Joi Bangla Video

Posted on by
Reply

From Joi Bangla’s first music video, produced by Ageliki at Despite TV in 1986, here is the introductory trailer for this local East London duo. Active since 1983, Joi Bangla (now re-named ‘Joi‘) represent the second-generation Bengali immigrant population, whose parents came to Britain in the 50s and 60s. The two brothers, Farook and Haroon Shamsher made up some of the first Bengalis to refuse to keep their heads down in a land they now called their home and fought to promote the multi-culturalism of East London’s Brick Lane which was, at the time, a hotbed for “paki-bashing” fascists and the activities of The National Front. The Brick Lane of the 80s openly sold the Young National Front’s fascist newspaper, The Bulldog: the antithesis of the white-washed history this street commonly holds today. Joi Bangla were the marching band to win their neighbourhood its brand new reputation through their enterprising contribution to the growing Asian dance scene of the early 80s.

By Tamsin Amantea-Collins

The full film is available to buy here

Click Despite TV for more blogs
See our Despite TV project pages for more information and videos.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter

LGBT History on Film: Pride 1991

Posted on by
Reply

Twenty five years ago Despite TV filmed the documentary, ‘Out of Line’, on the subject of London Pride 1991. Having already taken an interest in documenting the LGBT (Lesbian Gay Bisexual and Transgender) political struggle as it was happening (Despite Clause 28 – 1988). This longer documentary film takes a celebratory approach to the community’s political and social wins.

The events of 1988 seem almost forgotten as 25,000 LGBT activists and allies gathered in London to take part in Pride 1991. The event, a march through the streets of central London ending with a party in Kennington park, had grown in popularity since 1988, thanks to activist groups such as LGSM (Lesbians and Gays Support the Miners) and Stonewall who worked hard to achieve greater acceptance, giving more people the courage to come out, even if just for one day.

Opening with footage of the celebrations on the streets of London, the film gradually takes on a more political tone, interviewing individuals about their experiences of homophobia and discrimination. The filmmakers talk to the Lewisham Lesbian Mothers group, who march in the parade with children and babies in tow. One woman is interviewed about her struggles conceiving and raising a child as a lesbian mother – a subject rarely discussed in the early 1990s.

The film also incorporates several interviews with BME (Black and Minority Ethnic) LGBT individuals and groups, who discuss the particular challenges they face living at the intersections of numerous forms of oppression – often facing homophobia in Black communities, and racism in LGBT communities.

As well as being an insight into London Pride from 25 years ago, the film succinctly summarises the struggles still faced by LGBT people in 1991, and the social and political strides they had made in changing a society which dismissed them.

The full film is available to rent or buy here.
A DVD of the film is also available here.

Click Despite TV for more blogs
See our Despite TV project pages for more information and videos.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter



LGBT History on Film: Despite Clause 28 – 1988

Posted on by
Reply

LGBT History on Film: Despite Clause 28 (1988) from Spectacle’s Archive.

Despite Clause 28 (1988) Trailer from Spectacle Media on Vimeo.

In the late 1980s and 90s, Despite TV, a collective of filmmakers founded by Mark Saunders (Spectacle Media) specialising in social and political issues, took an active interest in documenting and raising awareness of state-sanctioned discrimination against LGBT (Lesbian Gay Bisexual and Transgender) persons in the UK.

In 1988 Despite TV produced a short campaign film, ‘Despite the Clause’, in response to the proposal of Section 28, a typically Thatcherite Local Government act proposed in 1986 and passed in 1988 which banned the “promotion of homosexuality”. The bill was proposed by the Conservative Party during the HIV/AIDS epidemic and purported to fear-mongering, homophobic tropes which portray LGBT people as deviant.

Section 28 was to have a damaging affect on LGBT individuals and, in particular, LGBT political and community groups, forcing them to limit their vital contributions to their communities, and in some cases shut down entirely for fear of legal backlash or censorship.

Despite the Clause features appearances from high profile activists including co-founder of Stonewall UK, Sir Ian Mckellen and Michael Cashman and M.P. Diane Abbott. In the film, Abbott, who was present at the proposal of the clause in the House of Commons, describes it as “A horrible, hysterical witch-hunting debate.” She also states that “The spirit behind Section 28 is a spirit of violence and intolerance to anybody that doesn’t conform, to anybody that’s different.”

