympics go, everyone is so “focused on where the lights are all shining that we are not seeing what’s happening” to the local communities.

Clayton Thomas Muller

 Clayton Thomas Muller Representing the Indigenous Environmental Network

Clayton Thomas Muller is an activist for indigenous rights and environmental justice and lead campaigner of the Tar Sands campaign. The Indigenous Environmental Network comprises of indigenous people in the United States who have been affected by unsustainable development. BP’s involvement in the exploitation of the Tar Sands on the East coast of Canada has angered both campaigners and local indigenous communities as the extraction industry is unsustainable, causes irreversible damage to the environment and illegally encroaches on disputed indigenous lands.

It is important to understand that for us BP using the Olympics spectacle, the biggest sporting spectacle on the planet. We all know, for those of us who have done the history of the Olympics, that the Olympics is nothing more than a mechanism for the neoliberal capitalist agenda that is essentially a real estate operation to utilize and justify the expropriation of vulnerable communities.”

Vancouver Protests Image by (c) Jason Levis

In Vancouver, the Coalition Olympics Resistance Network or ORN organised and challenged corporate sponsors of the Vancouver 2010 Winter Olympics. One campaign, called ‘No Olympics on Stolen Native Lands’ brought together different groups who were fighting for Native rights and sovereignty platforms in opposition to the Olympics. The Olympics caused the gentrification in downtown Vancouver where the local communities have been pushed out to make way for villages for the athletes and tourists. This gentrification mostly affected disadvantaged groups: low income, indigenous urban-based people.

As well as the gentrification of downtown Vancouver the Olympics had caused the destruction and desecration of sensitive ecological regions in and around Vancouver. In order to build the training facilities Eagleridge Bluff, a bald Eagle nesting site and a site that is sacred to the local tribal people. One Elder of the local tribe, Harriet Nahanee organised a campaign to protect Eagle Bluff by creating a blockade to stop machines from coming in. Elder Harriet Nahanee was arrested and contracted Pneumonia in prison and died. “So she died for Olympic resistance, standing up for her rights.”

The Olympics has also caused the increased surveillance in Vancouver. Vancouver is now the second most videotaped city on the planet next to London. Personal privacy has been negotiated as the CCTV cameras are still there. “And so what the Olympics really brought in was a new regime of both militarization and criminalization of the poor, gentrification of the most vulnerable communities, the destruction of ecologically sensitive sites [and] sacred sites to local indigenous people.”

Campaigners are therefore concerned with how the Olympics “created division that used poverty and alleviation as a way to divide different social movements that were converging onto the Olympics.” Clayton Thomas Muller concludes to say that it is absurd that BP is a sustainability partner of the Olympics, “it is nothing more than greenwashing of their horrific human rights abuses and crimes of ecocide against the sacredness of the earth”.

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