Omar Deghayes, former Guantanamo Bay detainee, describes his interrogation by British Intelligence

VIDEO INTERVIEW: FORMER GUANTANÁMO DETAINEE ON BRITISH COMPLICITY IN TORTURE

Omar Deghayes, former Guantanamo Bay detainee, describes his interrogation by British Intelligence agent, “Andrew’, and others (MI5 and MI6) while held illegally in Pakistan, before being sold into US custody and rendered to Bagram prison in Afghanistan and subjected to torture. This is an extended rough cut from Spectacle’s film: “Outside the Law: Stories from Guantanamo”

WATCH Omar Deghayes’ interview

For related interviews and extras visit Spectacle’s Archive Page

For further information on the Guantanamo Project visit Spectacle’s Project Page

To find out when/where screenings of “Outside the Law: Stories from Guantanamo” are taking place visit Spectacle’s Events Page

Battersea Power Station wins ‘Landmark London’ pin badge vote

‘Landmark London’ pin badge winners.

As the 2012 Olympic Games fast approaches the London 2012 Organising Committee and London Councils have announced the landmarks chosen by Londoners to feature in a celebratory set of London 2012 ‘Landmark London’ pin badges to go on sale this year. Londoners had from Monday 14 September until midnight on Sunday 18 October 2009 to cast their vote from a list of nominations. Winning landmarks range from visitor attractions, theatres and museums to windmills, clock towers and bridges.

The winning landmark for the London Borough of Wandsworth was announced as Battersea Power Station. A Grade II listed building built in 1939. It was the first in a series of generators set up as part of the National Grid power distribution system, standardising the supply of electricity in England.

However, by 2012 the developers of the Power Station may well have removed the landmark’s iconic chimneys.  This is just one of the drastic changes currently planned for this highly popular building.

Read more Blogs about Battersea Power Station.

Information about Spectacle’s Battersea Power Station Project.


Land is Ours

New to the Spectacle Archive

Land is Ours

In 1996 campaigners from ‘The Land is Ours’ occupied the river front site of an old distillery and oil depot on York Road, London SWl1, Wandsworth. Building a sustainable Eco village with gardens and public amenities.

Today, however on the site of the “Pure Genius” Land is Ours Eco Village stands Battersea Reach flats.

There is new footage of the site 15 years on, as well as the original film from 1996 now on the Spectacle Archive page:

Land is Ours Guiness site in 2010 – 2010

Land is Ours Wandsworth Bridge 1996 Pure Genius!!

London – Delhi 2010-2012 Exhibition

Exhibition 5 February – Sun 28th February 2010

Location: Watermans

The London – Delhi 2010 – 2012 Exhibition will be showing at Watermans until the 28th of this month.

London-Delhi 2010-2012 is a digital arts collaboration between artists and young people in London and Delhi, creating and sharing contemporary stories of their two cities.

The research areas that are being explored touch upon large scale structural changes that are happening in Delhi and London, the social worlds that get impacted through these changes and the zones of flux and uncertainty about ways of life that these produce. London-Delhi 2010 -2012 will draw on the different perspectives and transformations of these two cities, each with the eyes of the world upon them, as they prepare to host Delhi 2010 and London 2012.

Learn more about this project:

London – Delhi 2010-2012

Riverfront – Workshop Film

Riverfront – Spectacle’s Film

Watermans

London – Delhi Exhibition

Exhibition – 4 February 2010

Tonight is the private viewing launch of creative media exhibition, London – Delhi 2010-2012.

London-Delhi 2010-2012 is a digital arts collaboration between artists and young people in London and Delhi, creating and sharing contemporary stories of their two cities.

The research areas that are being explored touch upon large scale structural changes that are happening in Delhi and London, the social worlds that get impacted through these changes and the zones of flux and uncertainty about ways of life that these produce. London-Delhi 2010 -2012 will draw on the different perspectives and transformations of these two cities, each with the eyes of the world upon them, as they prepare to host Delhi 2010 and London 2012.

