Interview: Spectacle training ‘demystified’ the filmmaking process

Spectacle has been offering flexible, efficient and affordable training based at our Lavender Hill office in South London for several years. In that time, we’ve had all kinds of people come through our doors, and the feedback we’ve received at the end of the courses has been overwhelmingly positive. Recently, however, we wondered exactly what our trainees have taken away from our particular approach to teaching in the long run. We sought out Michaela Benson, Senior Lecturer in Sociology at Goldsmiths, University of London, a few months after she finished our Digital Video Production for Anthropologists & Social Researchers training weekend to discuss this.

Why did you choose digital video production skills? 

I do a lot of research in people’s houses looking at their relations with the wider residential environment… video can offer a way of introducing participatory elements into an academic research project, and can capture the visual experience of a research setting. I also think that it introduces a different way of communicating findings to our audiences. I wanted to develop these skills so I could apply them myself and start experimenting.

What did you like most about our course?

The way it demystified the process of video-recording and taught me some fail safe basics that are transferable not only into future video work, but also into my everyday use of cameras. I feel that my understanding of video production and the skills involved in this have undoubtedly benefited.

What has stayed with you the most?

The simple understanding of how to frame a shot has been invaluable, and I feel as though it is becoming second-nature.

Now you’ve learned these skills, what’s next?

I’m looking forward to applying my new skills to my current project on self-build in the coming months.

Why do you think researchers should be engaging more with digital video?

I think that video offers additional ways of capturing research data, to be analysed later, and also opens up possibilities for different modes of engagement and communication.

Would you recommend the course to someone else?

I would definitely recommend the course. It broke the process of production into small steps that were easy to remember. Also, having a chance to put these into practice made me realise the benefits of this approach. This is a course that is perfect for anyone who wants to make a start at looking at including video production in their work.

You can find out more about our Digital Video Production for Anthropologists & Social Researchers training weekend here, including upcoming dates and fees.
If you’re interested in documentary film making but you’re not a researcher, we have a range of other courses that may interest you. All our training courses apply the same ‘fail safe’, ‘small steps’ approach to give you the confidence to pick up a video camera and start shooting.

Silwood Estate community centre playgroup reopens

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The Silwood Estate Under 5s playgroup reopened today, eight months after it closed. The playgroup, which is held in the purpose-built Lewington Community Centre on the Silwood Estate in Rotherhithe, was shut down in November when Lewisham Council withdrew funding. Since then a number of community members have been fighting to save the playgroup and have finally secured £11,500 towards wages from London and Quadrant (L&Q), who own the building.

Although the playgroup reopening is extremely good news, securing the funding is a small victory for the Silwood Estate community in what is likely to be an ongoing battle with L&Q. Residents have been struggling to stake their claim on the Lewington building, and the profit it generates, since it opened five years ago. Before 2006 (when construction work began), L&Q said they would replace an existing, community managed building with a better, purpose built community centre in order to incentivise local support for their proposed redevelopment of the estate. Consequently, the Lewington Centre was built under a section 106 planning gain agreement, which gives a developer favourable terms (in this case free land) but stipulates that they must compensates the community in return.

Despite promises from L&Q, the community have struggled with both the suitability of the Lewington Centre and accessing the space – which is controlled by an L&Q manager, not the local community.

To start with, Tower Homes, the commercial wing of L&Q, built “affordable” flats for “key workers” (e.g. nurses, teachers, police officers) on top of the centre, making the building unsuitable for evening social events, even after expensive sound-proofing work. To soften this blow, Tower Homes promised tenants that £25 would be collected from each flat each week to put towards community activities. When this money didn’t materialise, L&Q claimed they had put it aside, ring-fenced for community development, before forgetting about it.

L&Q have also made the building largely inaccessible to residents by renting almost the entire centre to the Bede Education Trust, a subsidiary of Morley College, and have not donated the money from this to the community either. L&Q’s accounts suggest that they are making a yearly profit of between £30,000 and £60,000 from the building. When this is considered, securing space and funding for the playgroup seems like little more than prising a single finger loose from the vice-like grip L&Q have on the centre and its profits.