Despite the best efforts of activists, Section 28 was ultimately passed and not repealed until 2003. Nonetheless, activists describe the resistance built against it as having a positive effect in establishing solidarity between LGBT people across the UK. Stonewall and other activists fought continuously for it’s repeal for over twenty five years. This campaign film subsequently remains a significant piece of LGBT history.

The full film is available for free here.

Click Despite TV for more blogs
See our Despite TV project pages for more information and videos.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter



 

Battersea Power Station: Selling an Icon

Posted on by
Reply

We are pleased to announce the launch of the film Battersea Power Station: Selling an Icon.

Battersea Power Station: Selling an Icon from Spectacle Media on Vimeo.

Battersea Power Station: Selling an Icon tells the story of Battersea Power Station from its prominence as a site of industrial power through the years of dereliction, speculation and planning blight to the replacement of the chimneys under the current scheme – a key example of developer-led preservation.

Filmed over 15 years, Spectacle’s new documentary follows the grassroots campaigns of Battersea Power Station Community Group to preserve the building for the public good. It takes us straight to the heart of the current conservation debate about whether – and how – historic buildings should be preserved, governed, modified or replaced, and ‘who’ they belong to.

Battersea Power Station: Selling an Icon is unique in raising awareness to the plight of historic building preservation in an age of aggressive ‘big business’ redevelopment and gives voice to the local communities, rarely consulted and often overlooked.

The project was made possible by World Monuments Fund through support from American Express.

The film is available for free private viewing for individuals. Institutions and libraries can buy or rent the film on Vimeo on Demand.

It is also possible to purchase a DVD on our web page.

Watch more videos on Battersea Power Station
Click Battersea Power Station for more blogs
See our Battersea Power Station project pages for more information and videos.

Spectacle homepage

Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter

Spectacle’s 4 day training course

Posted on by
Reply

Recently Spectacle provided a four day training course in video production at our workshop in Battersea, London. In four days we went through the entire filmmaking/ digital video production process, from brief to production to post production (digital editing using Final Cut Pro) to delivery of the final edit online. This is our most complete course, for those who want to quickly and effectively acquire a comprehensive set of digital media skills.

4 day course with Brian

Spectacle’s training course participants interviewing a mural artist Brian Barnes.

“Great hands on experience”
“Very quick at getting outside and handling equipment “- Ben Martin (HR at Scottish courts)

The first two days the participants put to practice both shooting and interview techniques taught by Spectacle, on a real location with a real client, mural artist Brian Barnes. The participants enjoyed interviewing Brian against the backdrop of one of his murals.

“Being able to use a genuine client allowed us to put into practice what we were learning”-Tim Platt (Autotrader)

“Great opportunity to work on editing software”- Ben Martin

The second half of the course was post production in which we delivered training in editing techniques on Final Cut Pro and other up to date software such as Final Cut X, Adobe Premier and iMovie. Participants also had the chance to watch each others videos.

The group was very diverse, including participants who worked for The National Soldiers Trust, marketing and communications at Autotrader and a journalist looking to redirect their career.

“Informal setting was enjoyable, nice learning environment”
“Course was Enjoyable, motivating and well delivered”- Georgia Rise (Youth Worker)

“The course does exactly what it needs to”
“A big ‘thank you’ for the week, informative, educational, interesting and fun” -Michael Standen (The Soldiers Charity)

“Excellent – got a chance to do everything and covered all areas”
“Would absolutely recommend the course”
-Jo Murray (Journalist)

If you are interested in booking the course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.




 

 

 

 

Shaker Aamer finally released from Guantanamo

Posted on by
Reply

Today Shaker Aamer was finally released from Guantanamo and arrived at Biggin Hill Airport south London. Due to his 14 years of torture and ill treatment he immediately went to hospital for a check up and will later today hopefully be reunited with his family, including his teenage boy whom he has never met.

Spectacle, having followed his story since 2007, was at Biggin Hill and spoke to Clive Stafford Smith his lawyer and Founder/Director of justice charity Reprieve .

