Battersea Places

Join our Participatory Video Archive Workshops

Through our continous efforts to work with the local community, we would like to introduce The Battersea Places Video Archive Project, its a series of participant-led workshops, exploring the Battersea area throughout the years. 

Battersea and the riverside industries once had some cohesion but its identity, landscapes, political boundaries and demographics have been impacted by waves of industrialisation, land reclamation, bomb damage, mass house building, modernisation, de-industrialisation, demolitions and gentrification.

A series of workshops will be held on Wednesday evenings (at our Lavender Hill Studio or Online) from January through to the end of March where, as a group, we will create a collective visual representation of the local communities and places. Through the use of archives and their new found filming and editing skills, the group will produce a short film, exploring the community’s heritage. The group’s final projects will be shared at public screenings and made available online. 

If this sounds like something of interest to you, then don’t worry, it’s not too late to join in. Luckily for you we record our meetings, so catching up is a possibility. If you would like to join us in our upcoming meetings and become a part of the project, please sign up here. 

Workshop Sign up Form

Interview with Muralist Brian Barnes

Stockwell Memorial, Brian Barnes, 2001

Brian Barnes MBE made his mark on London, and his native Battersea in particular, as both an artist and community activist. Whilst some of his most iconic murals have been lost, many remain and continue to brighten the urban streetscapes they occupy. These include Nuclear Dawn (1981) in Brixton and the Stockwell Memorial (2001). Sadly, Brian passed away in November of last year (2021). To celebrate his work we will be releasing a series of short films featuring Brian talking about his process and the political impulse that shapes his work.

Spectacle filmed many interviews with Brian Barnes over the years covering both his art and activism. The first of our films on Brian Barnes was filmed by students on one of Spectacles training courses. It features Brian discussing the his Stockwell Memorial mural and can be seen in full here:

Chesterton School Mural Repair

In the playground of Chesterton School, Battersea SW11 is a much-loved mural painted by the talented Brian Barnes.

Due to construction work on the school ground, the top part of the mural was damaged and needed repair. Watch our video below of Brian explaining the different panels.

Below is a log written in his own words about the process of repairing the mural. 

“The mural needed repairs because the wall was replaced taking away about 200 sq ft. of the painting equivalent to a quarter of the mural. All above the climbing studs which tended to be the most detailed.

Morgan Paton helped me in the weeks of the summer holidays. The weather was very warm with a very hot day of 38 degrees in the shade but little shade, Morgan made a tarpaulin shelter. We had a few volunteers Omero painted the blue arc on 27th August. Then we also had help from Fraya and Liam. Morgan painting Downe House home of Charles Darwin near Bromley. I painted a new version of the portrait of Darwin from a photo.

We went on Saturday 21st September to complete the repairs having painted for 10 days for 120 hours (not including an extra drawing for the Darwin portrait on paper)”

Brian Barnes is the founder of the Battersea Power Station community group. You can follow the links below for more updated information on the campaign to save the power station.

Click Battersea Power Station for more blogs, information and videos.

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Memories of Battersea – Screening Event

We are pleased to announce that after a few months of filming and collecting stories from Battersea residents, we are ready to screen our project to the public!

Memories of Battersea is a video oral history project run by Spectacle and part funded by the Wandsworth Grant Fund. The project gave young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

The screening will take place on Monday, 15th October at
Senior Citizen Club
234 Carey Gardens
London SW8 4HW.

  • 4.30pm – 5.30pm – walking tour of the Carey Gardens Estate with Mark Saunders – filmmaker, Brian Barnes – mural artist and Nick Wood – architect
  • 5.30pm – 7.30pm – screening and discussion with contributors and filmmakers

You can find trailers to “Memories of Battersea” in our previous posts or on Spectacle’s Youtube channel: bit.ly/MBATTtrailers

More info about the event can be also found here

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Battersea Power Station under investigation for “dubious” investments

Former Malaysian PM Najib Razak (pictured below sharing a joke with David Cameron and Boris Johnson)  has been charged with corruption over a ‘£3.4bn fraud.’

Caption Competition: Former Malaysian PM Najib Razak, Boris Johnson and David Cameron

The purchase of Battersea Power Station, the biggest property deal in the UK, is under threat after Anwar Ibrahim, the new leader of Malaysia’s governing coalition said it would be investigated as part of “dubious” investments made by the previous administration.

The Guardian reported:

“Anwar Ibrahim’s comments will raise questions about the British government’s commitment to fighting corruption. He said the money trail of the 1MDB fraud ran through London, with $1.83bn of Malaysia’s cash funnelled into a Saudi-British company.