Silwood’s residents are delighted to have a place to go with their children again, which is outside their homes and provides an opportunity to meet other parents. But many still hope that L&Q will go further towards honouring the spirit of their original promise, to provide a better replacement for a centre that was entirely community run, and from which only the community profited.

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Training: Digital Video Production for the Web

Our Digital VWEB4ideo Production for the Web course is aimed at NGOs, SMEs, charities, social enterprises and small businesses who want to produce their own online video content. There is an ever-increasing demand for high quality online video to get your message across and to reach audiences.

DIY film making and successful use of no/low budget techniques can slash your production costs and actually improve the content you produce. Training existing staff or volunteers in the techniques of high quality digital film making is far more cost effective than hiring a film crew. But in addition to this, when people working on the ground record their own activities and events, capture client testimonials and document their work you can often get better results than with a hired film crew of strangers. Where your staff have built relationships and trust with your clients they can film more relaxed and interpersonal moments – moments that might elude an external film crew, making for a more direct and powerful film.

WHAT YOU WILL LEARN

This practical hands-on course aims to give you the “future proof” information you really need to know to produce high quality videos by concentrating on the techniques and skills that stay constant, regardless of passing developments in software, technologies and formats.

The training is not technology specific but gives you the knowledge and attitude to get the best out of whatever equipment is to hand, to navigate your way around the complexity of codecs and formats, to identify and solve technical problems, techniques and methods, to speedily pass on knowledge and expertise to other members of your organisation and client base.

ABOUT THE TUTOR

Mark Saunders is an award-winning independent film-maker, media activist and writer. His expertise in the field spans over two decades.

He is currently running Spectacle Productions, a company which he founded in 1990. Clients have included Amnesty International, Channel 4, the Rowntree Foundation, the Howard League for Penal Reform, Council of Europe, Groundwork, the London Health Commission, and many others.

His films have been broadcast internationally and exhibited at galleries, including Tate Britain, the National Film Theatre, the Institute of Contemporary Art, Musee des Beaux-Arts,  the National Media Museum and the Photographers Gallery.

Alongside production work, in 1990 he was a founding member of INURA (International Network for Urban Research and Action). Mark has also been teaching for over 15 years, and has been a visiting lecturer at a number of institutions, including London School of Economics, the Royal College of Art, the London College of Communications, Bournemouth, Florence, and Coventry Universities. He is currently teaching at Birkbeck College.

DATES AND COSTS

Our London based Digital Video Production for the Web training course is suitable for beginners and up. At just £600 per person it is excellent value and we offer a 20% discount to groups of more than four booking together. If you are a group we can bring our training to your premises and tailor it to your needs.  We have a course scheduled for next week, and another set to run in December (3rd-5th). We will arrange more courses for individuals if there is demand so please enquire if you are interested. If you are a group of more than four, please contact us and we can run a course especially for you.

For more information on prices, booking and course content, please see the training page on our website.  

If you are interested in booking this course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

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INURA criticise ‘Belgrade on the Water’ development

In June, Spectacle’s Mark Saunders was among 50 international scholars and experts who visited the proposed site of the Belgrade on the Water project, a development on the Sava riverbank in the downtown area of Serbia’s capital. The group were attending the International Network for Urban Research and Action (INURA) 2014 conference in the city.

Belgrade on the Water is a vast real estate project intended to create a new business hub in Belgrade. It has been designed and will be built by Eagle Hills, a construction company based in the UAE which shares its chairman, Mohamed Alabbar, with Emaar Properties – the company behind Dubai’s Burj Khalifa, the tallest building in the world. Eagle Hills suggest that the development, which will cover 1.85 million square metres, could be completed within five to seven years. It is expected to cost just under three billion euros.

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A model of Eagle Hills’ proposed Belgrade on the Water development

Despite having the full support of Prime Minister Aleksandar Vučić, who is thought to have let Eagle Hills have the land free, the project has attracted a number of criticisms. The INURA group – who between them have expertise on waterfront developments in London, Amsterdam, Hamburg, Barcelona, Boston, New York, Toronto, Vancouver, Hong Kong, Sydney and Melbourne – have since published an open letter on the subject. They write:

“We are very impressed by the unique qualities of Belgrade, especially the fine-grained and mixed urban spaces that this city provides. The connection of the downtown and the water could be enriched by a careful development of the area between the city centre and the Sava River. We understand that the Belgrade on the Water project is an initiative to make this connection, and we applaud the impulse. We have seen and studied the plans, however, and want to communicate some serious concerns about the current proposal.”