Read More:

London – Delhi 2010-2012

Watch:

Riverfront-Workshop Film

Riverfront-Spectacle’s Film

Eco-Town Con

Whitehill-Bordon has been designated an eco-town, where it is proposed to double the size of the existing town of 15,000.  There is strong popular opposition to what people see as a con trick to sell off MoD land and build lots of houses.  The result will be the opposite of eco: more carbon, more traffic, a job famine, thousands of trees felled, farm and other green land bulldozed and no real eco benefit, just an urbanised country town that fails all the original government criteria and has only been approved because the local Council supports it.  But the Council’s pre-determined ideas are being steamrollered through a combination of misleading propaganda, scaremongering, tame consultants, rigged consultation and, now political thuggery, with dissenting local councillors being replaced by local party members from distant wards.  The pattern is no doubt being repeated elsewhere in the country.

To learn more see www.baaga.co.uk

Read what Friends of the Earth have to say at:

http://foe.co.uk/resource/briefings/ecotowns_briefing.pdf

The Local Government Association says:

“These developments could become the eco-slums of the future”


Cultural differences on TV


The Unteachables, Channel 4 – A programme format is a license to produce and to broadcast a
national version of a copyrighted foreign television programme and to use its name

Programme formats are a major part of the international television market and they keep growing in popularity. With 11.6 million viewers previous Saturday X- Factor is a great example of the public’s desire for these type of programmes. The broadcasters love them too because of the large cost savings associated with avoiding the risk of inventing something original.

The most common type of formats are those in the genre of game shows, which quite often are remade in multiple markets with local contestants. Other key examples than X-Factor are Who Wants to Be a Millionaire, Survivor and Big Brother. However, there are also examples of documentaries as formats such as The Unteachables which Spectacle has been involved with.

On paper, formats don’t leave much room for creativity, nevertheless these programmes still seem to be executed differently in different countries. Does this mean that a TV format is a complex cultural product that cannot simply be reduced to a mere mechanical reproduction of a purchased TV programme? This might be a reasonable hypothesis when comparing The Unteachables with the Danish version of the programme titled Plan B.

A TV prog

ramme format is a license to produce and to broadcast a national version of a copyrighted foreign television program and to use its name.

Plan B, TV2 – the Danish version of The Unteachables

On the surface, the two versions of the programme seem quite similar. In both countries school children take part in a ground-breaking educational experiment investigating whether the school system is at fault, or the children are simply unteachable. In both cases the outcome of the experiment is positive: With the right teacher and learning methods by their side, even the worst behaved children can overcome their attendance problems.

However, when taking a closer look at the two versions, differences still occur – the two titles demonstrate this to great extent. Whereas the English version focuses on suspended school children the Danish one focuses on those children lacking confidence in school. Furthermore, in the English version the editing speed is faster and there is more focus on the children heavily using swear words.

How come these differences occur in the same programme format? Surely, a program will be executed differently by different producers, but is this a sign of the English media’s wish or need to be sensational and tabloid in order to attract greater audiences? It might also be worth taking into account the type of channels the programmes were broadcast on. The Danish channel TV2 prides itself on being an inclusive channel with the aim of unifying the public. On TV2 there are only winners – not losers.

Does this explain the differences or are the two school systems just too different to compare? Did Channel 4 portray a neutral picture of the English school system? Or do you think it is driven by sensational stories?

What about the Danish version? Is that a great example of how the school system operates in this country? Or is it too glorifying?

Have you experienced other versions of The Unteachables in other countries and how was the school system portrayed there?

You can find out more about Spectacle’s Class X project commissioned by Channel 4 to accompany the Unteachables series or order the DVD from distribution@spectacle.co.uk

Class X Discuss Black History

Class X

The clips from the Class X project that once featured on the Channel 4 website as The Unteachables is now accessible on Spectacle’s homepage.

The clips were made for Channel Four Online in connection with the TV series ‘The Unteachables’. The idea was to contribute to the debate on education from the point of view of school kids.