“There was no attempt by British authorities to investigate. But this was a crime using sovereign wealth funds for reckless spending sprees.” he said.

“I say to Britain: you talk about transparency and anti-corruption drives, now is the time for action. I am saying now allow the institutions to conduct investigations fairly and give the necessary cooperation.”

Anwar Ibrahim, the opposition leader spent nine years in prison on charges which have been confirmed as trumped up and politically driven.

We ask how does this impact on the future of the building? The signs are not good. Despite being festooned with cranes there does not seem to be much going on at the site, just the continuation of the demolition by stealth. The east and west walls of iconic art deco brick work have gone. The London luxury property market has effectively collapsed. Many key individuals, including long time CEO Robert Tincknell, have left the Battersea Power Station Development Company (did they jump or were they pushed?).

Are we going to be left, as predicted, with a useless and worthless ruin surrounded by hideous and empty flats that no one wants to buy? Will the poor workers of Malaysia ever see their money back?

You can read more about Battersea Power Station on our blog and watch our film Selling an Icon here:

 

Battersea Power Station: Selling an Icon from Spectacle Media on Vimeo.

‘Battersea Power Station: Selling an Icon’ tells the story of Battersea Power Station from its prominence as a site of industrial power through the years of dereliction, speculation and planning blight to the replacement of the chimneys under the current scheme – a key example of developer-led preservation. In an age of aggressive ‘big business’ redevelopment, the film gives voice to the local communities who are rarely consulted and often overlooked.

Filmed over 15 years, Spectacle’s new documentary follows the grassroots campaigns of Battersea Power Station Community Group to preserve the building for the public good. It takes us straight to the heart of the current conservation debate about whether – and how – historic buildings should be preserved, governed, modified or replaced, and ‘who’ they belong to.

Also available to purchase on DVD. For institutional buyers and public screenings, please contact us at distribution@spectacle.co.uk.

Memories of Battersea: Nick

Memories of Battersea is an oral history video project run by Spectacle and part funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this video, Spectacle met Nick Wood, the eclectic architect who designed and built the Carey Gardens estate in the early 70s in SW8 Battersea in Wandsworth.

Nick Wood, the GLC architect of Carey Gardens estate

Throughout his successful career at the London County Council and the Greater London Council, Nick aimed to create “council estates that didn’t look like council estates”, designing buildings that could provide an enjoyable living environment for its residents. Nick applied Sir Leslie Martin’s theories on land use to design Carey Gardens estate and his model proved that it was possible to achieve high density with low-rise buildings. During this time period, this was seen as revolutionary seeing as high-rise blocks were seen as more fashionable but cost more to build.

The Carey Gardens estate model, designed by Nick Wood

This Memories of Battersea episode gives an insight into the history of social housing, focusing on the effort of building new homes for the Battersea community after the devastation of World War II. Nick also walks through his theory use and intentions on building Carey Gardens as he sits down with an aerial map of the estate. He also mentions the Carey Gardens Co-operative, the tenant management organisation that plans events and coastal trips for the residents, proving how good urban housing design creates vibrant and happy resident communities.

Watch the full film here.

Visit Spectacle’s Memories of Battersea channel on Vimeo to watch other episodes featuring Battersea residents’ stories.

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Memories of Battersea: Mohamed

Memories of Battersea is a video oral history project run by Spectacle and funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this video, we meet Mohamed Ali, a local community organisation founder and Battersea resident who immigrated from Somalia with his family in the late 90s to seek a better life away from the on-going Somali civil war.

Mohamed Ali, local Battersea resident and founder of Elays Network.

Mohamed spends his time working in the R & E Centre on St Rule Street in the SW8 area. He started Elays Network to work primarily in youth development and education but as the organisation expanded, they began to involve men and women of all ages in various activities, focusing on building bridges between the migrant communities and the host communities.

Most recently some of the organisation’s women came together to curate an event called Somali Women in the Arts which saw them exhibit their artwork, from paintings to poetry, in the Battersea Power Station.

Somali Women in the Arts exhibition, held at the Battersea Power Station.

He talks about his early experiences adjusting to life in London, the urban development and gentrification in Battersea and its impact on the lower and working class, the establishment of the Somali community within the borough of Wandsworth and how he founded Elays Network. He also relives some key events of how Elays has helped to strengthen and and bring together the Battersea community, as well as suggesting how the migrant and host communities should move forward in becoming a better integrated, accepting and united society.

Watch the full film here on Vimeo.