The letter goes on to outline their concerns:

1. The economic risks are high…

INURA point out that megaprojects are always vulnerable to market fluctuations, but the letter is particularly critical of the entire project being given to a single investor. It points out that if the company becomes financially unviable, Belgrade will have an unfinished development on a prime site. “At the very least,” INURA write, “ensuring a diversity of developers can mitigate these possibilities.”
The letter goes on to express doubt that the project will be completed at all. “The proposal envisages 200 new buildings, but the economic context is such that only what is referred to as ‘the first A phase’ of the project has some probability to be constructed: two apartment buildings, two hotels, a high-rise tower and the ‘largest shopping mall in the Balkans’.” INURA believe that the there is a significant risk of these buildings standing “unsold and isolated on a cleared site, cordoned off from the public until land values and purchaser interests increase”.

…and gains to Belgrade are low

The letter argues that, “promises of economic gain through jobs in design, construction, maintenance and operations need guarantees of use of local resources and labour with good wages and conditions.”
INURA are sceptical that the development will be particularly beneficial to local workers, pointing out that the buildings proposed for the waterfront are such that most jobs generated will be short term, low paid construction and service jobs. They argue that instead the content of the development could be far more diverse in order to respond to the real needs of the city and citizens.

As it stands, INURA don’t believe that the proposal is in the best interests of local people. INURA states: “The land along the Sava has great potential value. Its transfer at low or no cost into long-term private leasehold will deliver little benefit to the citizens of Belgrade. In addition, the commitment of EUR 200 million of public funds to the clearing of the Sava Amphitheatre is likely the beginning of high expenditure from the state which characterizes such projects. It seems that there are many better ways of using these means and the area, in the way which would be more appropriate to economical, societal and ecological context.”

2. The plans are clichéd and exclusionary

INURA criticise the current design for revealing “a generic landscape of soulless and disconnected office, residential and commercial buildings. This high-end ‘mixed use’ formula contains no social, economic or cultural mix. It is a clichéd, corporate model that neglects local needs in terms of housing or work. It provides a very limited range of opportunities for production and consumption.”
The letter argues that “Belgrade’s greatest attractions are intricately connected to its people and culture. The city’s people populate the streets and create the spaces that make it so distinctive and full of potentials. Their exclusion from the planning and design processes for Belgrade’s waterfront development is not only inequitable – and therefore dangerous – but missing a profound opportunity to engage and utilise the city’s most vital assets.”

3. The environmental consequences have not been taken into account

INURA describe the Sava’s ecological balance as delicate, and say this has been neglected in the current proposal. The letter points out that, “In a period of serious climate change in an already flood-prone city it makes little sense to build on riverbanks without careful consideration of adaptability and allowance for water expansion. Waterfront developments in the past have destroyed local ecologies, displaced resident populations, and made public open space inaccessible.”

INURA argue that technologies for climate change adaptation and handling waterfront ecologies are developing rapidly. “Here is an opportunity for Belgrade to display a new and exciting approach to its river bank.”

3. State-of-the-art practices engage local communities and employ innovative mechanisms

INURA point out that things could be done in a way that is much more beneficial to the community: “International practice and standards for making waterfronts available for better and wider uses are also improving rapidly…
Local authorities are now employing sophisticated urban design processes, including fine subdivisions of land for lease or sale to a range of investors from larger companies to small entrepreneurs and community groups. These principles encourage innovative local and vernacular architectural styles in large project designs, and ensure diversity in built form and use. This in turn allows local opportunities to flourish in the context of a more globalised environment.”

Further to this, INURA advocate participatory processes in planning, which they believe guarantee better outcomes. “In engaging local communities and their local knowledge, project outcomes are not only very often substantially improved, but they are locally owned, and receive a particular legitimacy from this process. Such an approach would make the development of the Belgrade waterfront more viable.”