To commemorate Black History Month, we would like to promote the clip ‘Diversity in History’.

Launch Screening – Outside The Law: Stories From Guantánamo

Outside the Law: Stories from Guantánamo
(Spectacle Productions, 2009; 74 mins., directed by Polly Nash, with Andy Worthington)

The Film is being launched at the Cochrane Theatre in London on Wednesday 21st October in association with Cageprisoners and the Guantanamo Justice Centre. Ticket are free but should be booked in advance via www.cochranetheatre.co.uk or 020 7269 1606

Doors open 6pm, film starts 7pm, Q&A 8.30pm

“Outside the Law: Stories from Guantánamo” is a new documentary film telling the story of Guantánamo (and including sections on extraordinary rendition and secret prisons) with a particular focus on how the Bush administration turned its back on domestic and international laws, how prisoners were rounded up in Afghanistan and Pakistan without adequate screening (and often for bounty payments), and why some of these men may have been in Afghanistan or Pakistan for reasons unconnected with militancy or terrorism (as missionaries or humanitarian aid workers, for example).

Focusing on the stories of three particular prisoners — Shaker Aamer (who is still held), Binyam Mohamed (who was released in February 2009) and Omar Deghayes (who was released in December 2007)  — “Outside the Law: Stories from Guantánamo” provides a powerful rebuke to those who believe that Guantánamo holds “the worst of the worst” and that the Bush administration was justified in responding to the terrorist attacks of September 11, 2001 by holding men neither as prisoners of war, protected by the Geneva Conventions, nor as criminal suspects with habeas corpus rights, but as “illegal enemy combatants” with no rights whatsoever.

The film contains interviews with former prisoners (Moazzam Begg and, in his first major interview, Omar Deghayes) lawyers for the prisoners (Clive Stafford Smith in the UK and Tom Wilner in the US), and journalist and author Andy Worthington, and also includes appearances from Guantánamo’s former Muslim chaplain James Yee, a London-based Imam, and the British human rights lawyer Gareth Peirce.

For more information visit Spectacle Projects

Polly Nash is a lecturer at the London College Of Communications, part of the University of the Arts, London, and has worked in film and TV for 20 years.

Andy Worthington is a journalist and blogger, and the author of three books, including The Guantánamo Files: The Stories of the 774 Detainees in America’s Illegal Prison (Pluto Press). His website is: www.andyworthington.co.uk

British Airways launches luxury service to New York


Airways was accused of hypocrisy as the airline prepared to launch a luxury all-business service between London and New York, with just 32 seats on an aircraft normally fitted for 100 people, days after chief executive Willie Walsh pledged a drastic cut in emissions.

The twice daily service on customised Airbus A318s features flat beds and latest technology allowing passengers to send emails and text and use the internet while on board.

Flights leaving from London though will be forced to make a brief refueling stop at Shannon airport in the west of Ireland because City airport’s runway is too short to handle an A318 aircraft with a full fuel load.

Greenpeace aviation campaigner, Vicky Wyatt, said the service was “[…] Willie Walsh announced that the industry is committed to playing its part in the fight against climate change. But it is blindingly obvious that the aviation industry doesn’t intend to cut emissions at all. Rather airlines, like BA, want to pay other countries and sectors to make those cuts so that the industry can carry on with business as usual.”

Friends of the Earth campaigner Richard Dyer said the spacious layout of the aircraft meant that each passenger is responsible for around three times the emissions from regular flights.

Walsh appeared before the United Nations forum on climate change in New York last week, to unveil an agreement between airlines, airports and aircraft companies to cut emissions to 50% below 2005 levels by 2050. The plan was viewed as a bid to seize the initiative on the issue, to ensure that the industry would not be ambushed with more punishing strictures at the global warming summit in Copenhagen in December. Aviation accounts for 1.6% of global greenhouse gas emissions currently, but that figure is set to grow significantly if left unchecked

BA will be under pressure to show investors that the premium airline can be a success.

Full Article : BA Luxury service