Visit Spectacle’s Memories of Battersea channel on Vimeo to watch other episodes featuring Battersea residents’ unique stories.

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De-Risky Business – Battersea Power Station £1.6bn sale?

What is really going on at Battersea Power Station? The developers hope to sell to two  Malaysian saving fund investors, Permodalan Nasional Berhad (PNB) and Employees Provident Fund Board (EPF) for £1.6 Billion. However PNB and EPF already indirectly own a large stake in the developers.

The press is focussing on the record £1.6bn price tag making it the most expensive property purchase ever in London. Given the state of the pound post Brexit, the declining property market, the seriously troubled UK construction industry and Apple’s history of fickle “commitments” it might be London’s worse ever property purchase.

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Battersea Power Station Sunset

Shareholdings in Battersea Project Holding Company Ltd will remain unchanged between Sime Darby Property Berhad (40%), SP Setia (40%) and EPF (20%). PNB owns a stake in Battersea Power Station through its 55% shareholding in SP Setia and stake in Sime Darby, following its acquisition last summer of Sime Darby’s entire interest in its property arm, Seriemas Development Sdn Bhd (SDSB).  However the project will still be managed by same old Battersea Power Station Development Company (BPSDC) who say despite spiralling costs the deal will “guarantee the restoration of the building was completed” something they have always insisted was never in doubt.

A cynic might argue that was is really behind this manoeuvring is the off-loading of an ailing white elephant, profit forecasts have gone from 20% to just 8% since 2012, building costs have doubled, onto the poor Malaysian pensioners who have savings in PNB and EPF. De-risking or handing over future losses to Malaysian public money.

Battersea Power Station: Selling an Icon from Spectacle Media on Vimeo.

Demolition by Stealth. Perhaps we are lucky the (fake) chimneys are up on what’s left of the grade 2* listed building but sadly the wonderful brown Blockley brick east and west walls are half demolished, to be replaced with “pre-fab brickwork” according to Brian Barnes of Battersea Power Station Community Group despite the assurances, made in Selling an Icon, by sleepy old Historic England.

 

Read more about Battersea Power Station on Spectacle’s blog

Watch Battersea Power Station: Selling an Icon on video on demand or DVD.

Other articles:

https://www.theguardian.com/…/battersea-power-station-to-be…

http://www.costar.co.uk/…/Malaysian-duo-to-buy-Apples-HQ-a…/

Memories of Battersea: Christine

Memories of Battersea is a video oral history project run by Spectacle Productions and funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this episode we met theatre director Christine Eccles in the Battersea Art Centre. Christine tells her story about Mayday Theatre, a politically engaged theatre company based in Battersea during the seventies and early eighties.

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Christine moved to Battersea from Liverpool in the early seventies and, inspired by radical theatre and the political atmosphere at the time, started her own socialist community theatre group. Working with the local residents and the Labour council they put on shows around South London that were based on local issues and stories such as the lives of factory workers, the gentrification of Battersea and the growth of the National Front in the area.

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In this short film she recounts stories from some of their most memorable performances, shares her photos from the time, describes her experiences of working with the local community, and explains why her work was an important political force in the history of Battersea. She describes the neighbourhood’s radical history, what it was like when she moved there, and the changes that have taken place since then, including the sudden switch from a Labour to a Conservative council and the rapid change in housing landscape.

Christine is the second episode in the series. Watch Memories of Battersea: Jean, the first episode, here.  

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What’s going on with Battersea Power Station?

Go to ITALIAN version

After a big spike in reporters’ attention following Apple’s decision to move its headquarters into the grade 2 star listed art deco Building, Battersea Power Station has gone quieter in mainstream media over the last months. This doesn’t mean that nothing has changed and Spectacle has been following the latest initiatives of Battersea Power Station Development Company around the beloved building designed by Giles Gilbert Scott. Unfortunately much of the news is not reassuring.

Bad news or good news? Bad and good, as usual, are mixed up in the opacity of corporate communication, where everything can be spun according to the most convenient narrative. In fact, the general public is probably aware that the biggest and richest company in the world, Apple, have expressed their intention to move into the refurbished power plant. Apple has been welcomed almost unanimously in mainstream media (among others:  BBC, The Guardian, Evening Standard) as good news. Meanwhile only Spectacle’s blog reported that the East Wall has been completely demolished in order to make windows and give light to Apple’s offices.