4. Here is an opportunity for a project that really does capture the global imagination

Economically, too, INURA believe the Belgrade on the Water project does not do justice to the potential of the site: “If the nation wants to invite the world into its social, cultural and environmental heart, it needs to do more than plan for a run-of-the-mill development formula that lacks any character unique to Belgrade.”

INURA conclude that:

“Rather than providing a standard blueprint with an unclear business plan (the obligations of the state being much greater at this point than the obligations of the investor), this project should be built step by step, closely monitored by the highest standards of local planning regulations and transparency. It must have attention to local economics, and to the design and use of this central part of Belgrade. It must involve its people, recognise the need for ecological restoration and sustainability, and not fall prey to the expectations of a corporate urbanism that is rejected by urban professionals and citizens alike around the world.

If Belgrade on the Water is to be a sustainable success, it must project the city’s needs and desires onto the global stage, rather than making one of Belgrade’s prime pieces of real estate the extension of a nameless global enterprise.”

You can read the letter in full here. 

Bleacher on the Rye trailer released

Following several successful screenings, we have released a trailer for our new film Bleacher on the Rye, about the proposed redevelopment of Peckham Rye Station.

The residents of Peckham Rye claim they asked for a clean up of the station and surrounding area, described by community group Peckham Vision as a complex site with “commercial buildings nestled amongst railway buildings, viaducts and arches”. Instead the proposed redevelopment would gut the area to make way for a shopping centre and new residential blocks.

The film articulates the concerns of residents and local business people, who oppose the redevelopment, which one man describes as a “bleaching”. “They want a new set of people here,” he says.

Spectacle has been observing and documenting the ‘regeneration’ of London over the past 20 years, which has largely resulted in the displacement of local people, the break up of communities, the creation of gated communities and privatisation of public space.

Please contact us if you would like to organise a screening of this film.

Health and safety gone mad?… Events held at Battersea Power Station despite ‘big chunks falling off’ chimneys

The first of Battersea Power Station’s emblematic cream chimneys is likely to be demolished this month by its current owners, the Battersea Power Station Development Company (BPSDC), which is part of the Sime Darby consortium. The company claims its intention is to replace the chimneys – which it says are beyond repair (despite evidence to the contrary) – with identical replicas. However both John Broome’s precedent and discrepancies between the company’s reasoning and its actions suggest this might never happen, as, of course, does the commercial potential of the site, without the power station sitting awkwardly in the centre of it.

Footage shows Robert Tincknell, Chief Executive Officer of Battersea Power Station Development Company, insisting that the chimneys have “structurally failed” and that “big chunks are falling off”. However the company continues to lease the site for public events, including Everyman Cinema film screenings and ‘Street Feasts’, held in the shadow of the chimneys Tincknell says are disintegrating. Event-goers have not been told to wear hard hats or other protective gear, but perhaps this is because these things would be useless in the event that an entire chimney is brought down by high wind, as Richard Barrett, an Irish property investor who co-owned Battersea Power Station before it was bought by the Sime Darby consortium, has previously suggested may happen at any time.

The Sime Darby consortium – which has been accused of exploiting the local community at their oil palm plantation in Liberia – have so far put up only £11 million of bond money to guarantee the replacement of the chimneys, a woefully small sum, and one suggested by their own employee, Philip Gullet, Chief Operating Officer at Battersea Power Station Development Company. In addition to this the bond money has been deposited into an account with Malaysian bank CIMB, making it more difficult for Wandsworth Council and English Heritage to access it in the event that Battersea Power Station Development Company default. According to campaigners, it is imperative to its retrieval that the bond money is moved to a British bank account.

In response to these criticisms, Battersea Power Station Development Company have agreed to a meagre compromise; they will demolish one chimney to begin with and must partially rebuild this before they can demolish the other three. This is still flouting the Council’s original rules, which said that the chimneys must be demolished one at a time.
Campaigners believe that partially rebuilding one tower is not enough to guarantee the completion of four new chimneys. They suggest that Battersea Power Station Development Company are clearing the site little by little and point to the fact that, despite owning a vast swathe of riverfront, Battersea Power Station Development Company have removed the power station’s listed cranes purportedly to allow the chimney rubble to be removed by boat. There are concerns that the cranes won’t be brought back, and some consider their removal to be further evidence that Sime Darby have no intention of actually renovating the power station.