Clive was not informed that his client was arriving and used flight tracker to find out where he was landing. Shaker Aamer is a key witness to extensive human rights abuses including collusion in torture by both US and UK security services. Many believe this is the main, or only, reason he was not freed immediately he was cleared for release back in 2007 and again in 2009.

From Clive’s interview you get a sense of the tremendous character and strength of Shaker, his determination that no one else should experience what he went through. He does not want vengeance on his torturers and tormentors but a full inquiry into the people and powers behind the treatment of so many innocent people at the Guantanamo prison.

Visit our Vimeo channel and watch our collection of films and short videos about Shaker Aamer and Guantanamo.

Order Spectacle’s DVDs  Shaker Aamer: a decade of injustice ( New Version) and  Outside The Law: Stories from Guantánamo

Click Guantánamo for more blogs
Or visit our Guantánamo project  and Shaker Aamer project pages for more information and videos.

Spectacle homepage
Like Spectacle Documentaries on Facebook
Follow SpectacleMedia on Twitter

Become a Self Shooter: 5 Reasons Journalists Should Learn Video

Posted on by
filming

As a journalist learning how to use video allows you to work for a wider range of media outlets.

1.With print newspaper production falling by 8% each day and the emergence of new technology, the world of journalism is changing.

2. Media outlets such as online magazines are relying more and more on online video content to keep their readers informed. Outlets such as the BBC are now using video on their Instagram accounts to give their followers short news bursts.

3. Video gives the audience visuals to look at rather than simply text to read, which takes less energy. Therefore readers will often choose to watch a video over reading text.

4. A video informs the reader faster than text. In this age of technology readers want to receive news as fast as possible. In a piece of text every detail needs to be explained, but videos can show rather than tell.

5. Learning how to use video will mean that you can work for a wider range of media outlets.

Learning video can be expensive. However Spectacle offer an affordable 4 day video production training course in which you can learn production and editing. For all abilities.

If you are interested in booking the course visit our website.

Or contact us at training@spectacle.co.uk

Love me! Help me! – can art save Battersea Power Station?

Posted on by
Reply
Brian's poster

As Chairman of Battersea Power Station Community Group Brian Barnes has fought for the power station for 32 years.

The Battersea Power Station has without a doubt a special place in many Londoners hearts. It has this word presence – not many buildings have been featured in popular culture as much as the iconic building based on a river side site next to Thames.

Now the power station is facing a massive re-generation scheme led by the Battersea Power Station Development Company, a Malaysian consortium in charge of the ambitious building project. The scheme has stormed critique especially among local residents.

One of them is Brian Barnes, a mural artist who have been the fighting for the Battersea Power Station over three decades. Brian is Chairman of Battersea Power Station Community Group which has been campaigning to save the power station and to inform people about what the local community thinks about the redevelopment plans.

The Battersea Power Station has inspired Brian’s artwork and the posters made by Brian have been part of the Battersea Power Station Community Group’s campaign. One of Brian’s posters represent what Pink Floyd did in 1976. A helium filled 45 long pig was anchored to the chimney for the cover of Pink Floyd’s Animal album. “Battersea Power Station and the pig go together like peaches and cream” Brian says.

Algie

The iconic rock image Pink Floyd’s inflatable pig Algie has inspired Brian Barnes’ posters. Algie famously flew over Battersea Power Station for Pink Floyd’s “Animals” album cover in 1976.

However the pig isn’t the only animal Brian has used in his artwork. Orangutangs have also been a common feature in Brian’s art inspired by the power station. This is because one of the companies that owns the power station, Sime Darby – one of the biggest palm oil producers in the world – is cutting down a rainforest in equatorial zones and destroying the natural habitats of orangutangs.

“If they can do that in Borneo and threaten the rainforest and the orangutangs, I don’t think they are going to be much bothered about a building of brick”, Brian adds.

“On Valentine’s day we put up a big ‘Love’ banner up on the chimneys with a heart on it. That got everyone interested in loving Battersea Power Station”, Brian says. The 45 foot long banners which the Community Group members strung up between the chimneys have also said ‘Love me’ and ‘Help me’.