Battersea Power Station - three of the four chimneys have been rebuilt

Battersea Power Station – three of the four chimneys have been rebuilt. (Spectacle, 10/03/17)

This major loss, unreported in the mainstream media, follows a curious ’destroy-to-preserve’  strategy repeatedly applied to portions of the Battersea Power Station. Even though best practice in heritage interventions recommends to keep existing structures, the iconic chimneys have gone and been replaced with replicas. In our opinion this is the most evident distortion produced by developer-led preservation, as shown in our film Battersea Power Station: Selling an Icon.

The demolitions (east wall and chimneys) have been approved by all regulatory agencies (Historic England – former English Heritage – and Wandsworth Council) and justified with the greater good of bringing the Battersea Power Station back to life. But what good has the 9 billion development – one of the biggest in Europe –  delivered so far? The works to rebuild the chimneys have proceeded and, at the moment, three newly built chimneys stick out the spoiled art deco power station. Hopefully Londoners will be able to once again admire the four chimneys back on the Battersea skyline, even though they are fakes. Better than nothing? Maybe. 

PUBLIC NOT PUBLIC

Battersea Power Station Development Company, through it’s Chief Executive Rob Tincknell, have recently announced the opening of a riverside walk in the development area:  “We are delighted that we are able to open new public spaces for London and are starting to bring the power station and its surrounds back into London life” (Reported on the Evening Standard). Despite the enthusiasm in the wording, the ‘public space’ Rob Tincknell is talking about is a private walk squeezed between the river and Phase 1 of the development. This promenade is going to be integrated into the wider riverside walk that will be opened in front of the Power Station. Like the rest of the development, this space is private and merely open to public, which is quite different from being ‘public space’.

BPS_Collage_Riverside

The recently open riverside promenade (Spectacle, 04/03/2015)

While filming the new Riverside promenade, our naive crew, believing in the “public space” hype outlined by the developers, acted as if it was a real public area. Unfortunately we have been brought back to reality when the local security reminded us that the landlord decided that smoking was not allowed on the site. Thanks to this sensible management, our health has been preserved. Nevertheless it seems unlikely that a privately policed space will guarantee free enjoyment of the river. If they were to outlaw picnics (maybe to help food shops in the development) or a protest, there would be little room for complaint: that’s what you get when you privatise public spaces.

The Guardian in the past has warned about the effects already produced by this public/private mix on the shores of the River Thames, that became a “bafflingly complex labyrinth of private obstructions and municipal confusion – and a struggle over land rights that could have serious consequences for common access to the river”. Not a great prelude to what developers offer as a unique experience.

PLANNING NOT PLANNING 

The pretentious 230 pages long ‘manifesto’ on Place Making put forward by the Battersea Power Station Development Company gives paramount importance to mixed use and mixed tenancy. Despite the commitment to deliver housing (and some affordable housing) to London’s population, the Malaysian consortium that leads the development has changed its mind, switching from luxury flats to offices.

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Cover page of Battersea Power Station Development Company book on ‘place making’ (2014)

Battersea Power Station Development Company have put forward an application for a change of use for Phase 3 of the project. Developers are seeking to turn two buildings, by starchitects Frank Gehry and Norman Foster, – whose flats have already been displayed for sale – from residential to office use. The Financial Times, reported the proposed change is due to a drastic drop in the prime housing market price, whereas demand for office space seems to be holding a higher value. Rob Tincknell in the Financial Times had to justify the plan: “The great thing about a long-term scheme like this is we can adjust with the markets. If there’s no residential market and a very strong office market then we will build offices”.

The same Tincknell that now praises flexibility, in the past gave an interview to Peter Watts, for his book “Up in Smoke” about the history of Battersea Power Station, making clear how Battersea Power Station Development Company came up with their surefire recipe to make Battersea the perfect place: “57% residential. Of the remaining 43% that’s about 3.4m sq ft, 1.2m retail and restaurants, 1.7m sq ft of offices and the balance in hotels, leisure and community space.” We wonder what happened to the pseudo-scientific plan for mixing uses and people in the “new place”, allegedly the result of a long consultation with local people. Maybe it wasn’t that important, since Tincknell tells the Financial Times now that “I could easily see us adding another million square feet (of office space)” and taking out a hotel and lots of residential from the scheme.

Battersea Power Station Community Group, virtually the only critical voice in the neighbourhood whose opinion has never been taken into account by the developers, have stood against the proposed plan: “The Gehry and Foster blocks should become social, affordable and mid-priced housing. There could be some office space at the lower levels. But with a housing crisis in London of unprecedented severity, these buildings should not be given over to offices in their entirety”.

Keep following our blog for updates and other contradictions produced by the big bang development of Battersea Power Station

Watch more videos on Battersea Power Station
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See our Battersea Power Station project pages for more information and videos.

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