However, in an unusually considerate move,Battersea Power Station Development Company have at least set up a helpline number, for those traumatised by the sight of the maimed power station scarring the skyline, perhaps during their daily commute.

Our short video comments on the discrepancy between the developer’s claim that the chimneys are rapidly disintegrating, and their actions in allowing public events to take place on site, directly below the “structurally failed” chimneys. It also includes the helpline number, in case you feel personally disturbed by the destruction of Battersea Power Station.

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Screening at Peckham Vision Community Public Event

Spectacle’s latest film ‘Bleacher on the Rye’ will be screened 6pm Wednesday 23rd July in the CLF Art Café, 133 Rye Lane as part of the launch of the community-built model of central Rye Lane as it is now.

The Peckham Vision event is from 3pm until 9pm which includes exhibition and creative activities, meetings and the screening of the film at 6pm.

 

Community-built model

Picture 10As explained on the Peckham Vision website “The Station Gateway site is a complex one with commercial buildings nestled amongst railway buildings, viaducts and arches. The site is divided into properties with addresses on Rye Lane, Holly Grove, Blenheim Grove, Station Way, Dovedale Court, and Blenheim Court. So we created a site map showing exactly where these places are and how they related to the plans for total clearance that we were beginning to hear about. This aid to discussion proved invaluable as during 2013 we took two deputations to the Cabinet, attended a Scrutiny Committee, and took part in many community fairs, events and meetings, and discussion about the issues raised by the plans. Then Network Rail published their proposals to clear the site and redevelop it completely. To be able to have clear discussions, local people needed to have a model of the existing buildings and their layout on the site and also the areas around the site. We had suggested to the Council during the consultations last winter that a model would be very useful for this purpose. But the Council turned down the idea as too expensive. So Peckham Vision decided to ask local people on our networks if they would be interested in making a model with us for use in the planning discussions. Many people responded enthusiastically, and over 30 are now taking part in our model making group under the expert guidance of local architects Benedict O’Looney and Clyde Watson from Peckham Vision. Local organisations supporting the project are the Peckham Society, Whitten Timber and Complete Fabrication, Khan’s Bargain Ltd. We acknowledge with much thanks their support for this community project. The model is at a scale of 1:100 and is slowly taking shape building by building. It should be ready for use in a few weeks.”

Picture 4Read the Guardian City article by Matthew Ponsford: Could ‘co-design’ help Peckham where community consultation failed?

 

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Battersea Power Station Chimneys demolition- History repeating

URGENT NEWS ON BATTERSEA POWER STATION CHIMNEY DEMOLITION

Thursday 12th June representatives of the BPSCG (Battersea Power Station Community Group) met with Paul Landsberg of Wandsworth Borough Council Planning Department to discuss their concerns regarding the legal and financial protections in place ahead of the imminent demolition of the chimneys, in particular whether the bond is in force and whether it is large enough to cover the cost of rebuilding the chimneys should the developer fail to replace them.  What they discovered was deeply disturbing:

The bond money is held in a Malaysian bank, CIMB
The value of the bond for the reconstruction of three and a half chimneys is only £11million.
The value of the bond is based on an estimate supplied by Philip Gullet of the Battersea Power Station Development Company.
This estimate has not been independently checked by cost consultants employed by Wandsworth Council or English Heritage.
The contract sum for the demolition and rebuilding of the chimneys was redacted from the copy of the contract sent to Wandsworth. So it is not possible to compare demolition costs against rebuilding.
The Council does not know if the bond is signed and in force, although the reconstruction contract starts next Monday.

HISTORY REPEATING…

This is all the more alarming in light of what happened when John Broome, the first failed developer of the site, took down but never replaced the west wall and roof, as it remains to this day. The council’s own report in 1989 criticised the woeful lack of safeguards and- some would say- gullibility of the planning officers.