Brian believes that art helps to galvanise people’s attention to the power station and what’s going on: “Whether the chimneys are coming down or whether there is too much luxury housing around it or whether the tube station is really going to be useful for the local people”.

Brian and mural

A mural ‘Battersea in perspective’ was made in 1988. The mural including Battersea Power Station ‘is all about the Battersea area and people who are famous of being Battersea residents’ Brian says.

“Battersea Power Station missed out being an art gallery because it didn’t have a roof” Brian says referring to the Bankside power station which now serves as the Tate Modern.

The chimneys of the Battersea Power Station have been a significant part of Brian’s art. “If all the chimneys are down and the present Battersea Power Station Development Company leaves then you would have a box of brick with no chimneys”, Brian worries. At the moment the chimneys are indeed going down in order to be rebuild.

Perhaps art cannot save the Battersea Power Station. However it has spread the message of what is happening and helped social change by being a part of a wider campaign. “I used it (Battersea Power Station) as an image to represent Battersea”, Brian says and what is sure is that his campaign to save the power station isn’t over yet.

NGOs – Learn to use Video!

Posted on by
Reply
For NGO's video is important in storytelling and giving campaigns greater impact.

Video is important for NGOs when it comes to storytelling and giving campaigns greater impact.

Here are 5 reasons why:

1. With the rise of social media and the internet, NGO’s have never been so equipped to campaign and connect with their audiences as they are now.

2. Video is important in storytelling and can give campaigns more impact.

3. Videos can create more interest, meaning more people will support your initiatives.

4. Video can encourage sharing as people are 21 times more likely to share a video on social media than text, says a study by Hubspot. This creates further knowledge of your project and encourages new and potential supporters.

5. Campaigns which involve video are more likely to go viral – for example the ALS ice bucket challenge last summer was seen by millions.

Spectacle offer a short film making course which is designed to suit NGO’s, Charities, Start ups and SME’s.  The training is not technology specific but allows you to make use of the equipment you have available and use low budget techniques.  This is more cost effective than hiring a film crew.

We also offer an intensive 4 day course attended by NGO, charity and communications workers.

If you are interested in booking either course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.




 

Spectacle’s training course encourages you to take the next step

Posted on by
Reply
training

Spectacle offers several training courses in which participants can experience all the aspects of filmmaking.

Recently I  participated  in Spectacle’s  four day Digital Filmmaking training course which I did as a part of my one month work placement for Spectacle. These intense four days gave me what I was looking for – a practical skill set in filmmaking and post production. As an undergraduate Politics & Media students at Bournemouth University, the training course provided me with practical tips how to produce a short film and what I need to know beforehand which will without a doubt benefit my studies.

During the training course the other participants and I had a chance to practice all aspects of filmmaking: everyone had a go with camera, sound, interviewing and directing. A practical exercise was an interview with a local Mural artist Brian Barnes who talked about his art inspired by the Battersea Power Station. Dominique Lyons, one of the participants describes the training as ‘a good all round course on the basics’. Dominique who works in communications thinks she picked the right course for herself however our participants also came from different fields.

Pelagia Makrelli, an anthropology student from Greece, did her Erasmus workplacement for Spectacle this summer. She says the training helps ‘anthropologists to go from theory to action’. Another anthropologist participating the course was Zsuzsa Millei who says she appreciates how the course showed ‘respect for beginners enthusiasm, patience when something went wrong and understanding of clumsiness’.

brian

How to film an interview? Spectacle’s training course participants tested interview techniques with a mural artist Brian Barnes.

With my previous experience in editing covering the basics of how to use iMovie, the training course shed light on more advanced editing software and broadened my knowledge of different possibilities for editing. We learned how to use Final Cut Pro and we were advised which software might suit our own purposes. Now after the training course I feel a lot more confident with working with cameras and I’m looking forward to use these new skills in practice.

A freelance journalist Jessica Holland also found the training course very beneficial and she hopes to use her skills to make short documentaries. After all everyone of us who took part in the training course will use these learned skills in different ways. However I believe the course encouraged us to take the next step and get involved in film projects that we might have missed otherwise.

If you are interested in booking the course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.