According to Battersea Power Station Community Group the bond money should be held in a British bank if Wandsworth and English Heritage are to have any chance of getting at it in the event of a default.  The total value of the bond also needs to be increased substantially if it is to be able to cover the reconstruction of three and a half chimneys, if a default occurs.

With the chimneys reconstruction contract about to start, it is clear that Wandsworth Council and English Heritage are not protecting our cultural heritage -either in checking the proposed value of the bond or making sure the contract is signed and enforceable before the demolition and reconstruction project starts.

With interest rates about to rise, the possibility of the project failing yet again is increasing by the day.  If this happens when the chimneys are down, and it turns out the bond money isn’t there (as was the case in 1989 after Broome went bust)  the chimneys will never be rebuilt.

We need to rescue Battersea Power Station from these shameless, grey, dozing men who will sell our industrial heritage for peanuts and the enrichment of foreign “investors”. Keep an eye on the revolving door!

Click Battersea Power Station for more blogs
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URGENT-Save Battersea Water Pumping Station from demolition

We, the undersigned, ask Wandsworth Council to refuse listed building consent application 2014/1236 for the demolition of Battersea Water Pumping Station.

Battersea Water Pumping Station is the oldest surviving water pumping station in London.

It was built in 1840 for the Southwark Water Company and extended in 1856.  It housed a series of Cornish engines used for pumping water from the Thames.  At one time the pumping station housed the largest Cornish engine ever built, with a 112″ diameter cylinder.

The building was listed Grade II in 1994.

The pumping station commemorates the rich industrial heritage of the Nine Elms and North Battersea.  It has great potential to encouraging young people to think of science, technology and engineering as important skills worth acquiring.

Retaining and preserving the pumping station would attract visitors to the site and therefore increase footfall for the new facilities that will be open to the public.  It is in everybody’s interest that it is preserved.

We ask Wandsworth Council to initiate discussions with the owner/developer so that the development can be reconfigured to incorporate the pumping station

We further ask Wandsworth Council to convene negotiations between the owner/developer and the Battersea Power Station Company Ltd (a local registered charity) to allow the pumping station to be passed into the latter’s ownership for £1, to allow them to renovate the pumping station with Lottery funding.

Sean Creighton & Keith Garner

June 2014

Stop this cultural vandalism for profit.

PLEASE Sign the petition

For more blogs on the Battersea Water Pumping Station

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Bleacher on the Rye screenings

Our new film ‘Bleacher on the Rye’ on the proposed redevelopment on Peckham Rye Station by Network Rail has had two recent screenings in order to make local people and businesses aware of this plan that is threatening the station area. Tonight, 6th June 2014 6.15-7.15 there will a third screening at Goldsmiths University as part of the event ‘A Tale of Two Cities: Class and Space in Paris and London.’

The screening is free and open to all. Details here.

The film is still in development but has had two recent local screenings to raise awareness of the plans. At every screening the film is more developed and tweaked to respond to audience feedback.

Wednesday 28th May, ‘Bleacher on the Rye’ was screened at the exhibition ‘CO-IMAGINE the re-development of Peckham Rye Station‘ at Peckham’s CLF Art Cafe (Bussey Building). The exhibition brought together an array of imaginative visions for the future of the station and its surrounding area and an open forum panel discussion with speakers; Eileen Conn from Peckham Vision, local architect Benedict O’Looney and Mark Saunders of Spectacle. The purpose of the event was to provide the necessary space for discussion ahead of Southwark Council and Network Rail’s open ‘co-design’ workshops this summer, in an attempt to actively involve local residents and stakeholders in a collaborative design process to consult on plans for the imminent redevelopment of Peckham Rye Station Gateway.

Friday 30th May Cinema6 screened a slightly updated version of ‘Bleacher on the Rye’ in a Gentrification Double Bill ‘There goes the neighborhood‘ with ‘Concrete Heart Land‘ which documented the attempts by local Heygate residents, in Elephant and Castle, to resist the ongoing process of dispossession and gentrification. Hosted in the cosy arch of artist studios Arcadia Missa Cinema6 together with Full Unemployment Cinema and Southwark Notes opened a lively and fruitful audience discussion with other local activists and artists on shared experiences and strategies.

If you would like to organise a screening of this film please get in touch.

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